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Tagged With: Post-Production

People Headline News

CoSA VFX Names Devon Irete Associate Executive Producer

Visual effects and post-production veteran joins LA-based business development team, working with U.K.-based executive producer Stephanie Winslow to spearhead studio’s continuing global expansion.

Virtual Production Tools Headline News

MELS Post and VFX Studio Awarded Epic MegaGrant

Grant will be used by Montreal-based studio to further the company’s virtual production initiatives; their technology replaces greenscreens with a virtual set, offering producers creative flexibility and freedom.

Beware the White Spikes! VFXWorld

Designing ‘The Tomorrow War’s Vicious, Deadly Aliens

For VFX supervisor Jamie Price, the ‘White Spikes’ predators eradicating humans in Chris McKay and Amazon Studios’ original sci-fi thriller had to be agile, scary, and above all, lethal.

Baby I’m Amazed Headline News

Digitally De-Aged Paul McCartney Rocks ‘Find My Way’ Music Video

By Dan Sarto | Thursday, July 22, 2021 at 3:39pm

Funky single from Beatles legend’s new album, ‘McCartney III Imagined,’ featuring 8X Grammy winner Beck, takes a psychedelic dance trip through the halls of a hotel, blurring space, time, and identity.

Good v Evil! VFXWorld

Creating the Post-Apocalyptic World of Stephen King’s ‘The Stand’

By Dan Sarto | Thursday, June 24, 2021 at 1:08pm

Overall VFX supervisor Jake Braver, with the help of ILM VFX supervisor Laurent Hugueniot, delivers 2,800 VFX shots depicting a world decimated by plague and a city ruled by supernatural evil, in the 9-part series from CBS Television Studios now streaming on Paramount+.

VFX Headline News

WATCH: Pixomondo’s ‘Star Trek: Discovery' Season 3 Breakdown Reel and Images

By Dan Sarto | Thursday, June 3, 2021 at 8:53am

Led by VFX supervisor Phil Jones and VFX producer Matthew Pellar from their Toronto facility, the studio shifted into warp speed during the pandemic to deliver 570 shots for the hit Paramount+ sci-fi drama.

Music Videos ANIMATIONWorld

Animating the Punchy Electro Beats of 1788-L’s ‘Automaton’

By Dan Sarto | Wednesday, May 19, 2021 at 1:08pm

The acclaimed producer’s new music video, animated by FISE and GASOLINE, captures the experimental bass and exciting, Daft Punk-like melody from the track off his new ‘Parallel:S’ EP.

Overturn the Ban! Headline News

Powerful Caster Semenya Short Explores Biology, Beauty, and Bans

By Dan Sarto | Wednesday, May 5, 2021 at 3:51pm

Dynamic animated film for Lux’s ‘Born This Way’ campaign supports banned South African athlete’s bid to compete at the world’s leading track events.

Business Headline News

Streamline Media Finalizes Technicolor Post Acquisition

First announced this past January, deal brings new artists, technical experts, and strategic locations to the company’s expanding base of business units.

People Headline News

The VFX & Post Talent Agency Expands its Roster

Agency that represents visual effects and post-production HoDs and crews welcomes six new professionals as demand for VFX and post work continues to increase.

See Who Made the Cut! Headline News

‘Soul,’ ‘Rick and Morty’ Take Top Honors at ACE Eddie Awards

By Dan Sarto | Monday, April 19, 2021 at 10:57am

Kevin Nolting and Lee Harting, respectively, win Eddies at 71st annual ceremony, held Saturday night, that recognizes outstanding editing in 14 categories of film, TV, and documentaries.

Technology Headline News

Autodesk Releases Major Flame Update

By Dan Sarto | Wednesday, April 14, 2021 at 10:00am

Available now, the new version streamlines color grading through FX and editorial with machine learning features, more tightly integrated toolset, and enhanced support for remote review sessions.

Insights into TV VFX Headline News

WATCH: AWN-FuseFX VFX Artist Interview Series Part 3

By Dan Sarto | Thursday, April 8, 2021 at 10:46am

In the third and final discussion, VFX supervisors Steve Meyer and Brad Kalinoski share insights into their innovative visual effects work on shows like ‘Criminal Minds’ and ‘CSI: Crime Scene Investigation.’

Insights into TV VFX VFXWorld

WATCH: AWN-FuseFX VFX Artist Interview Series Part 2

By Dan Sarto | Tuesday, April 6, 2021 at 3:56pm

VFX supervisors Brigitte Bourque and Marshall Krasser share insights into their innovative visual effects work on shows like ‘Upload’ and ‘9-1-1: Lone Star.’

Business Headline News

Rising Sun Pictures Expands as Australian Production Bounces Back

Studio’s business growth enhanced by Australia’s strong COVID-19 response, generous government incentives, and Australia’s PDV offset; creative team to top 225 at Adelaide location.

Insights into TV VFX Headline News

WATCH: Part 1 of AWN-FuseFX VFX Artist Interview Series

By Dan Sarto | Friday, April 2, 2021 at 11:31am

VFX supervisors Ariel Altman and Josh Miyaji share insights into their innovative visual effects work on shows like ‘Mr. Robot,’ ‘Barry,’ and ‘I Know This Much is True.’

Achievements in Entertainment Technology Headline News

The Third Floor, Digital Domain Lead Lumiere Awards Honorees

The Advanced Imaging Society’s 11th annual awards honored technical achievements currently accelerating the entertainment industry; 12 distinguished technical achievements were recognized for cutting-edge technology having ‘Impact through Innovation.’

VFX with Teeth to It! Headline News

Freefolk Creates Devouring VFX for New Toolstation Spot

By Dan Sarto | Monday, March 29, 2021 at 12:41pm

Creative studio produces wall-to-wall bathroom aquarium complete with rocky seafloor, dense schools of tropical fish, and massive, unexpected and rather toothy great white shark.

The Magic of VFX! VFXWorld

Method Studios Brings VFX ‘Magic’ to Robert Zemeckis’ ‘The Witches’

Using Unreal Engine-based virtual production tools, VFX supervisor Kevin Baillie helps the Oscar-winning director pre-shoot every live-action scene needing digital characters, including mice, chickens, and a cat.   

People Headline News

ArsenalFX Color Expands Team

Cortney Haile named VP of business development, Albert Soto named chief engineer, and J.R. Benson senior colorist; new hires will support increased offerings including scripted VFX and on-set supervision.

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