In the third and final discussion, VFX supervisors Steve Meyer and Brad Kalinoski share insights into their innovative visual effects work on shows like ‘Criminal Minds’ and ‘CSI: Crime Scene Investigation.’
Pôle 3D team honored with the annual award sponsored and presented by Autodesk; winning animated short follows the plight of a polar bear and its cub, while exploring current environmental and socio-political issues.
Star-studded virtual ceremony, hosted by barb-slinging Patton Oswalt, included 25 category awards and special honors for VFX supervisor Rob Legato and director Sir Peter Jackson.
This year’s set of animated and VFX-driven TV series and video games represents top visual design and production work that rivals feature film visual effects in both quality and quantity.
Legendary Academy, DGA, PGA and VES Award-winning filmmaker to be recognized for his valuable contributions to filmed entertainment at the upcoming April 6/7 VES Awards.
Visual Effect Society names veteran VFX supervisor, second unit director and DP as this year’s recipient of the VES Creative Excellence Award; innovative filmmaker won Oscars for ‘Titanic,’ ‘Hugo,’ and ‘The Jungle Book.’
‘Project Power’ and ‘The Witches’ lead the list of feature film field nominees; winners in 25 categories will be announced at a virtual ceremony streaming worldwide on April 6/7 depending upon time zone.
Lisa Cooke was named board chair and is the first woman elected to lead the organization; other officers include Emma Clifton Perry, David Tanka, Jeffrey Okun, and Gavin Graham.
The online event celebrates industry’s innovators, artists and professionals; Ray Scalice, Ken Ralston, Irwin Allen, and Mary Blair among the Founders Award, Lifetime Members, Honorary Members, VES Fellows, and Hall of Fame honorees.
Submission forms now available for entering VFX projects in Film, Television, Special Venue, Games, Animation, VR and New Media created between January 1 and December 31, 2020.
This year’s group of distinguished VFX practitioners will be recognized this fall in a soon to be announced online event.
Newest Lifetime members and this year’s VES Founders Award recipient, along with yet to be announced VES Fellows, Honorary members and Hall of Fame inductees, to be recognized this fall.
Heading into this coming Oscar Sunday on February 9th, catchup on AWN’s coverage of the films and creative teams nominated for this year’s Best Visual Effects.
Production VFX supervisor Roger Guyett talks creating Princess Leia, the benefits of practical shooting, and bringing the saga to a close.
Production VFX supervisor Guillaume Rocheron discusses the special challenges involved in creating the illusion of grim reality in Sam Mendes’ Oscar-nominated epic World War I drama.
Tech giant’s Media & Entertainment software powers the studios behind Academy Award, BAFTA, Annie, VES and Golden Globe-nominated films.
Nominated for a Best Visual Effects Oscar, Jon Favreau’s VES Award-winning hit was a masterpiece of photorealistic animation and state-of-the-art virtual production.
Filmakademie Baden-Weurttemburg team honored as top up-and-coming filmmakers with annual award sponsored and presented by Autodesk at 18th Annual Visual Effects Society gala.
VFX supervisor Pablo Helman discusses the sophisticated digital de-aging process, sans markers, used to depict Robert De Niro, Joe Pesci and Al Pacino over a four-decade span.
‘The Lion King’ tops all photoreal features with three awards; ‘Missing Link’ is top animated feature film; ‘The Mandalorian’ leads broadcast wins.
VES Award nominee Matt Welford describes ‘supporting visual effects,’ including previs and techvis, on the inaugural episode of the ‘Aquaman’ star’s hit post-apocalyptic action-adventure series.
Mike Chambers returns for his sixth term as committee chair.
Cute CG short about hijinks on the high seas from six ESMA students snags a VES nomination for Outstanding Visual Effects in a Student Project.
If ‘Frozen 2’ is now the highest grossing animated feature film of all time, where does that leave Jon Favreau’s ‘reinterpretation’ of ‘The Lion King?’
Submission forms now available for entering VFX projects in Film, Television, Special Venue, Games, Animation, VR and New Media created between January 1 and December 31, 2019.
