Studio delivers previs, techvis, postvis and final shots on director Paul Feig’s new film, based on Soman Chainani’s fantasy hexalogy, about two young girls who find themselves at the titular school, which raises the heroes and villains of tomorrow.
In an extensive Q & A, Senior Animation Supervisor Sidney Kombo-Kintombo and Senior VFX Supervisor Guy Williams talk about their gargantuan contributions to Marvel Studios’ '...
Leading visual effects studio's veteran ‘The Mandalorian’ and ‘The Book of Boba Fett’ VFX team delivers 364 shots across the Disney+ Original ‘Star Wars’ series, ranging from the...
By bringing together live-action performance with digital environments and real-time rendering, the university's students across creative disciplines are collaborating as never...
VFX Supervisor Enrik Pavdeja, along with Framestore, BlackGinger, and The Third Floor, deliver a bloodthirsty, rogue, fully CG lion involved in 240 shots, including a number of...
Led by VFX supervisor James HattSmith, the studio delivers 360 shots filled with a wide range of expansive visuals on the Netflix dark fantasy that follows the journey of Morpheus...
For director Joseph Kosinski and Netflix’s crime drama, VFX supervisor Ryan Tudhope managed a group of studios that produced 900 visual effects shots, including the prison...
Co-founder and CEO Henrik Fett talks about starting a new studio in the midst of a pandemic, and how the RFX Virtual Studio, powered by solutions from NVIDIA and Supermicro, made...
Warner Bros. Discovery CEO David Zaslav plans to revitalize the studio’s finances by reviving successful franchises, such as DCU and ‘Harry Potter’ films, if the controversial author will agree.
Prime Video drops eight segments of bonus content for their epic Middle Earth fantasy adventure series, now available through X-Ray, which include unreleased footage, interviews with cast and crew, the creation of costumes, and much more.
The prolific actor will be digitally reconstructed to resemble his younger self for an opening sequence in the upcoming film, set during the events between ‘The Last Crusade’ and ‘Kingdom of the Crystal Skull.’
The FutureWorks Academy 6-month training program at the Chennai studio includes mentorship, specialized training, and a paid internship; successful graduates are offered a 3-year paid service agreement.
Rumors began swirling in 2020 of a swashbuckling Bruckheimer pic with lots of girl power led by the ‘Suicide Squad’ star, but the project has now been canned, possibly due to unfinished Johnny Depp business.
Redbird Entertainment & Firestorm VFX’s new eight-episode series, filmed during the COVID-19 lockdown, focuses on the everyday issues of superheroes stuck at home during a global virus outbreak.
Horror giants Jason Blum and James Wan are in talks to join their creative houses, while still maintaining brand identity and autonomy, to expand into new types of content.
Marking ‘Avatar Day,’ the spot will debut tonight on ESPN’s ‘Monday Night Football’ game as part of worldwide celebrations transporting cities to the world of Pandora; Original ‘Avatar’ now streaming on Disney+.
The Fremont, CA-based provider of high-performance digital hardware helps bring real-time collaboration to a growing clientele.
Enhancements in the latest version include a host of improvements and additions to toolsets specific to the animation and VFX industries’ needs.
First up is ‘Silk: Spider Society,’ which follows Cindy Moon, a Korean-American woman bitten by the same spider that bit Peter Parker, with Angela Kang (‘The Walking Dead’) as showrunner for Amazon Studios.
The magnetic ‘Vikings’ and ‘Raised by Wolves’ actor will portray Desmond Hart, a charismatic soldier at odds with the sisterhood of the Bene Geserit in the upcoming ‘Dune’ prequel.
Artists and studios gain broader accessibility to products and tools with Krakatoa and XMesh source code available for Autodesk Maya under Apache 2.0 open source license; artist tools simplify rendering, VFX, and simulation workflows.
Art director Grant Freckelton and director David Peers talk about the studio’s groundbreaking open-source USD ALab, its expansion into ALab Phase 2, and the Unreal Engine-created short film that grew out of their R&D efforts.
This free virtual presentation will explore how Vū’s virtual production environment, coupled with NVIDIA RTX™ A6000 professional GPUs, is optimizing workflows and pushing the boundaries of the possible in virtual production.
Slated to open in early 2023 with award-winning VFX Supervisor and Australian national Andrew Jackson at the helm, the studio will lead the visual effects production on George Miller’s highly anticipated ‘Mad Max’ prequel ‘Furiosa’ - coming in 2024.
The 4-day hybrid event returns to Stuttgart with 1-day devoted to online presentations from around the world; BAFTA-winning and Oscar-nominated producer Jinko Gotoh serves as the next program chair.
Now featuring 13th Gen Intel Core i7 and i9 processors, the desk-side system is built to optimize creative and accelerated 3D workflows for CAD, 3D design, motion media, and other professional software applications.
New round of Series A funding will enable HoloSuite platform enhancements and continued development of new tools and techniques for 3D creation tools like Maya and Unreal Engine.
Fan film uses ARwall virtual production tools for interactive lighting within different virtual environments; watch the behind-the-scenes video to see the new technology and its in-camera applications.
While celebrating its 30th anniversary, the leading animation and VFX studio drops a highlight reel celebrating the iconic Marvel superhero’s 20th anniversary and the studio’s innovation and artistry across all 9, soon to be 10, movies.
New release increases efficiency and versatility across industries, and includes enhanced world-building tools; animation, rigging, and modeling enhancements; and updates for virtual production, broadcast, live events.
The two visual effects veterans join the studio as Senior Producer and Compositing Supervisor, respectively.