Production VFX supervisor Guillaume Rocheron discusses the special challenges involved in creating the illusion of grim reality in Sam Mendes’ Oscar-nominated epic World War I drama.
Studio’s digital skills are put to the test as they stitch the Oscar-nominated film’s lengthy, uninterrupted takes together into one long seemingly real-time sequence.
Sam Mendes’ BAFTA, PGA and Golden Globe Award-winning World War I epic heads into Oscar Sunday with 10 Academy Award nominations, including Best Visual Effects.
Jonas Rivera wins again, alongside fellow producer Mark Nielsen, for outstanding producer of animated theatrical motion pictures; ‘1917’ and ‘Chernobyl’ also take home awards.
Led by MPC VFX Supervisor Mark Curtis and Producer Laura Schultz, MPC’s global team worked closely with director Sam Mendes and Production VFX Supervisor Steve Begg, covering three key sequences in the snowy Austrian Alps and the deserts of Morocco.
Overall VFX supervisor talks about key visual effects sequences in Sam Mendes’ latest hit in the James Bond film franchise.
IO Entertainment head and previs supervisor Brad Blackbourn describes how director Sam Mendes used previs for action sequence planning and more on the latest James Bond franchise film.
Collaboration with Daniel Kleinman spans four months and dozens of Framestore artists.
