Post house ArsenalFX Color, sister company to ArsenalFX, provides post production services, ranging from dailies through delivery, for ABC hit series Marvel’s Agents of S.H.I.E.L.D.
Wendy Aylsworth, Rob Bredow, Douglas Greenfield, Rob Hummel and Bev Pasterczyk accept invitations to join the Science and Technology Council of the Academy of Motion Picture Arts and Sciences, bringing the Council's 2013–2014 membership to 25.
Autodesk releases the first extension for the 3D modeling and animation tool for indie and mobile game developers, Autodesk Maya LT.
Ntropic founder & creative director Nate Robinson receives a Special Recognition award in the Artistic and Technical Achievement category at the 2013 Flame Awards.
CVMP Conference to explore cutting-edge advances in post production technology; speakers include Tim Webber, VFX Supervisor on ‘Gravity.’
e-on Software announces the availability of LumenRT 4.3, an update which includes new content library containing 80 new real-time optimized plants.
Disney offers exclusive second screen live experiences to fans of the cult classic Tim Burton film, The Nightmare Before Christmas, starting October 18.
Athena Studios and the Bay Area chapter of the Visual Effects Society restore Black Angel, legendary Star Wars-era short film believed missing for over 30 years.
Latest versions of iStopMotion for Mac and iStopMotion for iPad now include support for animated GIF export; iStopMotion for iPad offers new preference options ideal for school and workshop settings.
The preeminent post production organization honors technology developer Avid with the Charles S. Swartz Award for a heritage of outstanding contributions.
Leading up to VIEW 2013, VIEWFest kicks off with the Italian premiere of Sony’s Cloudy with a Chance of Meatballs 2 and directors Cody Cameron and Kris Pearn.
At an Investors Day meeting in San Francisco, Autodesk announces modest layoffs and explains changes in its business model, including the discontinuation of upgrade purchases.
Rampant Design Tools announces the availability of its newest library of Drag-and-Drop Textures, MonsterFX: Undead.
ILM's Chief Creative Officer and Senior Visual Effects supervisor John Knoll kicks off the VIEW Conference on October 15.
The Visual Effects Society announces business roundtables for 2013 VES Summit; Women in VFX, Facilities of the Future, Crowd Sourcing Funds, Virtual Studios and The Art of the Deal in Content Creation among 12 featured interactive sessions.
Smith Micro releases a Spanish version of 2D animation creation software Anime Studio Debut 9.5 and Anime Studio Pro 9.5.
Framestore's Tim Webber explains the unique workflow in Alfonso Cuaron's space adventure about floating in zero gravity.
Delaware judge says the studio can't stop RealD from acquiring patents, potentially hampering Disney's ability to turn 2D movies 3D without fear of being sued.
The 2013 edition of Italy’s VIEW Conference and VIEWFest highlights storytelling in all its forms, with presentations from filmmakers, animators, visual effects artists, and game and transmedia developers.
Double Negative's Jody Johnson describes the unique VFX collaboration in Ron Howard's racing biopic.