Blacklist’s Polynoid creates an all-CG spot, “Deadly Breed,” for Nike’s new Hypervenom shoe featuring some serious bite.
The Pixar senior scientist and lighting expert discusses the studio’s new physically-based lighting system, Global Illumination.
This year the Trickfilm Festival has taken its place at the top of world class animation festivals and once again I can honestly say that if I could only attend one festival a year it would be the Trickfilm Festival.
Focused caustics, procedural textures and toon shading are just a few of the new features coming to KeyShot 4.1.
Computer graphics and visual effects software developer The Foundry announces that MARI will be coming to the Mac later this year.
Toon Boom Animation announces the launch of the “What I Like About Harmony” contest, open to Harmony users around the world.
Cantina Creative relies on Maxon's Cinema 4D software to generate more than 100 2D and 3D visual effects shots that appear throughout the blockbuster Disney/Marvel Studios superhero sequel Iron Man 3.
I highly recommend “Epic” to all age groups. It’s a thrilling adventure with magic, fantasy and a lot of heart.
Argentina-based creative agency Ronda creates a new look and brand identity for popular kids channel Nickelodeon.
Wizart brings “Sheep and Wolves” and the sequel to “The Snow Queen” to Cannes for international pre-sales.
MPC creates “Fracture.io,” an art installation for The One Show’s lavish after party at NYC’s Bowery Hotel.
A stellar Motion Picture Academy VFX Convergence program shines a welcome spotlight on the world of previsualization.
Bill Desowitz reports back from Pixar about how global illumination is powering the upcoming Monsters University and The Blue Umbrella.
Psyop teams with ROKKAN to create “The Tales from Dunwall,” an animated prequel for the game “Dishonored.”