Québec City animation studio will produce five episodes of upcoming Disney+ anthology series that revisits and re-imagines key historic MCU moments.
Tagged With: Marvel Studios
Disgruntled online fans demand Brie Larson step down as Captain Marvel, citing bad personality and a need for a queer woman of color.
VFX studios on both films, Oscar nominees for Best Visual Effects, successfully used artificial intelligence in GPU-accelerated effects: ILM for character de-aging and Digital Domain for digital humans.
‘Doctor Strange’ writer/director leaves sequel over creative differences; Marvel says production will start as planned in May with no delays.
VFX producer Michael Perdew shares how Google Cloud was integral in the studio’s Air and Fire Elementals production work on the hit superhero action adventure.
Splashy presentations of new series set within Star Wars, Marvel and Pixar franchise worlds teases both fans and industry with previously unannounced details about the studio’s aggressive new streaming platform programming plans.
Epic conclusion to 11-year MCU ‘Infinity Saga’ now available, stuffed with hours of different fan-favorite extras based on version and format bundling.
Australian studio tackles 100 shots on Marvel’s hit superhero action-adventure sequel to ‘Spider-Man: Homecoming.’
With the MCU ‘Infinity Saga' now complete, the studio shares a 10-year visual history of their extensive previs, postvis and techvis work on the famed franchise.
The studio revisits and revamps Hulk, Marvel’s smash-‘em-up, fan-favorite digital character they first brought to the screen back in 2003.
With a 'snap,' Weta Digital helps brings closure to both Josh Brolin’s seemingly unstoppable villain and the foundational storyline from the MCU’s first 10 years.
Studio delivers 300 VFX shots, including never-before-seen Bruce Banner / Hulk hybrid, for Anthony and Joe Russo’s box office smash ‘Infinity War’ follow-up.
Led by VFX supervisor Simon Stanley-Clamp, the studio delivers 264 visual effects shots for Marvel’s record-breaking box office hit, ‘Avengers: Endgame.’
Taking a direct shot at Netflix, The Walt Disney Company announces plans to release more than 25 original series and 10 original films, documentaries and specials in the first year of its rival streaming service.
Framestore VFX supervisor Christian Kaestner oversees more than 130 awe-inspiring shots for the first film in the Marvel Cinematic Universe to feature a female superhero lead.
Adelaide, South Australia-based studio delivers hundreds of complex VFX shots for the latest addition to the Marvel Cinematic Universe.
Marking the company’s tenth collaboration with Marvel Studios, Munich-based VFX house Trixter delivers CG spaceships, downtown LA environments and a CG cat named Goose for ‘Captain Marvel.’
Former Netflix executive will oversee content for The Walt Disney Company’s new streaming service launching later this year.
Leading up to Oscar Sunday on February 24th, catch up on AWN’s coverage of the films and creative teams nominated for Best Visual Effects at the 91st Academy Awards.
Sony Pictures Animation’s hit superhero movie continues to rack up accolades as Avi Arad, Phil Lord & Christopher Miller, Amy Pascal and Christina Steinberg are honored for Outstanding Producer of Animated Theatrical Motion Pictures at the 2019 PGA Awards.
Ten Oscar hopefuls vie for nominations at the Academy of Motion Picture Arts & Sciences’ annual Visual Effects Bake-Off.
Ten new Disney releases set for 2019 include super hero blockbusters, sci-fi adventures, live-action remakes of classic animated films, and the highly anticipated animated sequels ‘Frozen 2’ and ‘Toy Story 4.’
‘Black Panther’ to vie for top producer award; ‘Dr. Seuss’ The Grinch,’ ‘Incredibles 2,’ ‘Isle of Dogs,’ ‘Ralph Breaks the Internet’ and ‘Spider-Man: Into the Spider-Verse’ to contend in animated feature category.