Take a deeper look at ‘Alien: Romulus,’ ‘Better Man,’ ‘Dune: Part Two,’ ‘Kingdom of the Planet of the Apes,’ and ‘Wicked,’ all vying for the Best Visual Effects Oscar on March 2, 2025.
The Oscar-winning ‘Harvie Krumpet’ director discusses how he’s failed as a filmmaker if audiences aren’t left emotionally wrecked by his latest film about the difficult lives of once inseparable twins forced to live with different families after their father dies; just nominated for an Oscar and two Annie Awards.
Ceremony, rescheduled for April 29 at the Academy Museum of Motion Pictures, celebrates individuals and companies whose discoveries and innovations have contributed in significant and lasting ways to the motion picture industry.
Oscar nominees named this morning for Best Visual Effects share their reactions.
Oscar nominees named this morning for Best Animated Feature and Best Animated Short share their reactions to the great news.
‘Flow,’ ‘Inside Out 2,’ ‘Memoir of a Snail,’ ‘Wallace & Gromit: Vengeance Most Fowl,’ and ‘The Wild Robot’ nab noms for Best Animated Feature, while ‘Alien: Romulus,’ ‘Better Man,’ ‘Dune: Part Two,’ ‘Kingdom of the Planet of the Apes,’ and ‘Wicked’ take the top spots for Best Visual Effects.
Nominations voting period extended due to the ongoing Los Angeles fires and their impact; AMPAS has changed some key dates and events on its awards season schedule.
VFX category narrowed down to 10 films, animated shorts to 15; voting for nominations runs next month, January 8-12, with nomination announcements set for January 17, 2025.
The Oscar-winning director of ‘Harvie Krumpet’ discusses his new, award-winning, decidedly not-for-kids stop-motion feature, including the use of sophisticated magnetic puppets, being forced to play board games as a kid, and how personal lubricant makes the best tears because it can go all day and not evaporate.
The Academy of Motion Picture Arts and Sciences has unveiled multiple rule changes for the 97th Annual Academy Awards; among them, international feature films can now also be considered in the animated feature film category if they meet eligibility requirements.
This month’s edition of AWN’s survey of under-the-radar animated shorts that are currently travelling the festival circuit or are new to online viewing looks at the Oscar-winning animator’s new film and revisits her award-winning body of work.
The two films finish out the 2024 awards season with wins for Best Animated Feature and Best Visual Effects, respectively, on a night that also saw ‘WAR IS OVER! Inspired by the Music of John & Yoko’ win for Best Animated Short Film and ‘Oppenheimer’ take home 7 statues, including Best Picture and Best Cinematography.
The Australian animator discusses making his short ‘An Ostrich Told Me the World Is Fake and I Think I Believe It’ and his journey to the Academy Awards.
Take a deeper look at ‘Letter to a Pig,’ ‘Ninety-Five Senses,’ ‘Our Uniform,’ ‘Pachyderme,’ and ‘War Is Over! Inspired by the Music of John and Yoko,’ all vying for the Best Animated Short Film Oscar at the 96th Academy Awards coming March 10, 2024.
Take a deeper look at ‘The Creator,’ ‘Godzilla Minus One,’ ‘Guardians of the Galaxy Vol. 3,’ ‘Mission: Impossible – Dead Reckoning Part One,’ and ‘Napoleon,’ all vying for the Best Visual Effects Oscar at the 96th Academy Awards coming March 10, 2024.
The VFX supervisors explain director Gareth Edward’s innovative, slightly radical new approach to filmmaking, a type of ‘reverse engineering,’ including the integration of visual effects, when during the process they’re created, and when it’s best not to use them, on his multiple VES Award-winning sci-fi thriller that’s been nominated for a Best Visual Effects Oscar.
Take a deeper look at ‘The Boy and the Heron,’ ‘Elemental,’ ‘Nimona,’ ‘Robot Dreams,’ and ‘Spider-Man: Across the Spider-Verse,’ all vying for the Best Animated Feature Oscar at the 96th Academy Awards coming March 10, 2024.
The director of the Annie Award-winning 2D feature, his first animated film, about a lonely dog who buys a robot companion, discusses how his live-action experience helped him focus on crafting emotionally nuanced character performances.
When director Peter Sohn and Pixar set out to create a 3DCG world in which a fiery young woman found a way to get together with a fun, ‘go-with-the-flow’ guy, they never dreamed it would take quite some time, slowly but surely, through word of mouth, to successfully find a global audience for their film.
Join the free February 21 online conversation and Q&A with the directors/creatives of ‘Nimona,’ ‘Elemental,’ ‘Spider-Man: Across the Spider-Verse,’ ‘Robot Dreams’ and ‘The Boy and the Heron,’ hosted by the VIEW Conference in partnership with the VFX Festival.
Join AWN’s own Dan Sarto on February 20 for a free online conversation and Q&A with the directors of the nominated films, ‘Letter to a Pig,’ ‘Ninety-Five Senses,’ ‘Our Uniform,’ ‘Pachyderme,’ and ‘WAR IS OVER! Inspired by the Music of John & Yoko,’ hosted by the VIEW Conference in partnership with the VFX Festival.
‘The Boy and the Heron,’ ‘Elemental,’ ‘Nimona,’ ‘Robot Dreams,’ and ‘Spider-Man: Across the Spider-Verse’ nab noms for best animated feature, while ‘The Creator,’ ‘Godzilla Minus One,’ ‘Guardians of the Galaxy Vol. 3,’ ‘Mission: Impossible – Dead Reckoning Part One,’ and ‘Napoleon’ take the top spots for best visual effects.
Ceremony, to be held at the Academy Museum of Motion Pictures on February 23, celebrates individuals and companies whose discoveries and innovations have contributed in significant and lasting ways to the motion picture industry.
The award-winning animated short uses live-action and hand-drawn animation to tackle the complex story of a Holocaust survivor who addresses a classroom full of students and one young schoolgirl’s reaction; streams on YouTube for 2-days only – beginning January 4.
VFX category narrowed down to 10 films; voting for nominations runs next month, January 11-16, with nomination announcements set for January 23.
