Los Angeles-based Natasha Gould will lead business development on the west coast; Martin Perkins has been named the studio’s new business and bidding manager for the London office.
The all-virtual 9th edition’s theme is ‘Limitless Creativity;’ event features various talks, presentations, and career advice aimed at students, emerging talent, and industry professionals.
Both artists are known for their diverse skill sets including 3D, VFX, graphic design, photography, animation, and design.
Acquisition will expand global talent base throughout company’s diverse global business units; deal will bolster its service offerings in regions including U.S., Canada, Europe and the U.K.
Jasmin Hasel promoted to executive producer, Europe, and Lauren McCallum appointed head of production, Europe; key appointments will focus on company’s growth in the European market and management of decentralized production pipeline.
New hire to drive studio’s expansion in TV animation and VFX with his expertise in production and management.
Studio once again teams up with Anomaly and Pacific Rim Films’ Shawn Levy to bring back animated characters for a DICK’S Sporting Goods adventure.
Interspersed with show clips, Kal Penn, Utkarsh Ambudkar, Aasif Mandvi, Karen David, Parvesh Cheena, Sonal Shah, and Leela Ladnier talk about the upcoming Diwali holiday and what it means to them.
VFX supervisor Ivor Middleton details the production of CG creatures, floating people, and a serpentine British island causeway in the Sky / HBO psychological thriller.
Newly named managing director and director of operations, respectively, bolster company’s leadership during period of rapid global growth; new head of infrastructure, Martin Weaver and HR manager, Eva Kilikitas, will support the directors in their new roles.
Company strengthens its creative offerings by naming new heads of 3D and 2D departments, respectively.
The Motion Design Department’s trained students qualify for fully featured EDU licenses of Houdini FX for home use and a one-year Core or six-month FX license upon graduation.
Studio handles 1,055 VFX shots, using virtual production tools to help produce photorealistic talking animals, full CG environments and digital set extensions in Thea Sharrock and Disney+’s tale of a gorilla who tries to piece his past together so he can hatch a plan to escape from captivity.
VFXWorld and AWN break down the 10 shows nominated for Outstanding Special Visual Effects and Outstanding Special Visual Effects in a Supporting Role, and the studios behind their spectacular visuals.
Projects from Cinesite, MPC, and Framestore are among animation and VFX studios to receive multiple honors at the annual Australian celebration of visual effects, animation, games, and immersive technology.
The French multi-national media company, owner of leading creative studios MPC, The Mill, Mr. X and Mikros, issues statement concerning AWN’s June 23 news report.
French owner of key creative studios and VFX brands including MPC, The Mill, Mr. X and Mikros, reaches a restructuring agreement in Paris with creditors; Texas court filing will protect US assets.
Since its launch this past January, studio has expanded quickly, working on a number of series, and will soon begin VFX production with Sky Studios on HBO’s ‘The Third Day’ mini-series.
Melissa Taylor, Siobhan Bentley and Tamara Boutcher will oversee feature animation and VFX services in London and Montreal studios.
After a year of steady growth, visual effects house bolsters its NYC office roster with hiring of two new VFX supervisors.
Showrunner Sascha Paladino and art director Dorothea Gerassimova discuss the challenges and rewards of celebrating India’s wonderful cultural diversity with an international kids’ audience.
Veteran animation director returns, bringing his extensive feature and 3D animation experience to studio’s growing creative team.
Industry veteran to oversee Los Angeles team’s art department, visualization, real-time production and VFX.
Production VFX supervisor Guillaume Rocheron discusses the special challenges involved in creating the illusion of grim reality in Sam Mendes’ Oscar-nominated epic World War I drama.
Tech giant’s Media & Entertainment software powers the studios behind Academy Award, BAFTA, Annie, VES and Golden Globe-nominated films.
