Built on the Bitsquid engine, Stingray is a new platform for making 3D games with support for a host of industry-standard game development workflows and connectivity to Autodesk 3D animation tools.
Trunk Animation directorial duo teams with Hipgnosis to create an animated video for David Gilmour’s ‘Rattle That Lock’ based on Gustave Doré’s mid-19th century illustrations for John Milton’s epic poem, ‘Paradise Lost.’
Toon Boom Animation and The Foundry to integrate Storyboard Pro and FLIX, including a new workflow between The Foundry’s web-based story development tool and Storyboard Pro.
German animation and VFX studio embarks on its first CG animated feature, 'Manou the Swift,' with a pipeline that includes Autodesk 3ds Max, The Foundry’s NUKE, Pixologic ZBrush, and Chaos Group’s V-Ray.
French 3D artist dono employs open-source 3D creation suite Blender, Photoshop alternative GIMP, 3D renderer Octane and free compositing software Natron to create stunning 3D backgrounds from legendary animator Hayao Miyazaki’s beloved classic films.
San Francisco studio’s cute story about a lovable but un-huggable hedgehog shows the inherent power of storytelling within the Oculus Rift virtual reality system.
Innovative visual sculpture piece to be shown for first time in the U.S. at SIGGRAPH 2015 alongside presentations from Autodesk, Dynamixyz, Morph3d and Unity.
Nickelodeon takes preschoolers on a magical genie adventure with animated preschool series ‘Shimmer and Shine,’ created by ‘Dora the Explorer’ production supervisor Farnaz Esnaashari-Charmatz.
NYC-based previs studio stretches creative boundaries with ‘Bayonet’ music video tapping company’s strengths in motion capture, 3D animation, visual effects, editorial, and more.
New UI part of demos in Booth #801; “Straight Talk on Cloud Rendering” theme of organized Birds of a Feather event.
Latest free update boasts 100 new and modified features including Maya 2016 support and advanced VR rendering.
Attendees will see Vantage in action with presentations by Vicon customers including ILM, Digital Domain and Epic Games, and virtual reality demos powered by Vicon systems.
New material exchange platform initially open to Substance Live users; Substance textures and smart materials can be distributed for free.
Directed and written by Beijing-based Light Chaser Animation founder Gary Wang, animated feature ‘Little Door Gods’ will be released in China on January 1, 2016.
Previously developed for Android phones, immersive, 360-degree interactive animated films from Jan Pinkava, Glen Keane, Mark Oftedal and Justin Lin are now available on the iPhone and iPad.
A great way for people to share research hot off their hard drives, this year’s Posters will be featured on 10 digital display kiosks with each poster scheduled for a 25-minute presentation throughout the week.
Virtual reality installations include Legend3D’s project for ‘Crimson Peak’; the return of V-Ray Days to feature Method Studios, Atomic Fiction and Ruairi Robinson.
DreamWorks Animation veteran and series director Elaine Bogan details the production process from storyboarding through final delivery on DWA’s hit series that further explores the world of the ‘How to Train Your Dragon’ franchise.
Led by VFX/CG Supervisor Timothy Hanson, ZOIC Studios employs RealFlow to help create simulations for Marvel blockbuster ‘Avengers: Age of Ultron,’ completing nearly 100 shots for the movie.
The first full-length trailer for ‘The Good Dinosaur’ shows off the incredible photorealistic world built for the film as well as the more cartoonish characters that inhabit it.
New feature in Thinkbox Software’s scalable solution for managing compute resources across platforms on physical and virtual machines automates the configuration of render farms on Amazon EC2.
Chicago-based creative studio builds on its past successes with Marvel’s ‘Guardians of the Galaxy’ and ‘Captain America: The Winter Soldier.’
Team captures data from more than 160 attendees in four days with OptiTrack motion capture technology.
Pixeldust Studios animates remarkable journey by NASA’S New Horizons spacecraft into furthest edge of our solar system as presented in the new documentary film, ‘The Year of Pluto.’