The Toronto studio’s co-founder and director shares how he quickly went from animator to director to starting his own award-winning company in 1997, and how he’s faced many ups and downs over the last two decades.
Take a moment to head over to Terry Ibele’s Animation Industry Podcast, home now to 118 in-depth interviews he’s done with a very cool selection of artists from animation and related industries. With a new podcast every week, Ibele is dedicated to sharing the stories of today’s animation professionals - how they got to where they are, and what they learned along the way. Episodes cover all areas of the industry, including storyboarding, writing, animating, directing, visual development, game design, and more. Guests have included the notorious JJ Villard, Spike & Mike’s Spike Decker, Disney Director John Musker, Sony Lead Animator Humberto Rosa, Cuphead’s Tina Nowracki, Frederator’s Fred Seibert, Tumble Leaf’s Scarlet Nelson, and many others from major animation studios all over the world.
His most recent interview is Episode 118: Steve Angel on Running Headgear Animation Studio For 24 Years
This episode features the Co-founder and Director of Toronto-based Head Gear Animation. Since 1997, Head Gear has worked with world-class clients like Nestlé, Ikea, Kellogg's, and Sesame Workshop, and has garnered a long list of awards for their work in stop-motion, 2D, live-action, and puppetry. In this chat, Angel shares how he quickly went from animator, to director, to starting his own studio, and all the ups and downs he’s faced over the last two decades.
Tune in to Ibele and Angel to hear:
- How to start your own professional studio on a dime
- The secret sauce to staying in business (successfully) in the long term
- The number one way to sell a new client on stop-motion
Ibele, himself a stop-motion animator (see AWN’s Fresh Takes piece on his whimsical short, The Silly Duck Wizard), deftly digs into all manner of topics, encouraging interviewees to share insights and opinions on a wide range of topics like pitching shows, marketing your work online, key skills studios look for when they bring on talent in storyboarding, vizdev, character design and animation.
In 2018, Ibele, who lives in Toronto, decided to quit his career as a Marketer and pursue his love for animation. Since then, he’s become well known for his viral animation productions, which include the previously mentioned Silly Duck Wizard, which is how AWN first came to know him and his work.
Dan Sarto is Publisher and Editor-in-Chief of Animation World Network.