The Toronto studio’s co-founder and director shares how he quickly went from animator to director to starting his own award-winning company in 1997, and how he’s faced many ups and downs over the last two decades.
Tagged With: Puppets
Enjoy a puppet Sonya Blade, Sub-Zero, and Scorpion pop some threads in a safe-for-work trailer for the upcoming theatrical blood bath that releases in theaters and on HBO Max today.
Epic Story Media teams up with Milkcow Media on an all-new stop-motion / CG show that illustrates the power of roleplay and imagination; in the series, Piper and her friends make up stories about their toy horses, that magically come to life.
Genius Brands International acquires streaming and video-on-demand rights to the popular preschool series from The Jim Henson Company that features a hybrid of puppetry and CG animation.
Seoul-born, Los Angeles-based independent stop-motion filmmaker employs Styrofoam and cinematic lighting to create a moving and intimate tribute to his mother.
Watch this year’s retrospectives featuring a celebration of Estonian animator, Elbert Tuganov; unique perspectives from Norwegian animation studio, Mikrofilm; and the work of Métis filmmaker, Terril Calder.
Ewan McGregor, David Bradley, Cate Blanchett and newcomer Gregory Mann top a stellar voice acting lineup in Netflix’s upcoming animated musical, based on Carlo Collodi’s classic story, written and directed by the Oscar-winning ‘The Shape of Water’ director.
Nicole Brending discusses her savage animated satire, ‘Dollhouse: The Eradication of Female Subjectivity from American Popular Culture,’ which hits digital platforms August 11.
In animator Terry Ibele's whimsical stop-motion short, a wizard casts his spell on audiences, turning everything in his path into ducks.
An intimate, sober and thoughtful animated short that imagines what a Chinese man’s family life might have been had his mother not been forced to terminate her second pregnancy.
Jon Favreau’s highly anticipated Disney+ ‘Star Wars’ series features a mysterious infant fans have dubbed ‘Baby Yoda,’ and it’s the cutest thing since Ewoks.
Creative studio shares their latest work, a set of humorous 15-second commercials extoling the virtues of drinking milk.
Stoopid Buddy Stoodios’ Caroline Kastelic and Julia Rosner share production secrets from the upcoming 10th season of Adult Swim’s Emmy Award-winning stop-motion sketch comedy series.
Sam De La Torre and DL Guerra’s animated short depicts the band’s raw, cacophonous journey battling supernatural creatures while careening across Los Angeles.
Award-winning indie animator of ‘Puppet’ and ‘Blank on Blank’ shares his thought-provoking 2018 short about the process and danger of conformity.
Massive collection of critically acclaimed productions including award-winning specials and beloved preschool and fantasy series from The Jim Henson Company’s catalog now available on Amazon Prime Video.
Acclaimed creature FX studio co-produced and created puppets, prosthetics, animatronics and more for the Netflix feature.
AWN delivers a close-up look at the production for the Oregon stop-motion studio’s biggest, most sophisticated and largest-scale animated feature yet, arriving in theatres on April 12.
Live-action short-form puppet comedy created by Ben Bayouth and developed with head writer Adam Aseraf available now on the recently launched Comedy Central Originals YouTube channel.
Marc James Roels and Emma de Swaef’s award-winning stop-motion animated film set in Belgium-occupied Congo screening alongside their short film ‘Oh Willy...’ and Niki Lindroth von Bahr’s ‘The Burden.’
Marc James Roels and Emma de Swaef’s award-winning stop-motion animated film set in Belgium-occupied Congo to be accompanied by their short film ‘Oh Willy...’ and Niki Lindroth von Bahr’s ‘The Burden.’
Stop-motion animated film set in the late 19th century in the bitter milieu of Belgium-occupied Congo opens theatrically in Los Angeles on March 1.
Marc James Roels and Emma de Swaef’s Annie Award-nominated stop-motion animated feature to be released theatrically in Los Angeles on March 1.
Complex, multi-layered 45-minute work is set in the late 19th century during Belgium’s colonization of the Congo Basin in West Africa.