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Tagged With: Dan Deleeuw

Awards VFXWorld

On the Road to the 92nd Oscars: The Visual Effects Nominees

Heading into this coming Oscar Sunday on February 9th, catchup on AWN’s coverage of the films and creative teams nominated for this year’s Best Visual Effects.

Awards Headline News

92nd Academy Awards: Animated Feature, Short Film and VFX Oscar Nominees React

By Dan Sarto | Tuesday, January 14, 2020 at 4:20pm

Contenders in the animated feature, animated short film and visual effects categories share their initial reactions to their nominations for Oscar gold.

Awards Headline News

Nominations Announced for 92nd Academy Awards

By Dan Sarto | Monday, January 13, 2020 at 7:19am

Dean DeBlois’ ‘How to Train Your Dragon: The Hidden World,’ Jérémy Clapin’s ‘I Lost My Body,’ Sergio Pablos’ ‘Klaus,’ Chris Butler’s ‘Missing Link,’ and Josh Cooley’s ‘Toy Story 4’ receive nominations for Best Animated Feature.

Awards Headline News

Nominations Announced for 2020 BAFTA Awards

By Dan Sarto | Tuesday, January 7, 2020 at 11:28am

‘A Shaun The Sheep Movie: Farmageddon,’ ‘Frozen 2,’ ‘Klaus’ and ‘Toy Story 4' get nods in Animated Film category; ‘1917,’ ‘Avengers: Endgame,’ ‘The Irishman,’ ‘The Lion King’ and ‘Star Wars: The Rise of Skywalker’ nominated for Special Visual Effects.

Marvel Studios VFXWorld

ILM Tackles Bruce Banner’s ‘Smart Hulk’ Convergence in ‘Avengers: Endgame’

The studio revisits and revamps Hulk, Marvel’s smash-‘em-up, fan-favorite digital character they first brought to the screen back in 2003.

Academy Awards VFXWorld

On the Road to the 91st Oscars: The Visual Effects Nominees

Leading up to Oscar Sunday on February 24th, catch up on AWN’s coverage of the films and creative teams nominated for Best Visual Effects at the 91st Academy Awards.

91st Oscars VFXWorld

2019 Academy VFX Bake-Off: Celebrating A Year of Excellence in Visual Effects

By Dan Sarto | Tuesday, January 8, 2019 at 6:51pm

Ten Oscar hopefuls vie for nominations at the Academy of Motion Picture Arts & Sciences’  annual Visual Effects Bake-Off.

Marvel Studios VFXWorld

Capturing Thanos: How the Ultimate ‘Avengers’ Adversary Was Brought to Life

VFX supervisors Dan DeLeeuw and Kelly Port discuss the challenges of capturing the nuanced performance of Josh Brolin as the philosophical antagonist in ‘Avengers: Infinity War.’

Marvel Studios VFXWorld

How Method Studios Crafted Rocket 2.0 for ‘Avengers: Infinity War’

Method VFX supervisor Greg Steele oversees delivery of 430 shots for the culmination of the Marvel Cinematic Universe, including upgrades for Rocket and Groot featuring hand-keyed character animation.

Marvel Studios VFXWorld

Defining Thanos: Weta Brings Motion Capture to New Heights for ‘Avengers: Infinity War’

Weta Digital and Digital Domain transform Josh Brolin’s motion capture performance into a believable and imposing CG adversary.

Marvel Studios VFXWorld

Previs Plays a Major Role in ‘Avengers: Infinity War’

Senior previs/postvis supervisor Gerardo Ramirez discusses the highlights and challenges of the fourteenth collaboration between The Third Floor and Marvel Studios.

Marvel Studios VFXWorld

Framestore Delivers Action-Packed Opening for ‘Avengers: Infinity War’

Award-winning VFX house crafts CG environments, digi-doubles and more, delivering 253 shots for the opening act of the final arc of the current Marvel Cinematic Universe narrative.

Awards VFXWorld

2017 Academy VFX Bake-Off: Finding the Five Motion Picture Nominees

By Dan Sarto | Tuesday, January 10, 2017 at 6:40pm

From fiery photorealistic oil rig disasters and fractal geometry-based inter-dimensional mind-bending psychic excursions, to a digitally recreated Carrie Fisher as young Princes Leia, this year’s crop of ten best visual effects productions presented at the Motion Picture Academy represent another reminder of the breadth, depth and range of creative artistry and talent within the industry.

Previs VFXWorld

Precision Warfare: The Third Floor Visualizes ‘Captain America: Civil War’

TTF previs and postvis supervisors Gerardo Ramirez and Austin Bonang discuss key fight sequence visualization efforts on Marvel’s hit superhero feature.

Maxon Headline News

Sarofsky Taps Cinema 4D for ‘Captain America: Civil War’ Title Sequence

Design-driven production company creates main-on-end title sequence for Marvel blockbuster using C4D software suite as a central content creation production tool in delivering 3D elements.

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