Post-production studio bolsters team with former Droga 5 senior producer Josh Sanders, with Carla Thomas coming on board as producer.
New version delivers scalable, collaborative, and efficient artist workflows enabled to run on Amazon Web Services; other mods include enhanced HDR user interface and improved animation editor.
Challenged with recreating authentic visuals depicting the 1952 Helsinki Olympic Games, the studio transformed sports stadiums, filling them with virtual crowds.
The creative studio delivers ‘Crashtag,’ the world's first robot influencer, using a variety of 3D tools to design and build the futuristic sci-fi world of director Kim Chapiron’s new short film.
Best known for its sound services, the post-production company adds VFX, animation, motion graphics, and deliverables.
Available now, the new version streamlines color grading through FX and editorial with machine learning features, more tightly integrated toolset, and enhanced support for remote review sessions.
Full service creative shop’s innovative workflow helps deliver time and money-saving VFX, color, and editorial on projects like ‘Sixth of June’ and ‘Love 40.’
DoorDash’s first SuperBowl campaign featured rapper Daveed Diggs and the Sesame Street Muppets; creative studio incorporated elements including a CG train and added a bit of animation magic to make Grover fly.
Tech giant issues call for submissions that spotlight great outstanding VFX by Flame artists.
Upgrade to company’s flagship video/audio editing, color grading and FX platform include AI-driven effects, GPU accelerated workflows, advanced motion tracking and other major enhancements.
Produced in France during the lockdown, Stéphane Berla’s funny animated short shows how nothing can stop a horde of frenzied shoppers, or post-apocalyptic raiders, in their quest for vital supplies.
New release expands A.I. capabilities, simplifies finishing for streaming services and accelerates creative workflows while adding Dolby Vision HDR authoring and display.
Three veteran creatives join West Coast office of post-production company specializing in VFX, animation and coloring.
Colorist Mitch Paulson creates custom looks for his second collaboration with director Ava DuVernay.
Hand-in-hand with filmmakers, FotoKem’s creative and technical teams supported global production on a massive scale.
11 Dollar Bill in Chicago and Hero Post in Atlanta join MPC’s remote partners.
Visual effects and post-production company’s new Vancouver facility installs powerful Baselight TWO grading and finishing suite.
More than 45 films and series at the 2017 Sundance Film Festival used Blackmagic Design’s digital film cameras, DaVinci Resolve Studio grading, editing and finishing solution, Fusion Studio visual effects and motion graphics software, and other products throughout production and post production.
Coveted honors shine spotlight on creative excellence in post-production.
Post-production director Alejandro Matus and colorist Ignasi González produce more than 40 different deliveries of the CG-animated feature using Blackmagic Design’s DaVinci Resolve Studio.
DaVinci Resolve 12.5.3 update adds support for the new version of Final Cut Pro X, as well as improvements to Media Composer interoperability, ACES color science, and more.
Creative nominations announced for editing, sound, visual effects and color grading.
Chicago outpost of Deluxe-owned Beast, Company 3 and Method Studios expands talent pool; names Lauren Roth head of production.
New update to Blackmagic Design’s professional editing and color correction software adds direct support for Apple ProRes decoding on Windows, allowing users to remove QuickTime 7 from their workflows.
LAIKA chief Travis Knight discusses his directorial debut, ‘Kubo and the Two Strings,’ and his passion for stop-motion animation as a storytelling medium and art form.
