Episode 1, ‘A Grain of Truth,’ wins for Special, Visual & Graphic Effects; award goes to Cinesite, Hivemind, Platige Image, and Pioneer Stillking Images.
Special Event: BAFTAs
Denis Villeneuve’s sci-fi epic scored a hefty 6 wins, though the evening’s most momentous achievement was an unwanted, violent reminder that live TV never goes as planned... or hoped.
The two hit films continue their award-winning ways; ‘Do Not Feed the Pigeons’ wins for Best Short Animation at the Sunday night 2022 EE British Academy Film Awards ceremony.
The Visual Effects Society names the acclaimed filmmaker this year’s recipient of the VES Creative Excellence Award; his film, ‘The Shape of Water’ received 2 Oscars and his most recent, ‘Nightmare Alley’ has garnered 4 nominations at the upcoming Academy Awards.
Sony Pictures Imageworks shares some of their great work on the two Netflix CG animated films; MVM was just nominated for a Best Animated Feature Oscar, and both have garnered multiple Annie Award noms.
‘Encanto,’ ‘Flee,’ ‘Luca,’ and ‘The Mitchells vs The Machines’ get nods in the Animated Film category; ‘Dune,’ ‘Free Guy,’ ‘Ghostbusters: Afterlife,’ ‘The Matrix Resurrections,’ and ‘No Time To Die’ nominated for Special Visual Effects.
7 selections in Animated Film include ‘Encanto,’ ‘Flee,’ and ‘Sing 2,’ with ‘Affairs of the Art’ and ‘Robin Robin’ among 6 in consideration for British Animated Short; ‘Dune’ leads group of 15 VFX-driven films.
15 finalists from over 680 student submissions and 34 countries competed for 2021 honors; categories included animation, games, and immersive projects.
In the third and final discussion, VFX supervisors Steve Meyer and Brad Kalinoski share insights into their innovative visual effects work on shows like ‘Criminal Minds’ and ‘CSI: Crime Scene Investigation.’
Guidance outlines employers legal and ethical responsibilities; new suite of The Film and TV Charity services provides immediate support for victims.
‘Onward,’ ‘Soul,’ and ‘Wolfwalkers’ get nods in the Animated Film category; ‘Greyhound,’ ‘The Midnight Sky,’ ‘Mulan,’ ‘The One and Only Ivan,’ and ‘Tenet’ nominated for Special Visual Effects.
New 2021 rules promote diversity in membership and voting; Pixar’s animated feature ‘Soul’ longlisted in five categories including Best Film, Animated Film, Special Visual Effects, Original Score, and Sound.
Legendary nine-time Oscar-winning senior VFX supervisor to be honored at this week’s conference; ‘Tenet’ VFX supervisor Andrew Jackson to deliver closing keynote Friday, October 23.
This year’s group of distinguished VFX practitioners will be recognized this fall in a soon to be announced online event.
HBO drama, based on Philip Pullman novels, takes home two awards; ‘Chernobyl’ awarded in seven categories at the July 17 British Academy Television Craft Awards ceremony.
Production VFX supervisor Roger Guyett talks creating Princess Leia, the benefits of practical shooting, and bringing the saga to a close.
Production VFX supervisor Guillaume Rocheron discusses the special challenges involved in creating the illusion of grim reality in Sam Mendes’ Oscar-nominated epic World War I drama.
Tech giant’s Media & Entertainment software powers the studios behind Academy Award, BAFTA, Annie, VES and Golden Globe-nominated films.
Studio’s digital skills are put to the test as they stitch the Oscar-nominated film’s lengthy, uninterrupted takes together into one long seemingly real-time sequence.
New featurette highlights how the filmmakers prioritized inclusion in building one of the most diverse crews in animation history.
Sam Mendes’ BAFTA, PGA and Golden Globe Award-winning World War I epic heads into Oscar Sunday with 10 Academy Award nominations, including Best Visual Effects.
‘Grandad was a Romantic’ by Maryam Mohajer wins for British Short Animation; Roger Deakins wins for Cinematography on ‘1917.’
‘Loving Vincent: The Impossible Dream’ now playing in select theaters with double billings of the documentary and Academy Award & BAFTA-nominated independent animated feature.