Oscar-winning VFX supervisor Chris Lawrence and animation director Michael Eames oversee 727 VFX shots -- including 677 featuring creature animation -- for director Marc Forster’s heartwarming return to the Hundred Acre Wood.
Tagged With: Framestore
Look dev artist for the Harry Potter franchise and lead compositor on the Oscar-winning ‘The Jungle Book’ to work across Framestore’s Advertising, Television and Immersive divisions.
Johnny Depp, in character, joins Eddie Redmayne and Jude Law to tease ‘Harry Potter’ fans with Hall H presentation.
Exec brings extensive production experience in film, television and commercials to the company’s advertising division.
Delivering 229 shots, including a nearly all-CG finale sequence, VFX powerhouse leads work on the two main CG characters -- Colossus and Juggernaut -- as well as providing superhero VFX and animation work.
Production VFX supervisor Dan Glass doubles down on the creation of a more unified Colossus with simultaneous facial capture and voice performance, and geometry-based character animation.
Grant Walker and Ahmed Garraph join the leadership ranks for the studio’s advertising, television and immersive entertainment work.
Award-winning VFX house crafts CG environments, digi-doubles and more, delivering 253 shots for the opening act of the final arc of the current Marvel Cinematic Universe narrative.
Young creatives in film, animation, games, VR, motion graphics and 3D visualization offered evaluation by top professionals and exposure to the industry.
Company also brings aboard Alaina Zanotti in business development and promoted Stephanie Gilgar and Angela Lupo.
Group of 20 nominees draws on two decades of experience and technological advances, delivering shots that were previously unimaginable.
Oscar-nominated VFX supervisor details the myriad challenges in bringing director James Gunn’s blockbuster sequel to the screen.
Does the Middle Kingdom’s growing use of quality previsualization efforts portend greater VFX-heavy film success to come?
New hires bring more creative and technical firepower via their roles as head of CG, VFX supervisor and head of technology.