Visual effects house Zoic Studios morphs a seemingly ordinary lunch date into an explosive entrance in the surprisingly full-throttle 30-second “Arrival” for Scion.
Category: Visual Effects
The Visual Effects Society launches a new YouTube channel dedicated to showcasing outstanding examples of visual effects artistry and innovation from around the world, practical skills demonstrations, insights from leading practitioners, and original content from VES signature events, workshops and forums.
DreamWorks Animation taps siblings Wendy and Lizzie Molyneux to write live-action/CG hybrid feature Hot Stuff.
Game studio Quantic Dream doubles its investment in Vicon Performance Capture with the purchase of 38 additional T-Series T160 cameras.
Framestore partners with Richard Ayoade to provide over visual effects on more than 150 shots on his second feature film, an adaption of Dostoyevsky’s The Double.
LOOK Effects produces over 250 VFX shots visual effects for Draft Day, the new Kevin Costner film directed by Ivan Reitman.
Visual effects house Method Studios was lead vendor for the futuristic action adventure, creating a variety of complex environments, set extensions, digital doubles and CG characters used throughout the film.
Canadian Eric Clément joins the Cinesite team in Montréal as CG Supervisor, bringing a wealth of experience and a strong reputation in the visual effects industry.
Formerly known as 1.1 VFX, the expanding visual effects and post boutique finds a new home at Bully Pictures.
Thinkbox Software launches Krakatoa C4D, the first version of its high-volume particle renderer for MAXON CINEMA 4D.
Bicoastal digital production and design studio Big Block produces a live-action shoot, virtual obstacle course and animated drone fleet for “Subaru WRX STI vs. the Drones.”
Conference on Animation, Effects, Games and Transmedia to spotlight virtual production in Gravity, Avatar 2 and more with speakers including Chris DeFaria, Tim Webber and Jon Landau.
Chaos Group will present a series of presentations at FMX 2014 to highlight improvements to V-Ray 3.0 for 3ds Max and Maya and show how V-Ray supports VFX students and independent filmmakers.
Double Negative announces the formation of new Feature Animation Division led by ex-DreamWorks Associate Producer Tom Jacomb.
Blackmagic Design announces DaVinci Resolve 11 at NAB 2014; this major update improves online editing features, adds new photographer-friendly color correction tools, on-set media management and much more.
ILM rebuilt the helicarrier for the latest Marvel blockbuster and it's the company's biggest model in history. Here's a sample of some of the stunning concept art, vfx progressions and final shots. All images © 2014 Marvel.
NVIDIA showcases ‘4K Your Way’ at NAB 2014, highlighting that their GPU technology powers over 150 solutions for broadcasters, VFX artists and post-production pros and supports demanding real-time 4K workflows.
Autodesk unveils Smoke 2015, the latest version of their professional video editing software, at NAB 2014; Smoke 2015 features 3D tracking, re-architected timeline FX workflow and a faster performance.
ILM rebuilds the helicarrier for the latest Marvel blockbuster and it's the company's biggest model in history.
Coming off the success of Sleepy Hollow, FOX signs Synaptic VFX as the key VFX vendor for their new series Hieroglyph.
At NAB 2014 eyeon announced the release of their new playback and production solution for 4K HFR up to 120 FPS Stereoscopic, eyeon Generation 4K.