MACOM, NVIDIA and Wohler/Cinnafilm Joint Venture to receive Engineering Excellence Awards; the American Society of Cinematographers and DigitalFilm Tree to receive the HPA Judges Award for Creativity and Innovation in Post Production.
Ahead of the Fall 2014 semester, USC School of Cinematic Arts installs OptiTrack motion capture and tracking systems in three key locations within the Robert Zemeckis Center for Digital Arts.
New wearable motion capture product line delivers fast, production-ready 3D data to professional animators at a more affordable price.
Second annual free, all-ages event to be held at the Old Mint Building in San Francisco’s Mint Plaza on Saturday, November 1, 2014.
Blackmagic Design announces DaVinci Resolve has become a central part of O2 Post’s entire production and post production workflow, with the creation of one of the largest DaVinci Resolve workflows in the world.
Substantial upgrade to rendering pipeline with improved ray tracing performance and new progressive image sampler.
New offering brings powerful node-based VFX, Editorial and Finishing into a new single studio application, as well as providing core upgrades to the advanced compositing workflows of NUKE and NUKEX.
Motion design studio Invisible Light Network combines Anime with pixel art and glitched-out, Tumblr-inspired CG in epic landscapes and storylines.
Jeremy Mansford's'Titan Smash' wins the grand prize in the inaugural MAXON WinC4D animation challenge.
Allegorithmic’s award-winning particle painter adds new features for high-res support, custom shaders and is now available on Steam and Unity Asset Store.
Method’s VFX and animation supervisors discuss the creation of the maze environment and Griever characters for Wes Ball’s hit YA adaptation.
Classic text-based adventure game ‘ZORK’ inspires live-action and computer generated cinematics for University of Wisconsin-Stout Art and Design project.
Available in the Fall release of After Effects CC 2014, upgrade delivers improved integration and performance between MAXON’s powerful 3D application, Cinema 4D, and Adobe’s industry-leading software.
Animate a traditional walk or run cycle, squash and stretch, or anything else using an actual character rig from a major animated feature film.
Fully immersive DC Comics animated universe marks the industry’s first commercial holographic video deployment for virtual reality and light field displays.
Artists can now import 3D animated characters and blend them with 2D scenes in the latest version of Photoshop CC.
Artists rely on Qube! to manage renders on spots like Nike’s blockbuster ad for the World Cup, “The Last Game.”
Latest Creative Cloud release drives deep connections between new family of mobile apps and enhanced CC Desktop Tools via all-new creative profile.
Tight integration between Premiere Pro CC and After Effects CC allows multiple editors and VFX artists to work on the same project.
End-to-end postproduction services for LAIKA’s latest 3D animated feature include raw file conversion, digital intermediate and color grading.
4K Codex recording system used for forthcoming IMAX production to orbit the Earth for the next twelve months.
Christopher Nolan's highly anticipated sci-fi epic will be released in 70mm IMAX, 70mm and 35mm formats on Wednesday, November 5th, two days ahead of its nationwide release.
John Bailey, Gale Anne Hurd, John Knoll and Michael Tronick accept invitations to join the Science and Technology Council of the Academy of Motion Picture Arts and Sciences.
New release of render farm management software features the RenderPal V2 Submitter, frame checking improvements, idle clients shutdown, and more.