‘Leave Your Light On,’ by Shelley Buck, artist and wife of the Oscar-winning Frozen and Frozen 2 director, shares the story of her son’s valiant battle against an unrelenting illness, the rich life he lived, and the love he shared with his family and friends.
Companies enter exclusive first-look partnership focused on animation studio’s licensed and original IP.
Film eligibility window extended for 93rd Academy Award consideration; museum opening postponed to coincide with new awards telecast date.
‘Selma’ director and Head of ILM, along with newcomers Debra Zane, Stephen Rivkin, Linda Flowers, and Lynette Howell Taylor, are part of newly elected 2020-2021 board.
Oscar qualifying Spanish animation festival embarks on virtual journey, offering free masterclasses with an international line-up of artists and creators.
The festival’s 2019 Grand Prize winner creates signature materials for upcoming 2020 edition, taking place October 23-27, 2020 in Bucheon, just outside of Seoul, South Korea.
On the eve of his debut co-hosting TCM’s classic film series, the two-time Oscar-winning director discusses his love of movies and the differences between big and small screen viewing experiences.
Films initially streamed commercially after theatrical release was postponed or canceled can be submitted for Academy Awards consideration; sound mixing and sound editing awards being combined into one category.
Legendary animator, illustrator, producer, and author, who won an Academy Award in 1961 for his animated short, ‘Munro,’ passed away last Thursday at his home in Prague.
Submissions now being accepted for the 22nd Bucheon International Animation Festival taking place in Bucheon, South Korea October 23 -27.
The Visual Effects Society is not amused about the catty comments presenters James Corden and Rebel Wilson made towards VFX artists at the 92nd Annual Academy Awards.
‘1917’ also takes home Oscars for Best Cinematography and Sound Mixing in the final ceremony of the 2020 awards season.
VFX studios on both films, Oscar nominees for Best Visual Effects, successfully used artificial intelligence in GPU-accelerated effects: ILM for character de-aging and Digital Domain for digital humans.
Heading into this coming Oscar Sunday on February 9th, catchup on AWN’s coverage of the films and creative teams nominated for this year’s Best Visual Effects.
Heading into this coming Oscar Sunday on February 9th, catchup on AWN’s coverage of the films and creative teams nominated for this year’s Best Animated Feature Film.
Production VFX supervisor Roger Guyett talks creating Princess Leia, the benefits of practical shooting, and bringing the saga to a close.
Heading into this coming Oscar Sunday on February 9th, catchup on AWN’s coverage of the films and creative teams nominated for this year’s Best Animated Short Film.
Production VFX supervisor Guillaume Rocheron discusses the special challenges involved in creating the illusion of grim reality in Sam Mendes’ Oscar-nominated epic World War I drama.
Tech giant’s Media & Entertainment software powers the studios behind Academy Award, BAFTA, Annie, VES and Golden Globe-nominated films.
Studio’s digital skills are put to the test as they stitch the Oscar-nominated film’s lengthy, uninterrupted takes together into one long seemingly real-time sequence.
New featurette highlights how the filmmakers prioritized inclusion in building one of the most diverse crews in animation history.
Nominated for a Best Visual Effects Oscar, Jon Favreau’s VES Award-winning hit was a masterpiece of photorealistic animation and state-of-the-art virtual production.
Sam Mendes’ BAFTA, PGA and Golden Globe Award-winning World War I epic heads into Oscar Sunday with 10 Academy Award nominations, including Best Visual Effects.
Netflix has just shared with AWN an extended set of images from Jérémy Clapin and Marc du Pontavice’s Annie Award-winning animated feature film.
Director and co-writer Jérémy Clapin talks about the narrative and technical challenges in making his Oscar-nominated, Annie Award-winning film.
