Packed with gorgeous imagery, new trailer for the follow-up to Tim Burton’s 2010 movie, ‘Alice in Wonderland,’ shows off work from VFX vendors Double Negative and Sony Pictures Imageworks.
Junior Martínez and Pablo Barquín create a mesmerizing video for Sam Shepherd’s musical project Floating Points using a light rig that converts digital 3D data into analog movement to control the path of LED light.
Award-winning studio continues its plain-body series of vintage Le Mans winners with stunning Jaguar D-Type images created using VRay, 3ds Max and Photoshop.
Post-production veteran is appointed Director of Creative Partnerships for the Atlanta branches of Beast, Company 3 and Method Studios.
Creative VFX studio led by veteran VFX Supervisor/Flame artist Karen Heston recently collaborated with director Cary Joji Fukunaga on ‘Beasts of No Nation’ for Netflix.
Deadline for submissions to the Autodesk Games Reel set to debut next year at GDC 2016 is December 14.
Digital studio Reel FX teams up with WWE and Samsung to give wrestling fans an immersive, ringside look into the highly anticipated yearly SummerSlam PPV event.
Now in its fourth year, The VFX Festival 2016 will be held February 23-25 at Cineworld at the O2 Centre in London.
Autodesk Flame now available as a software-only product with customers choosing their own qualified Linux hardware packages; sales of Flame as a turnkey system to be discontinued early next year.
For the first time ever, SIGGRAPH Asia introduces the Symposium on Education and the Symposium on Visualization in High Performance Computing.
MPC teams with 72andSyunny to deliver intense live-action trailer for Activision directed by Wayne McClammy and featuring Michael B. Jordan, Cara Delevingne and Marshawn Lynch.
ADR mixer Doc Kane to receive the Cinema Audio Society’s highest accolade at the 52nd CAS Awards on February 20, 2016.
Cogswell student-designed virtual reality app is named Best in Show by Google’s 2015 Project Tango Developer competition.
Ten-week certificate course from the National Film and Television School offers one guaranteed paid job contract at the studio and production company co-founded by Andy Serkis and Jonathan Cavendish.
New creative director to oversee company’s creative output across clients.
Vicon T40 cameras help Framestore capture the intensity of climbing Mount Everest for epic action-thriller ‘Everest.’
New appointment bolsters computer vision and facial animation specialist's management team.
New investigative show’s elegant look builds on The Brand Gallery’s earlier work for the network’s news division.
Marza Animation president and 21-year Disney Animation Studios veteran to lead master class, ‘Disney/Pixar Storytelling Process On A Shoe-String Budget,’ on November 4 at the California Yacht Club in Marina del Rey.
Los Angeles-based effects house employs Blackmagic Design’s Fusion Studio visual effects and motion graphics software for new series building on the horror franchise created by Robert Rodriguez and Quentin Tarantino.
Cinesite creates the VFX for key sequences in the movie, including the Queen Witch’s resurrection, an epic battle scene and CG magical effects.
New release includes major upgrades to Trapcode Particular, Shine and Mir, new effects builder for visually designing particle systems, and brand-new plug-in Trapcode Tao for generating 3D ribbons and geometric shapes.
Academy Award-nominated VFX veteran has a lengthy list of film and television credits to his name, including ‘McFarland, USA,’ ‘Alexander and the Terrible, Horrible, No Good, Very Bad Day,’ ‘X-Men Origins: Wolverine’ and ‘Live Free and Die Hard.’
Manchester and Westby-based animation studio creates cinematic CG-animated game trailer for ‘War of Tanks: Rubicon X.’
Emmy-nominated Imaginary Forces alum created main title sequences for Starz drama ‘Black Sails’ and the Guillermo del Toro-directed feature ‘Pacific Rim.’
