New update to Blackmagic Design’s professional editing and color correction software adds direct support for Apple ProRes decoding on Windows, allowing users to remove QuickTime 7 from their workflows.
LAIKA chief Travis Knight discusses his directorial debut, ‘Kubo and the Two Strings,’ and his passion for stop-motion animation as a storytelling medium and art form.
Former vice president of technology at Company 3 New York to oversee planned expansion of color grading and finishing services.
Goldcrest Post London employs Blackmagic Design’s DaVinci Resolve Studio to complete the edit, color grade and HDR finishing for Universal Pictures’ ‘Jason Bourne.’
Dani Zeitlin named Executive Producer of Color; Elissa Norman joins as Senior Producer.
Former Tag Worldwide CEO joins creative services company as President and General Manager, Features and Advertising Post Services, leading Deluxe’s Beast, Company 3, EFILM, Editpool, Rushes and Deluxe’s post-production group in Culver City, CA.
Former Reliance MediaWorks and Fotokem exec to expand hybrid post production facility’s Digital Intermediate finishing and color grading business.
The full version of Blackmagic Design’s professional editing and color correction software is now available in a Mac-only version in the App Store for Mac OS X for only USD$499.
CO3 colorist Greg Fisher worked with ‘Spectre’ director Sam Mendes and cinematographer Hoyte Van Hoytema to build subtle differences into the looks of each of the movie's many locations.
Mytherapy founder and chief colorist Dado Valentic worked closely with cinematographer Peter Hannan to develop the look and color of the new film directed by Monty Python’s Terry Jones and co-starring Kate Beckinsale and the late Robin Williams.
New features in DaVinci Resolve 12 include a new interface, multi-camera editing feature, enhanced core editing tools, new audio engine, redesigned media management tools, new color grading tools, remote rendering and improved editorial workflows.
DigitalFilm Tree employs Blackmagic Design’s DaVinci Resolve as a core component of its remote dailies grading and transcoding services.
Blackmagic digital film cameras were used to shoot scenes and stunt work in ‘Mad Max: Fury Road’ and ‘Avengers: Age of Ultron,’ while Fusion Studio was used for compositing and to help create action sequences for ‘Spy’ and ‘Barely Lethal.’
Does George Miller’s latest ‘Mad Max’ film have the same “cyan/orange” look dogging so many recent big action movies?
Oscar winner Daniel Junge and Johnny Knoxville’s feature, ‘Being Evel,’ was shot using Blackmagic Design cameras, while more than 20 films at this year’s festival were color graded using DaVinci Resolve.
Blackmagic Design announces DaVinci Resolve 11.1, featuring editing enhancements and improved integration with Apple Final Cut Pro X.
Master colorists Steve Rodriguez and Shane Reed team with veteran EP LaRue Anderson to launch color-only specialist house Apache Digital.
