The acclaimed two-day event, being held online for the first time, will feature exclusive screenings, panels, and presentations from top talent like ‘Star Trek: Lower Decks’ creator Mike McMahan and ‘Undone’ co-creators Raphael Bob-Waksberg & Kate Purdy.
Tagged With: Framestore
VFXWorld and AWN break down the 10 shows nominated for Outstanding Special Visual Effects and Outstanding Special Visual Effects in a Supporting Role, and the studios behind their spectacular visuals.
MGM drops the second action-packed trailer for their next highly anticipated iconic spy thriller franchise installment, ‘No Time To Die,’ though time will tell if, and when, its theatrical release is possible.
Projects from Cinesite, MPC, and Framestore are among animation and VFX studios to receive multiple honors at the annual Australian celebration of visual effects, animation, games, and immersive technology.
HBO drama, based on Philip Pullman novels, takes home two awards; ‘Chernobyl’ awarded in seven categories at the July 17 British Academy Television Craft Awards ceremony.
Three-minute film for Libresse & Bodyform campaign includes six beautifully animated sequences that help dispel myths and encourage positive conversations about women.
Since its launch this past January, studio has expanded quickly, working on a number of series, and will soon begin VFX production with Sky Studios on HBO’s ‘The Third Day’ mini-series.
Oscar-winning creative studio builds full-throttle VFX for The LEGO Agency’s latest commercial, where a high-speed race brings imagination to life.
Veteran animation director returns, bringing his extensive feature and 3D animation experience to studio’s growing creative team.
Tech giant’s Media & Entertainment software powers the studios behind Academy Award, BAFTA, Annie, VES and Golden Globe-nominated films.
Writer-director will present his Oscar-nominated film, Netflix’s first original animated feature; ‘Mulm,’ the first 2020 conference trailer, is released.
For VFX supervisor Louis Morin, Tom Harper’s wild ride through the skies of 1862 London was a journey filled with live-action shoots, stunts, digital doubles and one super-cold sound stage.
New ‘Performer’ markerless facial animation software provides facial tracking trained directly from scans as well as a direct solve onto a Maya rig.
New facility will operate solely using PC over IP without onsite hardware; ex-Framestore head of animation Kevin Spruce appointed new animation director.
Framestore’s Jonathan Fawkner and MPC’s Pete Dionne discuss the various ways visual effects were produced to help director Rob Letterman bring the smart-aleck yellow cartoon sleuth to the screen.
Veteran compositing supervisor brings with her more than 40 movie and TV credits including ‘Ghostbusters,’ ‘The Jungle Book,’ ‘X-Men: Days of Future Past’ and ‘Avatar.’
Studio delivers 300 VFX shots, including never-before-seen Bruce Banner / Hulk hybrid, for Anthony and Joe Russo’s box office smash ‘Infinity War’ follow-up.
Former Smoke & Mirrors producer brings his global expertise to further the company’s reach across their integrated advertising platform.
Recruiter, formerly at Dneg TV, Double Negative and the Mill, plans to expand studio’s creative team on projects like ‘Wonder Woman 1984’ and ‘Spider-Man: Far from Home.’
Framestore VFX supervisor Christian Kaestner oversees more than 130 awe-inspiring shots for the first film in the Marvel Cinematic Universe to feature a female superhero lead.
Game industry veteran appointed studio manager of Framestore’s immersive department based in Montreal.
From the floating city of Zalem and the vast Iron City to the massive crowd-filled Motorball stadium, Framestore delivers a broad range of visual effects for Robert Rodriguez’s action-packed dystopian feature.