Tagged With: 90th Oscars
Great animated shorts and feature films produced in Europe may garner nominations from the Academy of Motion Picture Arts & Sciences, but nary a win.
Glen Keane’s ‘Dear Basketball,’ Pixar’s ‘Coco’ win animation Oscars; ‘Blade Runner 2049’ wins VFX and cinematography awards.
The overall VFX supervisor riffs on witness cameras, bleak L.A. cityscapes and the super-secret digital recreation of Rachael in Denis Villeneuve’s mesmerizing ‘Blade Runner’ sequel.
The legendary animator finds his game and garners an Oscar nomination alongside legendary hoopster Kobe Bryant with their animated ‘love letter’ short film tribute to the sport.
Weta’s four-time Oscar-winning senior VFX supervisor talks about the complexities of creating believable digital ape performances in the final film in Fox’s ‘Apes’ trilogy reboot, director Matt Reeves’ futuristic action adventure ‘War for the Planet of the Apes.’
Group of 20 nominees draws on two decades of experience and technological advances, delivering shots that were previously unimaginable.
Cartoon Saloon’s Jeremy Purcell and Guru Studio’s Sanatan Suryavanshi & Sheldon Lisoy detail the complex compositing process behind the meticulously designed story-within-a-story sequences of the Oscar-nominated animated feature.
Academy governors Richard Edlund and Bill Kroyer weigh in on how to acknowledge and reward the growing number of stellar CG character performances.
DNeg VFX supervisor Paul Lambert details the creation of futuristic Los Angeles cityscapes, the holographic Joi, and the visuals for the final act of director Denis Villeneuve’s follow-up to the 1982 sci-fi film noir classic by Ridley Scott.
On the road to the 90th Oscars, the studio’s most senior talent reflects on the storytelling and production challenges of bringing ‘Coco’ to audiences, as well as new efforts to increase Pixar’s workplace and senior-level creative diversity.
A team of graduating students from MoPA garner accolades for hyper-realistic animated short with a noir twist.
One of five films to receive a nomination for best visual effects in this year’s race for Oscar gold, ‘Episode VIII’ mixes new characters with those from the 1977-1983 films in wholly new environments.
Imbuing the Oscar-nominated movie with a sense of nostalgia, animators and VFX artists drew on cartoon tradition while experimenting and pushing the cutting edge of technology to get the right look.
VFXWorld takes a closer look at the Oscar-nominated effects that brought the biggest version of King Kong ever to the big screen.
Oscar-nominated stop-motion animated short employs a total of 20 sets, 14 puppets, and roughly 1,000 props and costumes, all constructed within a three-month timespan.
Leading up to March 4th, use our handy guide to catch up and keep up with AWN’s coverage of the films and creative teams nominated for Best Animated Short Film at the 90th Academy Awards.
Leading up to March 4th, use our handy guide to catch up and keep up with AWN’s coverage of the films and creative teams nominated for Best Animated Feature at the 90th Academy Awards.
Leading up to March 4th, use our handy guide to catch up and keep up with AWN’s coverage of the films and creative teams nominated for Best Visual Effects at the 90th Academy Awards.