Available now for a limited time, the course helps animators with little-to-no Unreal Engine experience learn real-time animation skills; 15-class webinar kicks off today and runs through September 28.
Now deeply integrated into creative workflows across Adobe Creative Cloud, Adobe Express and Adobe Experience Cloud, Firefly’s foundational generative AI models can be used to create stunning content safe for commercial use.
Zez Vaz, founder of Toma Creators Studio, shares how to use the dynamic content pack ‘Make Me Actor’ and ‘Instructional Tools’ to transform objects and images into speaking actors for use in talk shows, e-learning animations, and teaching resources.
For in-person visual production projects like Billie Eilish’s ‘Happier Than Ever’ world tour, the multimedia studio unified data from various DCC tools, forming digital twins of real-world environments that allowed artists to iterate on video, lighting, architecture, and interactive components without altering other elements.
The first free webinar in the new program, featuring animation veteran Wahid Ibn Reza, set for September 23; effort looks to provide guidance for students and professionals in animation and VFX.
Designed for touch, the new app takes full advantage of Apple silicon, unlocking accessible, robust, and powerful tools and workflow.
Production VFX supervisor Andrew Jackson gets quite ‘particular’ discussing the visual effects in Christopher Nolan’s hit biopic about J. Robert Oppenheimer, his life and work leading The Manhattan Project’s development of the world’s first nuclear bomb.
The former Rhythm & Hues and DreamWorks Animation senior exec switched gears and jumped headfirst into animated film and series development, creating her own shows while mentoring and collaborating with Epic Games and ASIFA India to start the Women Creators Program.
Co-EPs / Co-showrunners Nate Cash and Erin Gibson’s revived ‘Tiny Toon Adventures’ series, set at Acme Looniversity, famed institution of higher hijinks learning, sports a visual facelift where the characters ‘move in a cool 3D way, but it's all hand-drawn;’ Season 1 debuts today, September 8 on Max, tomorrow on Cartoon Network.
The just announced single solution turnkey virtual production platform integrates creative and collaborative software tools and hardware for increased efficiency; the platform is now available and rolls out globally Q4 2023.
Italy’s premier international event boasts a roster of award-winning guests, including ‘Spider-Man: Across the Spider-Verse’ co-director Joaquim Dos Santos, BAFTA Award winner and Oscar nominee Henry Selick, and Netflix’s ‘Nimona’ directors Nick Bruno and Troy Quane; event runs October 15-20.
Innovative new platform combines state-of-the-art hardware and creative tools including the ‘Virtual Studio by Vu’ to make the latest storytelling possibilities accessible to everyone regardless of budget and technical experience.
Honorees represent artists and innovators who have significantly influenced the field of visual effects; 2023 class will be celebrated at a ceremony this Fall.
Update boasts new experimental features, including Orthographic Rendering and cinematic-quality volumetric rendering using SVT, refined workflows and capabilities across Lumen, Nanite, Path, Tracing and new standards suite for the next-generation virtual production - within nDisplay.
Productions will use both 3D animation and real-time pipelines leveraging Unreal Engine as a key component.
PIXELvienna 16, an immersive conference and festival, brings a range of presentations, workshops, and screenings to Vienna from November 17 to 19.
Focus on Education includes workshops and masterclasses by renowned industry masters such as famed Disney animator Deja on ‘Character Animation;’ Lucasfilm VP and executive creator Chiang on ‘Art and ‘Star Wars;’ and Cartoon Saloon production designer Almu Redondo on ‘Art Direction, Visual Development and Stylization;’ the VIEW Conference takes place October 15-20 in Turin, Italy.
The committee has revised Rules and Procedures in some categories and announced name changes in others; submissions close on November 30; timing of the 22nd Annual VES Awards Presentation is TBD.
Leading mocap and performance capture company names Alex Hill business development manager for gaming, Dan Baybutt post-production supervisor, and Lucy Pennington operations managers.
The Colorado studio’s new state-of-the-art facility expands its post capabilities while boasting a Dolby Atmos theater for sound mixing, color grading and QC screenings.
Eight innovative artists will share how they make, show, cut and animate clay with daily sessions running October 3-6 at the Pratt Institute, Department of Digital Arts in Brooklyn – tickets are now on sale.
The international festival of animation, games, and VFX will take place November 6-10 and feature a week of networking, workshops, and screenings.
Writer/creative director AJ Grand-Scrutton and animation director Eric Ciccone talk about Dlala Studios’ revival of one of Disney’s oldest character designs, building an entire 2D animated game world for Mickey & Friends that includes a new story and original orchestral score, recently launched exclusively on Nintendo Switch.
The VFX studio provided 250 shots, including guiding the ship ‘The Demeter’ through a terrifying CG storm, and adding whitewater, mist and fog to achieve frightening realism; the movie is now in theaters.
The hit Paramount film’s Annie Award-winning writer/director, along with Oscar-winning sound mixer Mark Ulano, join the stellar line-up of in-person attendees and speakers, including Henry Selick, Peter Sohn, and Sam Fell; the VIEW Conference takes place October 15-20 in Turin, Italy.
