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Category: Post-production

Cassian! VFXWorld

Going ‘Rogue’ with the VFX of ‘Andor’

Production VFX supervisor Mohen Leo and Production VFX producer T.J. Falls picked up where they left off on Gareth Edward’s 2016 ‘Rogue One,’ helping deliver a whopping 3,843 visual effects shots, including the daring oceanic planet Narkina V prison escape, the Eye of Aldhani meteor shower, and the Fondor Haulcraft’s encounters with Fury-class Imperial interceptors, on the inaugural season of Lucasfilm and Disney+’s hit prequel series – nominated for an Outstanding Visual Effects Emmy.

Honoring the VES’ Best Headline News

Visual Effects Society Announces 2023 Special Honorees

Tim McGovern is honored with the Founders Award and Lifetime VES Member designation, while Sandra Joy Aguilar, Brooke Breton and Bob Coleman receive Honorary Lifetime VES Membership; a celebration of the honorees will take place at a special event in October.

Innovation in Broadcasting Headline News

75th Engineering, Science & Technology Emmy Awards Announced

The TV Academy honors innovation in broadcast technology, including Brompton Technology’s Tessera SX40 LED video processor, Concept Overdrive’s Motion System, and the pCAM Pro mobile app; award ceremony set for October 18.

Conferences Events

European Conference on Visual Media Production 2023

Begins: November 11, 2023

The 20th ACM SIGGRAPH European Conference on Visual Media Production brings together worlds of academic algorithmic research and post-production to discuss new advancements and innovative applications; the conference will take place November 11– December 1, 2023.

Technology Headline News

Unity Unveils New Unity Wētā Tools Division at SIGGRAPH 2023

By Dan Sarto | Monday, August 7, 2023 at 10:03am

Leading platform for real-time 3D (RT3D) content and experience creation will showcase groundbreaking work in character creation, environment building, rendering, and compositing; live keynote today from August 7 2pm - 3pm PDT.

Business Headline News

Milk Launches Barcelona VFX Studio

The award-winning visual effects house’s latest expansion leverages London infrastructure while building on relationships with regional talent; new facility helmed by long-time employee and 2D supervisor Jorge Oliva Ruiz de Leon. 

Fangs for the Previs Headline News

Proof Shares a Biting ‘Renfield’ Visualization Reel

The leading visualization studio did extensive previs, techvis, and postvis for Universal Pictures' horror/comedy starring Nicholas Hoult and Nicolas Cage; sequences included the massacre of goons, Dracula transformations, and the film’s final battle. 

Expanding Opportunities for Women in Animation ANIMATIONWorld

Boom Box Post: Proving Women Can ‘Cut Sound with Balls’

With women representing less than 5% of all sound professionals, Kate Finan and Jeff Shiffman, co-founders of the multiple Daytime Emmy and MPSE award-winning boutique animation sound studio, run their business with a stated mission to create more opportunities for women that includes an annual apprenticeship program and ongoing community outreach and education.

VFX Magic Headline News

MPC Shares VFX and Animation From ‘Transformers: Rise of the Beasts’

Studio created multiple large-scale full CG and digital set extensions, including one that transported the present-day New York skyline back to 1994; a team of 1,000+ artists across London, Montreal, Bangalore, LA, Toronto, and Adelaide delivered 896 shots, including 18 of the movie’s characters.

The Final Countdown ANIMATIONWorld

‘The Super Mario Bros. Movie’ Gets a Color Grade of A

For Company 3 senior colorist Jason Hanel, though most visual decisions have already been reflected in the film’s rendered and re-rendered final imagery, in post, he still provides a tremendous amount of scene by scene fine-tuning to get the film’s look just right.

That’s the Second Biggest Themberchaud We’ve Ever Seen VFXWorld

MPC Goes with the Lava Flow on ‘Dungeons & Dragon: Honor Among Thieves’

Led by VFX supervisor Axel Bonami, the studio’s team delivers 500 shots on Jonathan Goldstein and John Francis’ action adventure, including a multi-creature-transformation castle escape sequence, the cavernous, lava-filled Underdark, Themberchaud the dragon, a host of magical spells and one really cool portal.

It’s Unreal! Headline News

Epic Games Launches ‘Virtual Production Visualization Guide’

The Unreal Engine creator rolls out Chapter 1 of its step-by-step hands-on look at how to get started with virtual production visualization workflows.

Business Headline News

Jon Peddie Research Releases 2023 Digital Content Creation Market Study

The report shows growth in demand for digital content and tools for its creation, especially in emerging markets.

People Headline News

The VFX & Post Talent Agency Adds 5 to Post Team

Danny Salas, Phil Eldridge, Cory McCrum, James Barham, and Rob Duffield join the company, bringing years of expertise from working on numerous films and TV projects.

The Road to Turin Headline News

Henry Selick, Doug Chiang, and Hal Hickel to Speak at VIEW 2023

The stop-motion legend, Lucasfilm executive creative director, and senior ILM animation supervisor, respectively, will head to Turin to deliver a suite of in-person talks and workshops; Italy’s premier international event on Computer Graphics, Interactive Techniques, Digital Cinema, 2D/3D Animation, VR and AR, Gaming, and VFX runs October 15-20.

Avoiding the Big One VFXWorld

Jeff Okun Shares the ‘Disastrous’ VFX of ‘The End is Nye’

By Dan Sarto | Tuesday, May 16, 2023 at 1:47pm

The veteran VFX supervisor delivered between 500-800 shots per episode on the 6-episode Peacock series, depicting Bill Nye getting killed in the most epic global disasters imaginable, including large-scale asteroid strikes, volcanic eruptions, earthquakes, tsunamis, floods… that mixed visual effects with actual footage to show what would happen and how we can either mitigate it, stop it, or survive it.

That’s the Second Biggest Owlbear We’ve Ever Seen VFXWorld

ILM is a True Partner in Crime on ‘Dungeons & Dragons: Honor Among Thieves’ VFX

Production VFX Supervisor Ben Snow discusses key visuals on Paramount’s new fantasy adventure, including Industrial Light & Magic’s work on a shapeshifting Owlbear, a Gelatinous Cube, the surreal Ethereal Plane, and lots of magical spells.

Nighty Night! VFXWorld

Halon’s ‘Slumberland’ Visualization Shows Exactly What Dreams are Made Of

By Dan Sarto | Friday, May 12, 2023 at 12:51pm

Teams led by Casey Pyke and Ryan McCoy produced previs – and some postvis – on key scenes involving the Ballroom Dance, an Octopus chase, a Garbage Truck chase, and the big third act dreams chase, on Francis Lawrence’s adaptation of Winsor McCay’s famous comic strip, now streaming on Netflix.

Unreal Fest ANZ 2023 Events

Unreal Fest ANZ 2023

Begins: June 21, 2023

Epic Games brings the event way down South to help Unreal Engine users from Australia, New Zealand, and Southeast Asia broaden their skills and build community.

Education Headline News

Deducers ‘Spark’ Course Kicks off in June

The training program’s blended curriculum teaches early career coordinators and production assistants about roles in creative studios, production team expectations, the language of motion and post-production, and the skills needed to navigate the production process.

Business Headline News

PNYA Celebrates Expansion of NY’s Post-Production Tax Credit

PPC funding for post increases from $25 million to $45 million and gets extended to 2034; cited studies show the program has contributed $156M to the state’s tax revenue.

Business Headline News

Picture Shop Unveils Newly Renovated, Expanded Facilities in Hollywood

The Sunset and Seward post-production facilities location offers 115,000 square feet across 6 floors that include 5 D.I. theaters, 13 color bays, and 22 online edit rooms.

Heading to Stuttgart Headline News

FMX 2023 Announces New Program Updates

Wētā FX ‘Avatar: The Way of Water’ panels added to a vast array of already confirmed programming for the upcoming 4-day hybrid event, running April 25-27 and online April 28 in Stuttgart.

Heading to Stuttgart Headline News

FMX 2023 Shares More Program Updates

The 4-day hybrid event, which runs April 25-27 and online April 28, revealed more on-site programming, including sustainability in media productions panel, VFX insights into HBO’s ‘The Last of Us,’ challenges of adapting literature into animation and games, and masterclasses with Ed Hooks and Craig Caldwell.

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