Organization’s flagship Open Source Forum at the Academy Museum of Motion Pictures in Los Angeles is set for February 16.
Launched in 1982, the Stuttgart International Festival of Animated Film - ITFS - continues to provide a gathering place for the international animation community while acting as a career springboard for young talent; the event runs April 25-30.
Created entirely in Unreal Engine, the animated feature explores themes of love and redemption through a diverse cast of characters set in a futuristic world; the film screens online as part of next month’s festival in Toronto.
The hybrid edition, focusing on the art, technology, and business of animation, visual effects, and interactive and immersive media, returns to Stuttgart April 25-27 with an exclusive online day April 28.
Academy Award-nominated filmmakers Wendy Tilby and Amanda Forbis continue to rack up festival wins with their 2D/3D film, inspired by the 1917 Halifax Explosion, that tells the tale of the man who was hurled two kilometers by the blast and lived to tell.
Hosted by Post New York Alliance (PNYA), the Hollywood Professional Association (HPA), and Fuse Technical Group, the January 26 event will explore how filmmakers can utilize Unreal Engine to enhance their projects, including presentation, speakers, and Q&A.
The two heavily favored features took home coveted Best Animated Feature and Best Visual Effects awards, respectively, while ‘Everything Everywhere All at Once’ was the big overall winner, at last night’ 28th Annual Critics Choice Awards.
Returning in April as ‘climate-friendly’ certified, the event will feature discussions on sustainability in film and media production; programming announcements include a look at animated shorts ‘A Flammable Planet’ and ‘Can’t Negotiate the Melting Point of Ice,’ and advancements of AI Rotoscoping.
Top honors went go ‘BusLine35A,’ directed by Elena Felici, winner of the Grand Prize, with special jury awards going to ‘Canary’ and ‘Code Rose;’ save the date for VIEW Conference 2023, October 15-20 – see you in Turino!
A joint venture of the Stuttgart International Festival of Animated Film and FMX, ADP runs April 25-28; deadline for submission of projects in film, TV series, mobile content, games, cross- and transmedia is February 9.
Wait… we get to spend another day by the lake you say? This year’s event will kick off a day earlier, on Sunday, June 11, for 7 full days dedicated to the art of animation; Guillermo del Toro announced this year’s spotlight on Mexican Animation.
The Academy Award-nominated and Palme d’Or-winning duo reveal the poetry of a near-death experience in their latest animated short.
All-access tickets provide 3-months streaming of all keynotes, panels, talks, workshops, and masterclasses from the October 2022 event; Also announced - VIEW Conference returns to Torino, Italy October 15-20, 2023
Kevin Feige and star Zoe Saldana treated fans at CCXP22 to a first look at the newest installment of the hugely popular franchise coming to theaters next year.
The event offers a full weekend of programs featuring all films in competition, and an opening night party with works by and conversations with filmmakers, culminating with the LAAF Awards Ceremony.
Inspired by the true-life story of a man who survived being blown two kilometers through the air by the 1917 Halifax Explosion, the new animated short is now streaming free on ‘The New Yorker’ Screening Room’s digital channel.
The 4-day hybrid event returns to Stuttgart with 1-day devoted to online presentations from around the world; BAFTA-winning and Oscar-nominated producer Jinko Gotoh serves as the next program chair.
Swiss director Jonathan Lasker’s film wins the international competition; ‘Slow Light’ by Kijek/Adamski garnered both the Platige Image Award and Polish Filmmakers Association for Best Polish Film.
The Emmy-winning ‘Adventure Time’ creator will kick off Toronto Animation Arts Festival International’s 3-day hybrid conference with a keynote fireside chat on joke theory this evening, November 10, at 6:15 pm EST.
The two studios are teaming up to showcase new advances in volumetric video tools used to create digital humans as part of the VES’ ‘Creating Lifelike Digital Humans -- Volumetric Video Capture Techniques for VFX Pipelines,’ set for November 12; registration is now open on Eventbrite.
Kristine Belson, Jorge R. Gutierrez, Ramsey Naito, and Genndy Tartakovsky among the HOF inductees; three days of keynotes, panels, and networking events kicks off with gala dinner on November 6.
The 5th annual Animation is Film featured juried competitions as well as the U.S. premiere of Henry Selick’s ‘Wendell & Wild,’ and first looks at Dreamwork Animation’s ‘Puss In Boots: The Last Wish’ and Disney’s ‘Strange World.’
By bringing together live-action performance with digital environments and real-time rendering, the university's students across creative disciplines are collaborating as never before, creating the future with technology that didn’t exist only two years ago.
Watch it here - launching live today as part of Epic Games’ ‘Future of Animated Storytelling’ presentation, the animated short is one of the first crafted entirely in the cloud using Unreal Engine – without compositing - by a team of artists collaborating virtually from around the world.
Top industry leaders head to Italy’s premiere animation, VFX, games, and computer graphics conference that runs October 16-21, both onsite and online, with a stellar program of talks, presentations, workshops, and masterclasses available; worldwide Livestream is now free!
