CEO Chris Ferriter, in an open letter, announces that for the past three weeks, the studio has been successfully operating with a 100% remote workforce
Led by VFX supervisor Sven Martin, the studio handled all visual effects production on Philipp Stölzl’s colorful feature film adaptation of the stage musical of the same name.
YouTuber EZRyderX47’s viral deepfake sensation seamlessly and convincingly transforms Christopher Lloyd and Michael J. Fox into Robert Downey Jr. and Tom Holland.
Led by VFX supervisor Aleksadar Pejic, the studio’s London team delivered digital demons and more in more than 250 shots across all eight first season episodes.
Veteran hire to partner with creative studio and parent company, Cutter Studios, on still undisclosed production venture.
VFX supervisor John Heller discusses how his FuseFX team delivered over 800 shots of invisible, photorealistic visual effects on the otherworldly Stephen King crime thriller.
Vivement Lundi ! signs deal to co-produce 70-minute stop-motion film with Maur Film, Artichoke, and ZVVIKS.
Mark Berkowitz to head-up company’s kids and family division expansion from new L.A. location.
Heading into this coming Oscar Sunday on February 9th, catchup on AWN’s coverage of the films and creative teams nominated for this year’s Best Visual Effects.
Nominated for a Best Visual Effects Oscar, Jon Favreau’s VES Award-winning hit was a masterpiece of photorealistic animation and state-of-the-art virtual production.
UK animation and VFX house names longtime industry producer to manage inhouse team; studio affirms plan to add 50 jobs in Westby and Manchester.
‘The Lion King’ tops all photoreal features with three awards; ‘Missing Link’ is top animated feature film; ‘The Mandalorian’ leads broadcast wins.
VES Award nominee Matt Welford describes ‘supporting visual effects,’ including previs and techvis, on the inaugural episode of the ‘Aquaman’ star’s hit post-apocalyptic action-adventure series.
‘A Shaun The Sheep Movie: Farmageddon,’ ‘Frozen 2,’ ‘Klaus’ and ‘Toy Story 4' get nods in Animated Film category; ‘1917,’ ‘Avengers: Endgame,’ ‘The Irishman,’ ‘The Lion King’ and ‘Star Wars: The Rise of Skywalker’ nominated for Special Visual Effects.
Winners in 25 categories will be announced January 29 at the 18th Annual gala awards ceremony being held at the Beverly Hilton Hotel.
For VFX supervisor Louis Morin, Tom Harper’s wild ride through the skies of 1862 London was a journey filled with live-action shoots, stunts, digital doubles and one super-cold sound stage.
French multi-national, owner of leading VFX and creative studios MPC, The Mill, Mr. X and Mikros, is indicted after seven-year investigation by French authorities.
VFX supervisor Matthew Welford and his Vancouver team create realistic rock wall avalanche for inaugural episode of Jason Momoa’s new series.
Maker of Cinema 4D will join forces with software company behind VFX tools like Trapcode and Magic Bullet as part of the Nemetschek Group’s media and entertainment division.
25th Anniversary Edition will focus on visions of the future for media & entertainment; Oscar-winning VFX supervisor Volker Engel and Annecy Cristal-winning animation director Regina Pessoa among first confirmed speakers.
New updates provide increased flexibility, speed, and power to artist workflows, dramatically reducing render times.
Latest version includes new animation, rendering, effects, modeling and rigging advancements to empower artists throughout the production pipeline
VFX and post-production veteran will bring his feature film experience to the episodic space.
The award-winning filmmaker shares the story behind her latest film, a mixed media, stop-motion and hand-drawn ode to a cherished uncle.
New studio, founded by veterans Drew Neujahr, Sean McAllen, and Shane McAllen, will focus on producing, directing and post, including mixed media and VFX.
