To capture the song’s beat and energy, artist Lauren Brems drew fast scribbles over video frames of her friends dancing, integrated with subtle word movement, in her 2D animation short for Universal Music Group’s °1824 division.
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VFX supervisor John Kilshaw’s NY team produced the color blossom transformation from initial black and white format, as well as various magic effects and photoreal CG characters like a stork and kaleidoscope of butterflies, on the hit Marvel Studios and Disney+ series.
Upcoming international line-up includes multi-language dubs of popular anime including ‘That Time I Got Reincarnated as a Slime,’ ‘Re:ZERO − Starting Life in Another World,’ and ‘The Rising of the Shield Hero.’
Prime Minister Andrew Holness will also join the event opening; free virtual event runs April 21-25; Luhn is an industry veteran storyteller, writer, and animator whose credits include the ‘Toy Story’ films, ‘Monsters Inc.,’ ‘Finding Nemo,’ and ‘Cars.’
Studio delivers 268 shots as primary vendor on the Netflix drama, helping visualize souls leaving their bodies with innovative 2.5D approach.
The most recent single from upcoming 70s-aesthetic album ‘Daddy’s Home’ features psychedelic 2D animation that is nostalgic yet gloomy.
Final anti-racism campaign spot developed by ‘Steven Universe’ creator Rebecca Sugar and Ian Jones-Quartey discusses the importance of changing the racist system by standing up and speaking up when seeing what’s unfair.
The 45-minute virtual event features interactive stage show, shared viewing rooms for family and friends, and an immersive pre-show experience.
CG animation production company announces new round of funding, new executive hires as it expands its development in proprietary animation technology and production.
The beloved actor will be remembered through his memorable work in ‘Battles Without Honor,’ ‘Humanity,’ and ‘Kita no kuni kar’ (From the Northern Country), which ran on Japanese television for 20 years.
Marathon back-to-back airing of ‘every episode starting with Season 1 begins April 10th; interactive HBO Max spotlight page will have over 150 special videos.
To capture the lyrics’ dark gravity, artist Baptiste Leroux used hand-drawn frames in TV Paint for a textured, stop-motion look, in his short fan film for Universal Music Group’s °1824 division.
VFX house promotes seasoned EP who will help push the active production slate; film and TV projects including ‘The Northman,’ ‘The Great - Season 2, and ‘Becoming Elizabeth.’
In the first of a five piece series on new animated shorts from Universal Music Group’s °1824 division, AWN shows how artist Carolyn Knapp used pieces of paper, gold foil, even her own clothes, along with Photoshop and After Effects, to create an innovative 2D film.
Sony Pictures Animation has dropped a brand-new animated short featuring the monster-sized puppy, Tinkles, who just can’t wait to play!
Experience Jensen Ackles in his debut foray as the Caped Crusader; the thrilling adventure uses ‘noir-ish’ styled animation with heavy outlining and cell shading.
Led by VFX supervisor Ralph Maiers, the studio helped ‘energize’ the magical battle between Agnes/Agatha and her coven of witches in the final episode of the hit Disney+ series.
The studio’s exceptional talent is recognized in 14 different categories, 20 noms in all, for nine different shows, including their latest franchise efforts with the ‘The Croods,’ ‘Trolls,’ ‘She-Ra,’ Guillermo Del Toro’s ‘Tales of Arcadia,’ and the dinosaurs of ‘Jurassic World.’
The live-action adaptation of Mark Millar and Frank Quitely’s graphic novel follows the world's first generation of superheroes that must look to their children to continue their legacy and keep mankind safe; series premieres globally on May 7.
Cloud-based platform makes motion capture projects achievable with multiple users working simultaneously at different locations; see it in action in Cardi B’s new mini reality series Cardi Tries where she creates a video game with the Xsens MVN Animate suit.
Emma Stone and Emma Thompson star in the live-action adventure about the early days of fashionable villain, Cruella de Vil; film simultaneously hits theaters and Disney+ with Premier Access on May 28.
In the third and final discussion, VFX supervisors Steve Meyer and Brad Kalinoski share insights into their innovative visual effects work on shows like ‘Criminal Minds’ and ‘CSI: Crime Scene Investigation.’
Celebrating his 100th Animation Industry Podcast episode, our host shares his path from a career in business to starting over in the world of stop-motion.