Andreas Wanda Launches Cloud-Based Atmos Studios
The VFX veteran opens the new, fully remote studio, offering customized post solutions for broadcast film, television, and online content.
The VFX veteran opens the new, fully remote studio, offering customized post solutions for broadcast film, television, and online content.
Attendees can explore the sound design of ‘Dune Part 2,’ the visual effects of ‘Avatar: The Last Airbender,’ and the invisible VFX of Ridley Scott's ‘Napoleon;’ 4-day event kicks off in Stuttgart on April 23, 2024.
Attendees can explore the stylistic design choices behind ‘Kung Fu Panda 4’ and gain insight into artistic and technological innovations developed for ‘Ghostbusters: Frozen Empire;’ 4-day event kicks off in Stuttgart on April 23, 2024.
With the addition of the production management solution, the tech giant’s industry cloud for M&E, Flow, will link previously disparate workflows of pre-and post-production, fostering broader collaboration and efficiency.
4-day event kicks off in Stuttgart on April 23, 2024; new program confirmations include ‘The Power of Collaboration’ a discussion of Global Inclusion, Community, and Connection and Feature VFX: A look behind the scenes of ‘The Creator;’ tickets are now on sale
The two films finish out the 2024 awards season with wins for Best Animated Feature and Best Visual Effects, respectively, on a night that also saw ‘WAR IS OVER! Inspired by the Music of John & Yoko’ win for Best Animated Short Film and ‘Oppenheimer’ take home 7 statues, including Best Picture and Best Cinematography.
VFX supervisor Bob Winter and his teams created the Bennu, a mythical winged, griffin-like creature based on animals including an eagle and lion, the Harmada/Nemesis fight, and the epic 20-minute third act Gondival battle, delivering 580 shots on the first installment of Zack Snyder’s two-part science-fantasy, now streaming on Netflix.
‘Oppenheimer’ and ‘The Holdovers’ also take home awards at the American Cinema Editors’ ceremony held March 3 at UCLA’s Royce Hall.
Take a deeper look at ‘The Creator,’ ‘Godzilla Minus One,’ ‘Guardians of the Galaxy Vol. 3,’ ‘Mission: Impossible – Dead Reckoning Part One,’ and ‘Napoleon,’ all vying for the Best Visual Effects Oscar at the 96th Academy Awards coming March 10, 2024.
New confirmations include a look at Yorgos Lanthimos’ ‘Poor Things’ VFX, and the crafting of animated features ‘Nimona’ and ‘Leo;’ 4-day conference returns in person April 23-26, and on demand April 27-May 31.
The BAFTA-winning studio captures director Gordon von Steiner’s vision, contributing VFX including the creation of a mysterious liquid acting as a portal to an alternate reality.
The two films take home top honors for Best Feature Film, live-action and animated, respectively; annual event recognizes distinguished creative and technical achievement in motion pictures, television, and emerging media.
Italy’s premiere animation and visual effects event will run in-person October 14-19 in Torino, Italy featuring a program of talks, presentations, workshops, and masterclasses presented by a stellar lineup of top industry professionals.
Attendees can explore ‘Loki’ Season 2 timeline mayhem and get insight into the making of the 60th anniversary ‘Doctor Who’ special episode; 4-day event kicks off in Stuttgart on April 23, 2024.
VFX supervisor Sean Konrad helped deliver over 3,000 ‘giant’ shots on the highly acclaimed Apple TV+ series with the ‘monstrously’ talented artists on his in-house team and at Rising Sun Pictures, Rodeo FX, Framestore, FuseFX, Outpost VFX, Crafty Apes, Wētā FX, MPC, Storm Studios, Vitality VFX, BOT VFX, Mr. Wolf, Scarab Digital, The Third Floor, Proof, and MPC Visualization.
The Visual Effects Society names new and returning officers: Kim Davidson as Chair; Susan O’Neal as First Vice Chair; Janet Muswell Hamilton, VES as Second Vice Chair; Rita Cahill as VES Secretary; and Jeffrey A. Okun, VES as Treasurer.
Gareth Edwards' sci-fi thriller tops all feature film contenders, while the 'Spider-Man: Into the Spider-Verse' sequel leads all animation contenders and 'The Last of Us' tops all TV contenders as nominees are announced in 25 categories across film, television, real-time, and special venue projects; ceremony set for February 21 at The Beverly Hilton Hotel in LA.
The 22nd annual awards ceremony recognizes and honors outstanding visual effects and the artists who created them; the event will be held February 21 in Beverly Hills.
Originating from the ‘World of Gra’ universe created by graduates of the Animationsinstitut, the trailer illustrates this year’s event theme, ‘Connecting Ideas;’ the 28th edition of FMX – Film & Media Exchange returns to Stuttgart April 23 to 26.
The 4-day event returns to Stuttgart, kicking off April 23; on-demand presentations are available April 27 - May 31.
Studio delivers concept design, hybrid virtual production previs, postvis, motion graphics, and VFX design and supervision across all three anniversary episodes - ‘The Star Beast,’ ‘Wild Blue Yonder,’ and ‘The Giggle;’ work includes creating the Doctor’s all-new Tardis interior virtual reality asset and graphic language for his new Sonic Screen.
The 4-day event kicks off in Stuttgart on April 23, 2024 with a focus on ‘Connecting Ideas’ and the return of the ‘Lighting & Rendering” track; annual Animation Production Days is now accepting projects through February 6.
The annual conference concludes its latest edition, which ran December 12-15 in Sydney; 5,690 attendees from more than 40 countries gathered, including technical and creatives in research, science, art, animation, gaming, interactivity, education, and emerging technologies.
Created by Paul Trillo, the short follows a cosmic teardrop throughout the Musée Du Louvre; behind-the-scenes short illustrates how traditional VFX and AI tools help realize creative visions.
Creative director and editor brings production and post expertise to the company’s U.S. commercial roster.