New trailer populated by gods and mortals aplenty, showcases stunning digital backdrops and other visual effects from Cinesite, Iloura, Raynault VFX, Rising Sun Pictures, Rodeo FX and Tippett Studio.
Acclaimed 3D toolset MAXON Cinema 4D delivers powerful capabilities for key hologram sequences in blockbuster sci-fi film finale.
Directed by Howy Parkins of ‘Jake and the Never Land Pirates’ fame, the ‘Lion King’ spinoff movie first premiered on the Disney Channel on November 22.
New teaser for stop-motion animated action-adventure set in mythic Japan gives a taste of the film’s ornate visual style and epic setting.
Best practices for creating production VR Projects outlined with help of contributors from Legend3D and The World Building Institute.
Filmmakers Steve Martino, Richard Starzak, Mark Burton, Charlie Kaufman, Duke Johnson, Pete Docter, Jonas Rivera, Pete Sohn and Denise Ream react to the news of the 73rd Annual Golden Globe Award nominations.
Awards show and international conference for 3D animation & still, visual effects and visualization moving to Munich for 20th anniversary edition.
Photoreal short derived from an old Japanese folk tale employs physical sets built in the duo’s living room augmented with CG creatures and extensions crafted using Autodesk Maya and Mudbox and rendered in Chaos Group’s V-Ray.
Former Disney Consumer Products veteran to licensing strategy for Singapore-based CG animation studio’s lead properties, including ‘Insectibles,’ ‘Oddbods’ and ‘Rob the Robot.’
State-of-the-art cinematics for 12 different scenes further immerse players in the series’ most ambitious narrative available for next-gen gaming platforms.
Produced in Korea at EMation, NE4U and Dong Woo Animation for Netflix, new 2D-animated series is executive produced by Brendan Hay of ‘The Simpsons’ and ‘Robot Chicken’ fame.
Animatic with picture-in-picture of the final movie shows what was originally sketched and what ultimately made it into the film.
Forty-third International Conference and Exhibition on Computer Graphics and Interactive Techniques will be held July 24-28, 2016 in Anaheim, California.
Led by VFX supervisor Jeff Campbell and supervising VFX producer George Macri, SpinVFX delivers nearly 150 shots to help bring to life the remarkable true story of the 33 survivors of the Chilean mine disaster.
Character rigging master Brad Clark returns once again to put the latest Autodesk software suite update to the test.
Australian visual effects studio standardizes on Solid Angle’s Arnold as its primary production renderer with a dramatic increase in efficiency.
High-performance rendering now integrated into architecture’s leading design platform; free download available now.
Adobe renames Flash Professional CC to Adobe Animate CC, rewriting the tool from the ground up to add native support for HTML5 Canvas and WebGL as well as outputs to any format.
New tools and workflow improvements include max creation graph enhancements, one-click print studio access, simple simulation data import, text and shape mapping, and more.
Directed by Mat Whitecross and produced by My Accomplice’s Hannah Clark, new video employs performance capture by Andy Serkis’s The Imaginarium and animation and VFX by Paris-based Mathematic.