Geographical Region: Australia
With nods in Brazil and Hong Kong, Disneys DINOSAUR roams atop the box office charts. In Brazil, the special effects spectacle landed $2.65 million in its debut. Whereas in Hong Kong, the blue-green beasts stomped out an amazing $1.29 million on only 43 screens! The prehistoric pic adds another name to the long time three way battle between MISSION: IMPOSSIBLE 2, GLADIATOR and GONE IN 60 SECONDS for international box office glory. Back in Brazil, M:I 2 fell to second with a gross of $1.89 million, bringing its Brazilian cume to $5.63 million.
With GLADIATOR's global box office dominance slowly coming to an end, MISSION: IMPOSSIBLE 2 and GONE IN 60 SECONDS have gained top spots around the world. Grossing $804,785 and raising its Swedish cume to $1.16 million, 60 SECONDS finished atop the charts in its second weekend, knocking GLADIATOR down to second where it grossed $255,829. In its second weekend in Australia, 60 SECONDS stayed off newcomer PERFECT STORM to remain at #1. 60 SECONDS grossed $3.21 million and STORM managed $2.23 million in second place.
British audience flocked to theatres to catch the first Aardman Animation feature CHICKEN RUN. In its British premiere, the clay character cavalcade racked up an amazing US$5.8 million. The fearless free-rangers knocked seven-week champion GLADITOR into second in the U.K. The Roman romp tallied up an additional $38.8 million in its international showings. The box office blood bath has brought in $165.8 million outside the U.S. Slipping for the U.S. top ten, Disneys DINOSAUR, however, stomped over the competition in Brazil to the tune of $1.6 million.
In the international box office, MISSION IMPOSSIBLE 2 remained #1 in Australia by holding off newcomer DINOSAUR, while GLADIATOR gained the top spot in its debut in Japan. DreamWorks GLADIATOR claimed new territories in Japan, making $982,911 in its Japanese debut. Elsewhere, GLADIATOR remained at the top in Spain, the U.K., Brazil, Italy and Sweden. The Maximus money-maker grossed $1.89 million in Spain, advancing its three-week cume to $10.05 million.
DreamWorks GLADIATOR is still the golden boy in many international box offices. In the most recent reports, the Roman revenge romp finished atop the charts in Brazil with US$1.18 million, Germany with US$1.06 million, Italy with $303,200, Sweden with $336,708 and the U.K. with $926,371. The Russell Crowe-starrer has grossed a total of $4.6 million in Brazil, $14.67 million in Germany, $7.2 million in Italy, $2.78 million in Sweden and $34.36 million in the U.K. Like it did in the U.K., the box office blood bath held off the debut of BATTLEFIELD EARTH.
DreamWorks' GLADIATOR continues to plunder the pockets of moviegoers around the globe. Complete box numbers from Germany, France, Australia and a number of other countries were not available due to local holidays, however GLADIATOR looks like it is still slaying the competition. The bloody blockbuster is still topping the charts after five weeks in release in both the U.K. and Australia, regaining the top spot from MISSION: IMPOSSIBLE 2 in the later. In its four weeks in release, the Roman revenge tale took the #1 spot in both Italy and Spain.
Opening this past weekend in Australia, MISSION: IMPOSSIBLE 2 uncovered US$3.7 million in 3 days on 366 screens. The total is the highest weekend take of all time for foreign distributor UIP, which also released GLADIATOR and PHANTOM MENACE Down Under. The spy sensation also racked up $893,000 on 39 screens in Singapore and $488,000 on 38 screens in Malaysia. GLADIATOR still scored big receipts raising its international cume to $97 million. The period-piece pit-fight landed atop the German, British and Italian box office.
With GLADIATOR opening wider in Europe, the DreamWorks darling finished atop six box office charts. Still reigning in Australia and the U.K., the Roman rampage made another US$2.42 million and $2.95 million respectively. The Australian total for hometown boy Russell Crowes action debut is $10.19 million, while the flick has grossed $16.81 million in Britain. The worldwide wonder had successful premieres in Germany, Italy, Sweden and Hong Kong making over $10 million in the four countries combined.
Phillip Bowman and Malcolm McGookin have formed a new animation house in Brisbane, Australia called ASTERISK* Animation. Bowman will serve as executive producer and McGookin as producer and director. Bowman has vast experience in both live-action production and animated television series. His credits include ABC network's LIZZIE'S LIBRARY and KITU AND WOOF. McGookin first started his animation career on the Cosgrove Hall shows COUNT DUCKULA and DANGERMOUSE. Afterwards, McGookin moved on to writing and directing AVENGER PENGUINS and TABALUGA in the U.K and Australia.
For the week ending May 21, GLADIATOR still reigned in the U.K. and Australia and conquered new territory in Italy. By more than doubling the debut of FINAL DESTINATION, the DreamWorks colossal hit grossed another US$5.11 million in the U.K. The world champ has garnered $13.96 million on the British Isle. More than tripling the second placed newcomer ROMEO MUST DIE, the Roman ruler grossed $3.32 million in Australia, raising its cume in that country to $7.79 million. In its Italian premiere, the maker of Maximus coin landed $1.89 million.
In addition to the official competition, the Ottawa International
Animation Festival (September 19-24, 2000) will present a number of
retrospectives, tributes, special screenings and feature films. The
tentative program is as follows: thematic programs on computer
animation and jazz in animation; studio spotlight on Pacific Data
Images and Bermuda Shorts; tributes to Yvonne Andersen (who will
serve as the Honorary President for Ottawa 00), Spike and Mike's
At the international box office, DreamWorks GLADIATOR conquered Australia and the U.K. while MISSION TO MARS landed on top in Italy and Germany. For the week ending May 11, 2000, GLADIATOR reigned by grossing US$4.53 million in Australia and $5.37 million in the U.K. in its first week in release in both countries. The global gladiator hit has now grossed nearly $86.56 worldwide. Buena Vistas part APOLLO 13-part 2001 space epic, MISSION TO MARS remained atop the charts in Italy where it grossed another $524,264, raising its Italian cume to $1.92 million.
With live-action Julia Roberts-starrer ERIN BROCKOVICH reigning the international box office, POKEMON: THE FIRST MOVIE and STUART LITTLE started their descent down the charts. For the week ending May 4, 2000, STUART LITTLE fell from the #1 spot in Australia to land in 2nd place. The Columbia pic grossed another US$1.53 million Down Under, raising its cume in the country to $10.7 million. The radiant rodent also fell from the top spot in Germany and Hong Kong to land in fourth place in both countries. STUART's gross in Germany was $516,789, raising its German cume to $4.75 million.
POKEMON: THE FIRST MOVIE and STUART LITTLE are struggling over who will nab the top spot at international box offices. For the week ending April 26, 2000, POKEMON took Spain and Italy. Around the globe POKEMON finished in 2nd in the U.K. in its second weekend in theatres; 3rd in Germany in its second weekend in theatres; and 4th in France and Sweden. Already in the U.K., POKEMON has grossed a total of $13.14 million in only one week of release. STUART LITTLE finished at #1 in Germany, Australia and Hong Kong.
POKEMON is still going strong. KIDS WB! has ordered 52 more episodes of the phenomenon for September 2000. The latest broadcasters to catch the series are TV4 Sweden, TV2 Denmark, TV2 Norway, MTV Finland, RTL-Klub (Hungary) and RTL-TVI (Belgium), as well as Cartoon Network in Australia and New Zealand. The total number of episodes for the series is now 156.
George Lucas has decided to go mostly digital with the live-action segments of STAR WARS EPISODE II. On Sunday, April 9, 2000, Lucas said, after four months of testing high-definition cameras, he will start shooting most of the next STAR WARS installment with Sony digital cameras. Jim Morris, president of Lucas Digital, said the cameras had "exceeded expectations." In June, the film will start shooting in Australia for two months, then move to Italy and Tunisia in August for another month, followed by 18 months of post-production.
The team behind INDEPENDENCE DAY and GODZILLA is back, producing ARACH ATTACK, a special effects-driven comedic thriller about a toxic waste spill that creates giant spiders. The flick is scheduled to start shooting in September in Australia. New Zealander Ellory Elkayem will direct from a script he co-wrote with Jesse Alexander. The pic is being produced by Centropolis Entertainment, the production house of Dean Devlin and Roland Emmerich, which has teamed on the project with Warner Bros. and Australia's Village Roadshow Pictures.
Big Idea Productions, producers of the popular children's video collection
"Veggie-mania," is looking for a VICE PRESIDENT of PRODUCTION. . . Wam!Net
is seeking a PRODUCTION MANAGER to be responsible for managing a large
scale render farm and supporting production from Visual Effects Studios,
post-production facilities and design/engineering groups working remotely
via the company's network. . . New Zealand's Weta Digital seeks world-class
* Thursday, March 9, 2000 - Saturday, March 11, 2000. Madrid, Spain.
Cartoon, the European producers organization, will present a seminar on
"how to negotiate with the U.S.A., Canada, Australia and Japan."
Discussions will focus on the structures, customs and constraints of the
fore mentioned markets. After an introduction on each country, the various
policies on international co-productions will be discussed. A question and
Bill Plympton has updated his
In March, "Surprise Cinema"
will be appearing in various festivals and other events in the US, Canada,
Belgium, Germany and Australia. Bill will be appearing at the Zagreb World
Festival of Animated Films in Zagreb, Croatia, June 12-25, 2000.
* Thursday, April 6 - Sunday, April 9, 2000. Brisbane, Australia.
The Third Brisbane International Animation Festival represents Australia in
an international animation festival alliance with Ottawa, Holland, Fantoche
and Anima Mundi. It is Australia's only festival dedicated exclusively to
animation in all o
Three new Scandinavian markets surrendered their airwaves to Pokemania.
Worldwide sensation Pokemon was recently sold to TV4 in Sweden, TV2 in
Denmark and TV2 in Norway. The show will hit the new territories in January
and February 2000. The international distributor, Lacey Entertainment, also
announced the sale of the Pikachu-vehicle to ATV in Turkey and Noga
Communications' Children's Channel in Israel.
The Pokemon phenomenon began in America in 1998 with the release of the