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Tagged With: Post-Production

Business Headline News

Alkemy X Launches New Independent Film Services Division

The Philadelphia-based production company expands its focused support of independent feature film production; new effort to be led by Andrew Greenblatt, Chief Executive Officer and Executive Director of the Philadelphia Film Society.

Business Headline News

Platige Image Opens Canary Islands Studio

By Dan Sarto | Monday, May 20, 2024 at 3:48pm

Leading VFX and post-production studio joins more than a dozen production companies that have opened facilities in Las Palmas, taking advantage of local film production incentives.

GenAI in Animation Production Headline News

Kartoon Studios Announces Gadget A.I.

New proprietary GenAI integrated toolkit, developed on NVIDIA Omniverse, is designed for development, production, and post-production of new animated content as well as upgrading existing catalogs.

Business Headline News

Toonz Media Announces ‘Little Sparks’ TV Adaptation

Entertainment company teams up with That Spark Corp to co-produce 3D animated kids’ show based on Chris Parsons’ popular kids’ book series, slated for 2025 release; companion mobile app and Roblox game also announced. 

Business Headline News

Autodesk Closes PIX Acquisition

With the addition of the production management solution, the tech giant’s industry cloud for M&E, Flow, will link previously disparate workflows of pre-and post-production, fostering broader collaboration and efficiency.

Even Better MoCap Headline News

Movella and HTC VIVE Reveal Native Virtual Production Pipeline Integration

Integration of VIVE Mars CamTrack and Xsens Animate motion-capture technology promises to elevate virtual production by converging precision, efficiency, and cost-effectiveness for a seamless, collaborative workflow and production experience; see it at GDC beginning March 18. 

Commercials Headline News

Platige Image Shares ‘Versace’s Bright Crystal’ Campaign

The BAFTA-winning studio captures director Gordon von Steiner’s vision, contributing VFX including the creation of a mysterious liquid acting as a portal to an alternate reality.

Such a Doll VFXWorld

No Visual Effects in ‘Barbie’? Glen Pratt Reveals the Truth

The VFX supervisor on Greta Gerwig’s hit film sheds light on the various ways the famed Mattel doll and her world came to life across 1,300 shots involving various digital filmmaking tools, including virtual production, previs, postvis, CG set augmentation, and more than 20 fully CG shots, produced by Framestore, Chicken Bone FX, FuseFX, UPP, and Lola VFX.

Business Headline News

The Refinery Signs with Alta Global Media

The South African post-house’s offerings range from script to screen while promoting creative financial solutions for filmmakers, including the robust South African tax incentives.

A Must-Have Guide Headline News

VES Announces ‘The VES Handbook of Virtual Production’ Release

The comprehensive guide to techniques and best practices, gleaned from 82 experts in VR, AR, MR, and XR technology and edited by VFX professionals Susan Zwerman VES and Jeffrey A. Okun VES, is now available for pre-order.

People Headline News

Sony Pictures Imageworks Names Michelle Grady President

The VFX veteran gets the nod as her ongoing leadership has bolstered company’s growth in innovation and ground-breaking visual effects, including its hugely successful, critically acclaimed animated feature ‘Spider-Man: Across the Spider-Verse.’

Harrison Ford Can Still Whip it Up! VFXWorld

Rising Sun Pictures and Important Looking Pirates Tackle ‘Indiana Jones and the Dial of Destiny’ VFX

The visual effects studios recreated 1960s New York City, complete with city street and subway chases – and digital horse - and an ancient undersea trireme shipwreck dive that included digital doubles, digital creatures, and dry-for-wet effects, respectively, on James Mangold and Lucasfilm’s final ‘Indiana Jones’ cinematic franchise adventure.

VFX Magic Headline News

MPC Shares ‘Transformers: Rise of the Beasts’ VFX Breakdown Reel

See how the leading visual effects studio delivered 896 shots on Paramount Pictures’ newest entry in the ‘Transformers’ universe, including creating multiple large-scale full CG and digital set extensions, including one that transported the present-day New York skyline back to 1994.

Business Headline News

Mass FX Media Gets New Denver Digs

The Colorado studio’s new state-of-the-art facility expands its post capabilities while boasting a Dolby Atmos theater for sound mixing, color grading and QC screenings.

VFX for Film Headline News

VFX Legion Shares ‘The Passenger’ Breakdown Reel

Team delivers 60+ shots and digital effects intensifying the high-impact violence throughout the hostage thriller, from the bloody restaurant massacre to the killing spree that follows; now available on streaming platforms.

Commercials Headline News

The-Artery Turns Day to Night in ‘New Light’

The creative studio once again partnered with Mercedes-Benz, providing live-action production, editorial, post, VFX, color grading and finishing, transforming a daytime shoot on the California coast into night scenes.

People Headline News

NFB Names Richard Cormier Director General

The 30+ year industry veteran will oversee implementation of the organization’s vision and objectives across production, distribution, marketing, and business; he assumes his new role September 11.

Conferences Events

European Conference on Visual Media Production 2023

Begins: November 11, 2023

The 20th ACM SIGGRAPH European Conference on Visual Media Production brings together worlds of academic algorithmic research and post-production to discuss new advancements and innovative applications; the conference will take place November 11– December 1, 2023.

VFX Magic Headline News

MPC Shares VFX and Animation From ‘Transformers: Rise of the Beasts’

Studio created multiple large-scale full CG and digital set extensions, including one that transported the present-day New York skyline back to 1994; a team of 1,000+ artists across London, Montreal, Bangalore, LA, Toronto, and Adelaide delivered 896 shots, including 18 of the movie’s characters.

The Final Countdown ANIMATIONWorld

‘The Super Mario Bros. Movie’ Gets a Color Grade of A

For Company 3 senior colorist Jason Hanel, though most visual decisions have already been reflected in the film’s rendered and re-rendered final imagery, in post, he still provides a tremendous amount of scene by scene fine-tuning to get the film’s look just right.

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