Upgrade to company’s flagship video/audio editing, color grading and FX platform include AI-driven effects, GPU accelerated workflows, advanced motion tracking and other major enhancements.
Produced in France during the lockdown, Stéphane Berla’s funny animated short shows how nothing can stop a horde of frenzied shoppers, or post-apocalyptic raiders, in their quest for vital supplies.
New release expands A.I. capabilities, simplifies finishing for streaming services and accelerates creative workflows while adding Dolby Vision HDR authoring and display.
Three veteran creatives join West Coast office of post-production company specializing in VFX, animation and coloring.
Colorist Mitch Paulson creates custom looks for his second collaboration with director Ava DuVernay.
Hand-in-hand with filmmakers, FotoKem’s creative and technical teams supported global production on a massive scale.
11 Dollar Bill in Chicago and Hero Post in Atlanta join MPC’s remote partners.
Visual effects and post-production company’s new Vancouver facility installs powerful Baselight TWO grading and finishing suite.
More than 45 films and series at the 2017 Sundance Film Festival used Blackmagic Design’s digital film cameras, DaVinci Resolve Studio grading, editing and finishing solution, Fusion Studio visual effects and motion graphics software, and other products throughout production and post production.
Coveted honors shine spotlight on creative excellence in post-production.
Post-production director Alejandro Matus and colorist Ignasi González produce more than 40 different deliveries of the CG-animated feature using Blackmagic Design’s DaVinci Resolve Studio.
DaVinci Resolve 12.5.3 update adds support for the new version of Final Cut Pro X, as well as improvements to Media Composer interoperability, ACES color science, and more.
Creative nominations announced for editing, sound, visual effects and color grading.
Chicago outpost of Deluxe-owned Beast, Company 3 and Method Studios expands talent pool; names Lauren Roth head of production.
New update to Blackmagic Design’s professional editing and color correction software adds direct support for Apple ProRes decoding on Windows, allowing users to remove QuickTime 7 from their workflows.
LAIKA chief Travis Knight discusses his directorial debut, ‘Kubo and the Two Strings,’ and his passion for stop-motion animation as a storytelling medium and art form.
Former vice president of technology at Company 3 New York to oversee planned expansion of color grading and finishing services.
Goldcrest Post London employs Blackmagic Design’s DaVinci Resolve Studio to complete the edit, color grade and HDR finishing for Universal Pictures’ ‘Jason Bourne.’
Dani Zeitlin named Executive Producer of Color; Elissa Norman joins as Senior Producer.
Former Tag Worldwide CEO joins creative services company as President and General Manager, Features and Advertising Post Services, leading Deluxe’s Beast, Company 3, EFILM, Editpool, Rushes and Deluxe’s post-production group in Culver City, CA.
Former Reliance MediaWorks and Fotokem exec to expand hybrid post production facility’s Digital Intermediate finishing and color grading business.
The full version of Blackmagic Design’s professional editing and color correction software is now available in a Mac-only version in the App Store for Mac OS X for only USD$499.
CO3 colorist Greg Fisher worked with ‘Spectre’ director Sam Mendes and cinematographer Hoyte Van Hoytema to build subtle differences into the looks of each of the movie's many locations.
Mytherapy founder and chief colorist Dado Valentic worked closely with cinematographer Peter Hannan to develop the look and color of the new film directed by Monty Python’s Terry Jones and co-starring Kate Beckinsale and the late Robin Williams.
New features in DaVinci Resolve 12 include a new interface, multi-camera editing feature, enhanced core editing tools, new audio engine, redesigned media management tools, new color grading tools, remote rendering and improved editorial workflows.
