Former Digital Domain executive producer brings extensive experience in global advertising campaigns, music videos, and live event holograms, including key content for the Academy Awards and Super Bowl.
Company continues to expand its teams across creative and production departments to service growing slate of film and TV projects; new hire brings 20+ years of visual effects experience to his new role.
VFX supervisor Max Wood oversees 1,800 visual effects shots, filled with a CG gown of moths, three snarling Dalmatians, a wily Terrier, and a fearless, eye-patch-wearing Chihuahua named Wink, in the hit origin story for one of Disney’s most iconic villains.
5-part webinar features conversations with veteran VFX and mental health professionals providing personal insights and expert guidance in support of worldwide VFX industry.
Company continues to expand its teams across creative, support, and production departments to service growing slate of film and TV projects; Kevin Mah joins as head of FX, Wassila Lmouaci and Marie-Ève Authier as VFX producers, and Sandra Najem as head of HR.
Company brings on VFX supervisors Khalid Almeerani and Carlos Caballero Valdés, and VFX producers Lisa Purisima and Florent Villegas, to bolster its high-end visual effects production efforts.
Technicolor Animation Productions, Technicolor Animation, and Mikros will integrate their businesses under Andrea Miloro’s leadership, unifying their animation brand within the recently announced Technicolor Creative Studios group.
Company’s dedicated visual effects division for television and streaming hires MPC alumni Sheila Wickens as VFX supervisor and Rory Knight-Jones as VFX producer.
Company’s dedicated VFX division for television and streaming adds to its senior London team with hires from Framestore, DNEG, and MPC Film.
Production Services division becomes Technicolor Creative Studios, with new leadership team focused on design, direction, and production in VFX, XR, and animation.
Led by VFX supervisor Bryan Hirota, studio delivers 1,000 visual effects shots across 22 sequences, from Steppenwolf’s complete redo to the Flash’s epic time reversal.
The visual effects and sound studio’s new branch makes previously remote services more hands-on for its China-based clients; PixelBox deal increases the studio’s resources and capabilities.
Los Angeles-based Natasha Gould will lead business development on the west coast; Martin Perkins has been named the studio’s new business and bidding manager for the London office.
The all-virtual 9th edition’s theme is ‘Limitless Creativity;’ event features various talks, presentations, and career advice aimed at students, emerging talent, and industry professionals.
Both artists are known for their diverse skill sets including 3D, VFX, graphic design, photography, animation, and design.
Acquisition will expand global talent base throughout company’s diverse global business units; deal will bolster its service offerings in regions including U.S., Canada, Europe and the U.K.
Jasmin Hasel promoted to executive producer, Europe, and Lauren McCallum appointed head of production, Europe; key appointments will focus on company’s growth in the European market and management of decentralized production pipeline.
New hire to drive studio’s expansion in TV animation and VFX with his expertise in production and management.
Studio once again teams up with Anomaly and Pacific Rim Films’ Shawn Levy to bring back animated characters for a DICK’S Sporting Goods adventure.
Interspersed with show clips, Kal Penn, Utkarsh Ambudkar, Aasif Mandvi, Karen David, Parvesh Cheena, Sonal Shah, and Leela Ladnier talk about the upcoming Diwali holiday and what it means to them.
VFX supervisor Ivor Middleton details the production of CG creatures, floating people, and a serpentine British island causeway in the Sky / HBO psychological thriller.
Newly named managing director and director of operations, respectively, bolster company’s leadership during period of rapid global growth; new head of infrastructure, Martin Weaver and HR manager, Eva Kilikitas, will support the directors in their new roles.
Company strengthens its creative offerings by naming new heads of 3D and 2D departments, respectively.
The Motion Design Department’s trained students qualify for fully featured EDU licenses of Houdini FX for home use and a one-year Core or six-month FX license upon graduation.
Studio handles 1,055 VFX shots, using virtual production tools to help produce photorealistic talking animals, full CG environments and digital set extensions in Thea Sharrock and Disney+’s tale of a gorilla who tries to piece his past together so he can hatch a plan to escape from captivity.
