Former FX executive, who helped launch network’s ‘Cake’ animation and live-action anthology series, will oversee animated feature and short film slate for J. J. Abrams' production company, including Dr. Seuss’ ‘Oh, the Places You’ll Go!’
Tagged With: VFX for TV
Studio delivers over 300 shots for satirical comedic drama about the fictionalized rise of Catherine the Great, which required extensive on-location collaboration to create large scale environment extensions for Caserta Palace and the military camp at the Russian Front.
Elizabeth Olsen sat down with Jimmy Kimmel to discuss Disney+'s magical new MCU show, describing the never-before-seen clip as an homage to ‘Bewitched.’
The illustrious DCEU director returns to the zombie genre in a high-octane heist film that follows a group of mercenaries battling the zombie horde to score the ultimate payoff.
‘New Era’ tease from Disney+ and Marvel may not present any new series clues to theorize about, but it ‘does’ deliver great hype and suspense.
Veteran 3D artist brings 20+ years of experience, having worked as CG supervisor on notable projects including ‘Walking Dead,’ ‘Fear of the Walking Dead’, ‘McGuyver,’ ’Hawaii 5-0,’ and ‘Shameless.’
The famed Swedish artist and Jens 'Duvchi' Duvsjö, with support from Staffan Linder and Goodbye Kansas Studios, discuss their collaborative creative process in depicting a mesmerizing VFX sequence that awakens prehistoric creatures.
The 11th Doctor Who is now set for winged battle as Daemon Targaryen, warrior and husband to Princess Rhaenyra Targaryen, in George R.R. Martin’s upcoming HBO Max series.
See what happens after our favorite MCU trickster steals the Tesseract from ‘Endgame’; Marvel’s highly anticipated new show starts streaming on Disney+ in May 2021.
VFX team provided creatures, CG crowds, FX simulations, environment extensions, and seamless digital shot stitching for the miniseries; 100 artists delivered shots while working and collaborating from home during the COVID-19 lockdown.
The hit Disney+ series’ Chapter 12 background blunder, featuring half a crew member’s T-shirt and jeans, has been digitally scrubbed, and fans are disappointed.
New hire to drive studio’s expansion in TV animation and VFX with his expertise in production and management.
Overall VFX supervisor John Mangia and VFX producer Arissa Blasingame’s team delivered over 750 shots, including the haunting chess piece visions, CG vehicles, set extensions and recreations of exotic Mexico, Moscow and Las Vegas locales for Netflix’s hit limited series.
Former Blue Sky and Disney veteran named Group Head of CG for Feature Animation; Holger Voss upped to Group Head of CG for Visual Effects, Alexander Savenko to Group Head of Production Technology, and Danny Smith to Group Head of Infrastructure Technology.
Studio delivers 400 shots across eight episodes; limited set of buildings required extensive CG work to extend architecture, roads, street furniture, trees, and plants.
A plainclothes crew member can be spotted in the background of ‘Chapter 12: The Siege’ of ‘The Mandalorian,’ and fans claim his pants are now canon.
Controversial actress is rumored to be in the running for the role of Black Cat in the upcoming Marvel series, ‘Silver & Black.’
Studio’s Toronto branch head of 2D Eric Covello details their visual effects work on Netflix’s hit dysfunctional superhero family adventure series, which last week was renewed for Season 3.
Project puts a modern spin on H.G. Wells’ ‘The Island of Dr. Moreau’ and is the latest of the development deals announced by Gunpowder & Sky’s sci-fi label; time travel feature film ‘Time Agent’ and ‘Last Exit: Space,’ a new documentary exploring mankind’s push to colonize space, are also in the works.
Showtime teases sneak of Master Chief and Cortana as its live-action adaption of the fan-favorite video game series goes back under the lights after production shut down due to COVID-19.
The next edition of the Post New York Alliance’s free ‘Post Break’ webinar series will look at practical issues on how to produce and deliver VFX for film and TV; panelists include VFX producer Leslie Lerman and Powerhouse VFX executive producer Ryan Cunningham.
The veteran VFX editor and supervisor talks about his two latest projects, Ethan Hawke’s Civil War-era period Showtime series, and a fully animated feature inspired by ‘Love, Death & Robots.’
The streaming giant's hit dysfunctional superhero family adventure series, based on Dark Horse Comics’ Eisner award-winning comics and graphic novels of the same name, gets picked up for another season.
Emmy Award-winning production designer James Pearse Connelly uses previs to design virtual sets, which are integrated with real-time rendering, Unreal Engine, and VFX to create the extended physical worlds of many new, safely produced TV shows.