Uprooted: MPC Tackles Disney’s ‘A Wrinkle in Time’
MPC CG supervisor Chris Downs details the production of 350 visual effects shots for director Ava DuVernay’s adaptation of ‘A Wrinkle in Time.’
MPC CG supervisor Chris Downs details the production of 350 visual effects shots for director Ava DuVernay’s adaptation of ‘A Wrinkle in Time.’
Franchise director is joined by voice cast stars Andy Samberg, Selena Gomez, Keegan-Michael Key and Kathryn Hahn to share jokes and tasty bits from Sony Pictures Animation’s ‘Hotel Transylvania 3: Summer Vacation.’
Oscar-nominated VFX supervisor takes audiences on a quest through the universe for director Ava DuVernay’s adaptation of the sci-fi classic written by Madeleine L’Engle.
Visual effects supervisor Paul Linden helps orchestrate a successful marriage between stunts, special effects and visual effects for the new Lara Croft film.
Fast-paced CG-animated comedy adventure from Rocket Pictures and Mikros Image takes audiences on a tour of London to solve the mystery of the disappearing Gnomes.
More than 60 years separate these animated films featuring Wes Anderson and Walt Disney’s very different takes on man’s best friend.
L.A.-based visualization studio handles previs and postvis on Ava DuVernay and Disney’s new fantasy-adventure film.
Director Carlos Saldanha’s Oscar-nominated animated feature now available on 4K Ultra HD, Blu-ray and DVD.
The Festival of Animation Berlin is celebrating it's second edition! It aspires not only to promote numerous filmmakers but also to pay tribute to the art of animation. As a platform where inspiration, creative exchange, innovation and communication come together it seeks to create a point of connection between both emerging and established filmmakers and a local audience.
Glen Keane’s ‘Dear Basketball,’ Pixar’s ‘Coco’ win animation Oscars; ‘Blade Runner 2049’ wins VFX and cinematography awards.
The overall VFX supervisor riffs on witness cameras, bleak L.A. cityscapes and the super-secret digital recreation of Rachael in Denis Villeneuve’s mesmerizing ‘Blade Runner’ sequel.
Production VFX Supervisor Geoff Baumann assembled and managed the movie’s heavy-hitter vendor lineup to complete more than 2,000 visual effects shots for Marvel’s most recent hit.
Weta’s four-time Oscar-winning senior VFX supervisor talks about the complexities of creating believable digital ape performances in the final film in Fox’s ‘Apes’ trilogy reboot, director Matt Reeves’ futuristic action adventure ‘War for the Planet of the Apes.’
Group of 20 nominees draws on two decades of experience and technological advances, delivering shots that were previously unimaginable.
Cartoon Saloon’s Jeremy Purcell and Guru Studio’s Sanatan Suryavanshi & Sheldon Lisoy detail the complex compositing process behind the meticulously designed story-within-a-story sequences of the Oscar-nominated animated feature.
Academy governors Richard Edlund and Bill Kroyer weigh in on how to acknowledge and reward the growing number of stellar CG character performances.
DNeg VFX supervisor Paul Lambert details the creation of futuristic Los Angeles cityscapes, the holographic Joi, and the visuals for the final act of director Denis Villeneuve’s follow-up to the 1982 sci-fi film noir classic by Ridley Scott.
On the road to the 90th Oscars, the studio’s most senior talent reflects on the storytelling and production challenges of bringing ‘Coco’ to audiences, as well as new efforts to increase Pixar’s workplace and senior-level creative diversity.
One of five films to receive a nomination for best visual effects in this year’s race for Oscar gold, ‘Episode VIII’ mixes new characters with those from the 1977-1983 films in wholly new environments.
Imbuing the Oscar-nominated movie with a sense of nostalgia, animators and VFX artists drew on cartoon tradition while experimenting and pushing the cutting edge of technology to get the right look.
Pixar feature wins BAFTA Award for best animated film; Roger Deakins wins fourth BAFTA for Cinematography for ‘Blade Runner 2049,’ which also wins for special visual effects.
VFXWorld takes a closer look at the Oscar-nominated effects that brought the biggest version of King Kong ever to the big screen.
Animation directors Will Beecher and Merlin Crossingham detail their journey transporting Dug, Hobnob and Goona from the Stone Age to the football stadium.