The VFX supervisor and compositor’s vast experience includes Pharrell Williams’s music video, ‘Cash In Cash Out,’ and the VES award nominated commercial B&Q ‘Flip.’
Recent Carbon NY and former MPC executive producer brings 20+ years of industry experience, having held various production and managerial positions at companies including Absolute Post and the Mill.
The MCU Phase 5 kicks off this February with the third installment of the ‘Ant-Man’ franchise; Paul Rudd and Evangeline Lilly reprise their titular roles.
The long awaited second and final season has finally arrived, rolling out 2 episodes per week starting next month; Orlando Bloom and Cara Delevingne return to the fantasy world where humans and fae collide.
VFX Supervisor Dennis Berardi dishes on the show’s signature production of ghouls, critters, an octopus, a blob monster, a six-foot long queen rat, and a lady made out of beauty lotion – 2,000 visual effects shots all totaled - in the horror anthology series now streaming on Netflix.
VFX Supervisor David Bowman and VFX Producer Hannah Dakin will help expand studio’s film and episodic division; company will soon move to a new facility boasting state-of-the-art production servers and workstations to streamline workflow and increase capacity.
The Technicolor Creative Studio adds new leadership to increase reach across global VFX industry; Jean-Paul Burge named Global President, ex-Paramount Pictures exec Stephanie Allen joins as Executive in Charge - Client Services, and VFX industry veteran Chris Burn named Global Head of Production.
David Patton, Mark Warburg, Phil Greenlow, and Sharn Gondal join the Emmy Award-winning VFX/Animation company; Natalie Llewellyn expands her role managing all animation production.
The two visual effects veterans join the studio as Senior Producer and Compositing Supervisor, respectively.
The former Framestore CTO steps into studio’s newly created role to drive technology strategy and operations including Systems, Pipeline, Editorial, and R&D.
In partnership with NantStudios, the company will expand its Culver City-based 60,000 sqft creative hub to include new LED stage and real-time production services, set to open in 2023.
Netflix joins The Foundry to support new chapter helmed by Glassworks’ Chris Kiser; studio coalition aims to promote diversity within the VFX industry.
Helmed by Oscar-winning director Rob Marshall, the live-action adaption of Disney’s classic animated musical stars Halle Bailey as Ariel and arrives in theaters May 2023.
Previous division of Technicolor SA is now an independent, publicly traded company under TCHCS on Euronext Paris, while Technicolor, comprised of the Connected Home and Vantiva Supply Chain Services divisions, will remain listed on Euronext Paris under its new name of Vantiva.
VFX veteran heads to Vancouver, where he’ll guide the studio’s creative and technical efforts.
Oscar winning-director Robert Zemeckis’ visually stunning live-action adaptation of the animated classic, starring Tom Hanks as Geppetto, hits the streamer next month.
VFX supervisor Axel Bonami talks making, mixing, matching, and maneuvering the many visual styles in Akiva Schaffer’s hybrid live-action/CG animated action-comedy, now streaming on Disney+.
Partnership allows companies to provide a one-stop shop for visual effects, color, sound, and editorial talent.
VFX veteran takes the reins from current creative director and two-time Oscar-winning VFX supervisor Paul Franklin, who will continue providing visual effects consulting to the company on features as well as develop and direct new projects.
At Comic-Con 2022, the studio treated fans to a panel filled with big names and big reveals, including a new trailer and art from the upcoming feature inspired by the iconic role-playing game of the same name; the movie comes to theaters in 2023.
Tasked with recreating the late Harold Ramis in ‘Ghost Busters: Afterlife,’ the VFX studio referenced earlier movies, concept art, and libraries of skin maps and photos, to deliver a digital character that was satisfying to both audiences and the actor’s family.
Director Adam Valdez and animation supervisor Andy Jones walk us through five dinosaur-filled biomes as imagined, 66 million years ago on Earth, in the new series from Jon Favreau and the famed BBC Studios Natural History Unit, now streaming on Apple TV+.
New president Jeaneane Falkler and executive creative director Sylvain Doreau are leading an aggressive recruitment effort as the group joins fellow Technicolor Creative Studios business brands MPC, The Mill, and Mikros Animation in providing a growing suite of production services across games IP, from in-game assets to TV advertising, interactive experiences, animation and feature length film.
2022 Summer slate of animation activities for teens includes a 10-day program in 3D-asset and animation creation – deadline to apply is July 11; YAY UK Competition and Studio Challenges accepting submissions through September 5.
MPC, The Mill, Mikros Animation, and Technicolor Games each saw significant revenue increases despite continued pandemic-related impacts; strong overall growth was reported, largely driven by demand for original content.
