The visual effects team delivered 135 shots across the series’ episodes combining actual pyrotechnics with digital flames to showcase the many different and terrifying forms that fire can take; the CBS primetime series returns January 6 with all-new episodes.
VFX Supervisor Dennis Berardi dishes on the show’s signature production of ghouls, critters, an octopus, a blob monster, a six-foot long queen rat, and a lady made out of beauty lotion – 2,000 visual effects shots all totaled - in the horror anthology series now streaming on Netflix.
Studio serves as lead VFX vendor on Eric Garcia’s new nonlinear, eight-part Netflix crime series inspired by the true story of a $70 billion Manhattan bank heist during Hurricane Sandy; challenging effects-heavy shots included creating a swarm of digital bees to camouflage a character’s movements through a super-secure bank vault.
The visual effects studio delivered 1,522 shots on the Showtime vampire/horror series, including fully CG chimps that morphed into vicious vampire chimps.
The award-winning visual effects house to kick off the new year with a new French-based facility helmed by Creative Director/Head of Studio Andy Morley; continued studio expansion follows the recent acquisition of Lola Post Production.
Visual Effects Supervisor Jay Worth talks about the HBO sci-fi thriller’s fourth – and final – season, and his long tenure on the show, which set a new high production value bar for streaming series.
The VFX and animation studio collective announces new long term financing deal to continue its acquisition revenue growth, increase client offerings, capacity, and expand its global footprint; NatWest Corporate Bank led the financing alongside Barclays – the company’s longtime bankers.
VFX Supervisor David Bowman and VFX Producer Hannah Dakin will help expand studio’s film and episodic division; company will soon move to a new facility boasting state-of-the-art production servers and workstations to streamline workflow and increase capacity.
The Technicolor Creative Studio adds new leadership to increase reach across global VFX industry; Jean-Paul Burge named Global President, ex-Paramount Pictures exec Stephanie Allen joins as Executive in Charge - Client Services, and VFX industry veteran Chris Burn named Global Head of Production.
For the company’s 20th anniversary, its founder shares a selection of innovative work his teams have produced, on shows like ‘Wonder Woman,’ ‘1917,’ and ‘The Sandman,’ since opening its doors in 2002.
The Oscar and Emmy Award-winning filmmaker, author, and illustrator shares how a series of tragic losses – first his young daughter, then his wife – led to a prolonged period of creative withdrawal that he eventually emerged from, due to a simple twist of fate, to produce some of his career’s strongest and most innovative work.
David Patton, Mark Warburg, Phil Greenlow, and Sharn Gondal join the Emmy Award-winning VFX/Animation company; Natalie Llewellyn expands her role managing all animation production.
While the creative powerhouse remains attached to the project as creator, writer and executive producer, Alison Schapker will now take up the showrunner mantle.
The magnetic ‘Vikings’ and ‘Raised by Wolves’ actor will portray Desmond Hart, a charismatic soldier at odds with the sisterhood of the Bene Geserit in the upcoming ‘Dune’ prequel.
Artists and studios gain broader accessibility to products and tools with Krakatoa and XMesh source code available for Autodesk Maya under Apache 2.0 open source license; artist tools simplify rendering, VFX, and simulation workflows.
In an extensive Q & A, Senior Animation Supervisor Sidney Kombo-Kintombo and Senior VFX Supervisor Guy Williams talk about their gargantuan contributions to Marvel Studios’ 'She-Hulk: Attorney at Law,' streaming exclusively on Disney+.
The streamer and Lucasfilm are actively seeking a writer for an ‘Indiana Jones’ TV series, which could be a prequel, spinoff, or set-up for future films in the franchise.
The former Framestore CTO steps into studio’s newly created role to drive technology strategy and operations including Systems, Pipeline, Editorial, and R&D.
Jonathan Nolan and Lisa Joy’s big budgeted dystopian sci-fi thriller, which just finished its Season 4 run, falls victim to decreasing viewership and Warner Bros. Discovery’s ongoing cost-cutting measures.
Visual Effects supervisors Shannon Justison and Dadi Einarsson reveal how the stunning visuals were brought to life on the studio’s first CG character-led series.
Season 3 of Netflix’s hit fantasy adventure series will be the ‘Man of Steel’ actor’s last, with many attributing his departure to heavy deviations from the original source material; ‘The Hunger Games’ star to don the silver wig for Season 4.
Leading visual effects studio's veteran ‘The Mandalorian’ and ‘The Book of Boba Fett’ VFX team delivers 364 shots across the Disney+ Original ‘Star Wars’ series, ranging from the creation of full CG builds for ship landing shots to an epic Kenobi lightsaber battle against the Empire.
The BBC and Disney Branded Television partner to bring the famed Tardis to a whole new world in late 2023.
Indira Varma, Shirley Henderson, and Emily Watson will star in the upcoming series, set in the 'Dune' universe, which centers on the lives of the fabled religious sect trained to resist the Voice.
Donald P. Bellisario’s revival of the 1990s sci-fi cult classic tapped the global VFX house to create complex digital environments with integrated 2D and 3D assets; check out the VFX breakdown reel then catch Season 1 now airing on NBC and streaming on Peacock.
