The Stuttgart International Festival of Animated Film (ITFS) will begin accepting film submissions for the main competitions on Sunday, September 1; deadlines for the short film competition are November 15 and feature-length film competition is January 15, 2025.
Save the date - FMX 2025 will run May 6-9, 2025; free content from this year’s conference is now available to stream, kicking off with ‘AI is now at the Gates of VFX and Animation’ panel.
Attendees can explore the sound design of ‘Dune Part 2,’ the visual effects of ‘Avatar: The Last Airbender,’ and the invisible VFX of Ridley Scott's ‘Napoleon;’ 4-day event kicks off in Stuttgart on April 23, 2024.
Attendees can explore the stylistic design choices behind ‘Kung Fu Panda 4’ and gain insight into artistic and technological innovations developed for ‘Ghostbusters: Frozen Empire;’ 4-day event kicks off in Stuttgart on April 23, 2024.
129 short films and 6 feature-length films will compete at the Stuttgart International Festival of Animated Film, running April 23-28.
4-day event kicks off in Stuttgart on April 23, 2024; new program confirmations include ‘The Power of Collaboration’ a discussion of Global Inclusion, Community, and Connection and Feature VFX: A look behind the scenes of ‘The Creator;’ tickets are now on sale
New confirmations include a look at Yorgos Lanthimos’ ‘Poor Things’ VFX, and the crafting of animated features ‘Nimona’ and ‘Leo;’ 4-day conference returns in person April 23-26, and on demand April 27-May 31.
31st Stuttgart International Festival of Animated Film tickets now available!
Attendees can explore ‘Loki’ Season 2 timeline mayhem and get insight into the making of the 60th anniversary ‘Doctor Who’ special episode; 4-day event kicks off in Stuttgart on April 23, 2024.
Originating from the ‘World of Gra’ universe created by graduates of the Animationsinstitut, the trailer illustrates this year’s event theme, ‘Connecting Ideas;’ the 28th edition of FMX – Film & Media Exchange returns to Stuttgart April 23 to 26.
The 4-day event kicks off in Stuttgart on April 23, 2024 with a focus on ‘Connecting Ideas’ and the return of the ‘Lighting & Rendering” track; annual Animation Production Days is now accepting projects through February 6.
The 28th edition, set for April 23-26, poses the question: Is the Media & Entertainment community moving closer together? Magnopus Global Director of Innovation Salomon Rogers named program chair.
The festival wrapped its 30th edition with an April 30 ceremony honoring winners of the main competitions, with Priit Tender and José Miguel Ribeiro, respectively, taking home the big awards.
Oscar-winning British-Czech animator, director, and screenwriter – known for Pixar’s Ratatouille and Gerri’s Game - takes the reigns in June, promising to remain faithful to his predecessor Andreas Hykade’s principal ‘The person is more important than the project.’
Wētā FX ‘Avatar: The Way of Water’ panels added to a vast array of already confirmed programming for the upcoming 4-day hybrid event, running April 25-27 and online April 28 in Stuttgart.
Part of the 17th Animation Production Days running April 26-28 in Stuttgart, the conference takes place on April 26 and offers animation professionals a platform to discuss current developments in the industry.
The 4-day hybrid event, which runs April 25-27 and online April 28, revealed more on-site programming, including sustainability in media productions panel, VFX insights into HBO’s ‘The Last of Us,’ challenges of adapting literature into animation and games, and masterclasses with Ed Hooks and Craig Caldwell.
A full slate of animated films vie for the coveted Trickster Award in the international feature-length film competition at the Stuttgart International Festival of Animated Film, running April 25-30.
The 4-day hybrid event returns to Stuttgart April 25-27 with an exclusive online day April 28; confirmed presentations include the creative and technical journey of Netflix’s ‘1899’ and Digital Domain’s use of Charlatan, its neural network for ‘deep fake’-like face replacements on Disney+’s ‘She-Hulk: Attorney at Law.’
The hybrid edition, focusing on the art, technology, and business of animation, visual effects, and interactive and immersive media, returns to Stuttgart April 25-27 with an exclusive online day April 28.
Returning in April as ‘climate-friendly’ certified, the event will feature discussions on sustainability in film and media production; programming announcements include a look at animated shorts ‘A Flammable Planet’ and ‘Can’t Negotiate the Melting Point of Ice,’ and advancements of AI Rotoscoping.
A joint venture of the Stuttgart International Festival of Animated Film and FMX, ADP runs April 25-28; deadline for submission of projects in film, TV series, mobile content, games, cross- and transmedia is February 9.
The 4-day hybrid event returns to Stuttgart with 1-day devoted to online presentations from around the world; BAFTA-winning and Oscar-nominated producer Jinko Gotoh serves as the next program chair.
After an 8-year stint as director, the professor and filmmaker will take on a new teaching role, Head of Animation Directing, at the institute, beginning in the upcoming academic school year.
The festival wrapped with its May 8 award ceremony honoring winners of the main competitions; the Trickstar Professional Awards were presented May 7, with the Tricks for Kids Awards on May 4.
