VFX supervisor John Kilshaw’s NY team produced the color blossom transformation from initial black and white format, as well as various magic effects and photoreal CG characters like a stork and kaleidoscope of butterflies, on the hit Marvel Studios and Disney+ series.
Upcoming international line-up includes multi-language dubs of popular anime including ‘That Time I Got Reincarnated as a Slime,’ ‘Re:ZERO − Starting Life in Another World,’ and ‘The Rising of the Shield Hero.’
Prime Minister Andrew Holness will also join the event opening; free virtual event runs April 21-25; Luhn is an industry veteran storyteller, writer, and animator whose credits include the ‘Toy Story’ films, ‘Monsters Inc.,’ ‘Finding Nemo,’ and ‘Cars.’
Studio delivers 268 shots as primary vendor on the Netflix drama, helping visualize souls leaving their bodies with innovative 2.5D approach.
Final anti-racism campaign spot developed by ‘Steven Universe’ creator Rebecca Sugar and Ian Jones-Quartey discusses the importance of changing the racist system by standing up and speaking up when seeing what’s unfair.
CG animation production company announces new round of funding, new executive hires as it expands its development in proprietary animation technology and production.
‘The Owl and the Pussycat’ wins for British Short Animation; ‘Mank’ awarded for production design.
Marathon back-to-back airing of ‘every episode starting with Season 1 begins April 10th; interactive HBO Max spotlight page will have over 150 special videos.
VFX house promotes seasoned EP who will help push the active production slate; film and TV projects including ‘The Northman,’ ‘The Great - Season 2, and ‘Becoming Elizabeth.’
Sony Pictures Animation has dropped a brand-new animated short featuring the monster-sized puppy, Tinkles, who just can’t wait to play!
In a move to keep their artists busy… and employed, the Vancouver-based studio produced ‘Be There for Them,’ a PSA for the Boys and Girls Club – Canada that addresses mental health and loneliness.
Led by VFX supervisor Ralph Maiers, the studio helped ‘energize’ the magical battle between Agnes/Agatha and her coven of witches in the final episode of the hit Disney+ series.
The studio’s exceptional talent is recognized in 14 different categories, 20 noms in all, for nine different shows, including their latest franchise efforts with the ‘The Croods,’ ‘Trolls,’ ‘She-Ra,’ Guillermo Del Toro’s ‘Tales of Arcadia,’ and the dinosaurs of ‘Jurassic World.’
The live-action adaptation of Mark Millar and Frank Quitely’s graphic novel follows the world's first generation of superheroes that must look to their children to continue their legacy and keep mankind safe; series premieres globally on May 7.
Cloud-based platform makes motion capture projects achievable with multiple users working simultaneously at different locations; see it in action in Cardi B’s new mini reality series Cardi Tries where she creates a video game with the Xsens MVN Animate suit.
Emma Stone and Emma Thompson star in the live-action adventure about the early days of fashionable villain, Cruella de Vil; film simultaneously hits theaters and Disney+ with Premier Access on May 28.
In the third and final discussion, VFX supervisors Steve Meyer and Brad Kalinoski share insights into their innovative visual effects work on shows like ‘Criminal Minds’ and ‘CSI: Crime Scene Investigation.’
Leading VFX company continues its expansion efforts with purchase of Australia-based high-end visual effects studio; combined companies will have close to 800 artists in eight locations around the globe.
The interactive design and game development chair discusses the school’s remote collaboration on innovative game project, including interactive design, animation, visual effects, and sound design; virtual event’s ‘Making of Zoelie’ panel set for April 10.
Smoking wheels and burning rubber barely scratch the visual effects surface of DreamWorks Animation and Netflix’s high-horsepower street racing thriller, nominated for a Best FX for TV/Media Annie Award for the third season ‘Sirocco Fire Explosion’ finale.
The free virtual 3-day event running April 13-15 will feature presentations from notable creative directors, motion designers, and animation directors; live-streamed event will be available on demand following the show.
Who ya gonna call? Mini-Pufts are out of the bag, as new chapter in the ‘Ghostbusters’ Universe hits theaters November 11.
Whether its dramatic water splashes, dino drool, or bioluminescent beasts, DreamWorks Animation and Netflix’s adventure series, nominated for a Best FX for TV/Media Annie Award, strives for realistic visual effects that push the story forward through color and lighting.
Pôle 3D team honored with the annual award sponsored and presented by Autodesk; winning animated short follows the plight of a polar bear and its cub, while exploring current environmental and socio-political issues.
By using distinctive visual effects as a core series element, almost as a ‘character’ itself, Guillermo del Toro and Netflix’s Emmy Award-winning animated series has garnered an Annie Award nomination for Best FX for TV/Media.
