For VFX supervisor Jamie Price, the ‘White Spikes’ predators eradicating humans in Chris McKay and Amazon Studios’ original sci-fi thriller had to be agile, scary, and above all, lethal.
Tagged With: Framestore
Industry veteran will lead the design team as the studio continues its expansion; upcoming work will run from hand-drawn 2D to futuristic UI sequences across film, TV, and immersive.
Company continues to expand its teams across creative and production departments to service growing slate of film and TV projects; new hire brings 20+ years of visual effects experience to his new role.
5-part webinar features conversations with veteran VFX and mental health professionals providing personal insights and expert guidance in support of worldwide VFX industry.
Company continues to expand its teams across creative, support, and production departments to service growing slate of film and TV projects; Kevin Mah joins as head of FX, Wassila Lmouaci and Marie-Ève Authier as VFX producers, and Sandra Najem as head of HR.
New hire brings extensive design and VFX experience to the role, having spent 14+ years working as both creative and design directors.
BAFTA winner James Whitlam will head episodic work as the company brings both departments under one banner, one pipeline, and a new leadership structure.
Leading visual effects studio creates the vicious undead tiger, ‘Valentine,’ and loads of gory zombie mayhem, in Zack Snyder and Netflix’s post-apocalyptic heist adventure.
Leading VFX studio provides cutting-edge AI and art support that brings back to life a young football prodigy tragically killed in a 2006 stabbing, showing him 15 years later at age 30.
Company’s dedicated VFX division for television and streaming adds to its senior London team with hires from Framestore, DNEG, and MPC Film.
To create a vibrant retro mood for the futuristic sci-fi series, creative director Sharon Lock used After Effects and Cinema 4D, with live-action and hand-painted elements, to complement the production team's vision and visual language.
Running May 4-6, the online even has announced additional talks and highlights, including ‘From 2D to 3D: The Craft of Tom & Jerry,’ more ‘Concept Art Track’ speakers, and a panel by the Animation Media Cluster Region Stuttgart.
Once again, the technology company’s professional GPUs are behind all five VFX Oscar nominees; the 93rd annual Academy Awards take place this Sunday, April 25.
Digitized shots of Icelandic snow, glaciers, and misty weather, coupled with real-time camera tracking and Unreal Engine, meant high-resolution environment projections, and lighting, could be captured in-camera to provide unprecedented realism for onstage shooting, in George Clooney and Netflix’s Oscar-nominated sci-fi drama.
The free virtual event, running April 26-28, brings together over 150 speakers from a diverse set of industries; featured topics include Cloud/Pixel streaming in Real-Time; digital humans/virtual agents; virtual production; and how real-time is transforming animation.
Tech giant’s conference program will examine the future and boundaries of animation and VFX: the latest developments in USD; retopology tools for 3ds Max; Bifrost for Maya for visual programming; and remote studio collaboration with Shotgun.
VFX supervisor John Kilshaw’s NY team produced the color blossom transformation from initial black and white format, as well as various magic effects and photoreal CG characters like a stork and kaleidoscope of butterflies, on the hit Marvel Studios and Disney+ series.
The free virtual event’s 2021 theme is ‘Merging Physical and Digital Worlds – The Rise of the Metaverse;’ 3-day program features sessions, keynotes, and demos, all focused on real-time technology and its impact on the workplace and how people connect.
To support the Oscar-winning creative studio, leading Network as a Service provider quickly and efficiently enables on-demand multi-cloud connections that access cost effective computing power for VFX projects.
Multi-faceted VFX artist brings 15+ years’ experience to lead creative studio’s New York episodic team.
The all-virtual 9th edition’s theme is ‘Limitless Creativity;’ event features various talks, presentations, and career advice aimed at students, emerging talent, and industry professionals.
Grant Bolton named lead technical director and Alberto Aguado principal engineer on engine team to support studio’s growing use of game engine technology in VFX and virtual production toolsets.
Set for January 18, the upcoming virtual discussion will feature a conversation with the director/producer of Cartoon Saloon and Apple TV+’s latest animated feature; submit questions via email to participate in the Q&A.
Studio’s VFX team created ominous imagery of a post-apocalyptic ‘Sick Earth,’ the Aether spaceship, and zero-G for a pregnant character’s spacewalk in the Netflix sci-fi feature.