Geographical Region: Australia
HANNIBAL held strong at the international box office with debuts of TRAFFIC topping charts in Australia and Italy. In France, however, HANNIBAL fended off the premiere of TRAFFIC, taking the top slot with a gross of US$3.17 million and raising its cume to $9.4 million. In second, TRAFFIC smuggled in $2.48 million. VERTICAL LIMIT climbed into the sixth spot, grossing $807,368, thus lifting its French total to $5.15 million. In the U.K., HANNIBAL hatched another $2.52 million in first, elevating its cume to $26.1 million.
In a battle for first, THE EMPEROR'S NEW GROOVE and HANNIBAL went toe to toe in Sweden and the U.K., with the cannibalistic cringer taking a good chunk out of the rest of the international box office. In Sweden, HANNIBAL knocked GROOVE out of the top spot with a gross of $1.02 million. GROOVE grabbed second, grossing $456,488, thereby lifting its Swedish cume to $1.44 million. Jumping up a spot to #7, CROUCHING TIGER, HIDDEN DRAGON floated $107,750, pushing its Swedish cume to $1.23 million. In ninth, CAST AWAY rescued another $90,711, raising its Swedish cume to $2.36 million.
While HANNIBAL took a strong hold around the international box office, Disney's THE EMPEROR'S NEW GROOVE danced its way to number one in Sweden. In Italy, HANNIBAL reclaimed the top spot with a gross of $3.47 million, elevating its cume to $9.12 million. At #5 in Italy, CROUCHING TIGER, HIDDEN DRAGON floated another $820,649, pushing its total to $1.97 million. In Australia, HANNIBAL retained the #1 slot, grossing $3.29 million, thus escalating its cume to $3.54 million. At #2, CAST AWAY foraged $755,639, lifting its Australian cume to $10.39 million.
Gillian Samuels has joined Digital Pictures as marketing director and executive producer. In the new role, Samuels will oversee the development of the firm's brand, capitalize on new and existing markets and help expand their design and high-end visual effects capabilities in both television and film. Previously, as director of marketing and client services at Garner MacLennan Design, Samuels was responsible for the marketing and developing of the Broadcast Design division.
With it already grossing out audiences in the States, HANNIBAL has begun to take a slice out of the international box office. In Italy, the blood-thirsty thriller claimed the top spot with a gross of $5.65 million. In fifth, CAST AWAY floated an additional $679,996, raising its Italian cume to $12.78 million. CROUCHING TIGER, HIDDEN DRAGON descended into sixth with a ticket-take of $529,624, lifting its Italian total to $1.14 million. In eighth, 102 DALMATIANS barked up another $284,555, bringing its Italian cume to $4.48 million.
CAST AWAY is still holding strong at the international box office. In Germany, the desert island adventure rounded up another $3.73 million, escalating its cume to $21.46 million. VERTICAL LIMIT climbed into second with a gross of $1.84 million, raising its German cume to $4.34 million. In third, BEDAZZLED seduced $1.4 million, bringing its German cume to $4.49 million. THE LEGEND OF BAGGER VANCE made its German nod in fourth with a gross of $663,408. At #8, CROUCHING TIGER, HIDDEN DRAGON collected $477,415, pushing its German cume to $2.35 million.
TV-Loonland AG and AAC KIDS, Canadian media giant Alliance Atlantis kids label, have announced their acquisition of Neptuno Films new animated preschool series, CONNIE THE COW. The three firms will partner to transform the property into a global franchise, complete with TV, home video, DVD, merchandising, publishing and Internet projects. Created and directed by Josep Viciana, this series follows restless and curious Connie who lives on a farm with her nurturing mother, who always has now handy advice, and her father, a very strong yet tranquil bull.
Around the globe, CAST AWAY remains at the top of the international box office. In Germany, CAST AWAY claimed the top spot with a gross of $4.99 million, lifting its three-week total to $17.74 million. In second, VERTICAL LIMIT made its German debut with a gross of $2.51 million. BEDAZZLED bewitched third place, grossing $1.88 million, raising its German cume to $3.09 million. In fifth, CROUCHING TIGER, HIDDEN DRAGON amazed audiences to the tune of $624,096, elevating its German cume to $1.88 million. At #6, UNBREAKABLE secured another $570,085, bringing its German cume to $12.52 million.
The Brussels Animation and Cartoon Festival (February 21-March 3, 2001) has concocted an exceptional program for its 20th anniversary. 575 films were submitted for selection, a record number of entries. 113 of them have been selected, representing 19 countries. Belgium is well represented, with 24 entries. The complete list of selected films is now available on the festival Website.
CAST AWAY continues to sail atop the international box office, with VERTICAL LIMIT making a climb upward. In Germany, CAST AWAY maintained its #1 finish with a gross of US$5.74 million, escalating its cume to $12.74 million. In second, BEDAZZLED bounced in $1.2 million in its German debut. UNBREAKABLE crash-landed in third with a gross of $954,843, pushing its German cume to $11.95 million. In seventh, CROUCHING TIGER, HIDDEN DRAGON collected $561,558, raising its German cume to $1.25 million. POKEMON 2000 grabbed another $420,338, lifting its German cume to $6.65 million.
With high-grossing nods around the globe, Tom Hanks' CAST AWAY easily floated to the top of the international box office. In Germany, CAST AWAY unseated UNBREAKABLE with an amazing ticket take of US$7.01 million. UNBREAKABLE crashed to second with a gross of $1.84 million, lifting its German cume to $11 million. In fourth, URBAN LEGENDS: FINAL CUT slashed in another $837,915, raising its German cume to $2.6 million. At #6, POKEMON 2000 collected $700,338, growing its German cume to $6.23 million.
Government officials in Australia are threatening a lawsuit against WebWank.net for posting a political satire Web game, which pokes fun at the country's treatment of its aboriginal people. Aboriginal Affairs Minister John Herron feels that the use of his likeness in the game, JOHN HERRON'S STOLEN CHILDREN GAME, is a defamation of character. In the game, players must capture all ten of John Herron's children then place them in non-white families.
In light of its recent acquisitions of Sony Wonder/Sunbow Entertainment and Paris-based Salsa Distribution, German kids' production house TV Loonland has added key components to its sales staff. Marzenna Czubowicz was hired to head up sales for TV Loonland. Besides overseeing the company's sales offices in London, Paris and New York, she will direct distribution of the company's content in the U.K., Germany, Spain, Ireland, Portugal, Poland, Russia, Israel and South Africa. Previously, Czubowicz served as director of sales at Alliance Atlantis Television International.
The Brussels Animation and Cartoon Festival has concocted an exceptional program for its 20th anniversary (February 28 - March 3, 2001). 575 films were submitted for selection, a record number of entries. To date, 113 of them have been selected. The complete list of selected films will be available in January. The feature film program includes: "The Emperor's New Groove" by Mark Dindall (USA); "Heavy Metal 2000" by Michaël Coldewey and Michel Lemire (Canada/Germany); "My Neighbours The Yamadas" by Isao Takahata (Japan) (TBC); and "Otesanek" by Jan Svankmajer (Czech Republic).
This week's updates to the Calendar of Events includes the Noam Markus Mime Workshop in Toronto, Ontario, Canada, January 6, 2001; the Australian Effects & Animation Festival in Sydney, Australia, February 26-28, 2001; Culture2Culture at the "Tricky Women" event Vienna, Austria, March 2-8, 2001; and BroadCast WorldWide Market and Conference in Busan, Korea, June 5-8, 2001.
CHARLIE'S ANGELS is still kicking at the international box office, but HOW THE GRINCH STOLE CHRISTMAS and DINOSAUR are knocking on the door. The premiere of ANGELS in Germany knocked THE GRINCH out of the top spot with a gross of $4.1 million. THE GRINCH fell to second with a ticket take of $1.98 million, elevating its German cume to $4.58 million. In its third week in Germany, DINOSAUR slipped to third with gross of $1.7 million, advancing its cume to $9.52 million. In fourth, THE CELL captured another $1.58 million, pushing its German cume to $4.52 million.
Around the world, moviegoers are being swept up in the sexy, high-kicking, MATRIX-like action of CHARLIE'S ANGELS. The television redux made its nod in the U.K. with an outstanding gross of US$6.74 million. In its sixth week in Britain, WHAT LIES BENEATH sunk to second, grossing $1.12 million, thus escalating its cume to $17.41 million. In fourth, BEDAZZLED possessed another $680,873, lifting its U.K. cume to $4.21 million. PITCH BLACK turned up in fifth, grossing $572,299, thereby pushing its U.K. cume to $3.64 million.
With international numbers trickling in due to the U.S. Thanksgiving holiday, it looks like CHARLIE'S ANGELS is charming audiences around the world. In its U.K. debut, ANGELS raked in a whopping US$4.52 million. After five-weeks in U.K. theatres, WHAT LIES BENEATH sunk to second, with a gross of $768,052, elevating its cume to $16.39 million. In fourth, BEDAZZLED danced in with $505,329, raising its U.K. cume to $3.92 million. LITTLE NICKY possessed 5th place, grossing $385,214, thereby growing its U.K. cume to $1.46 million.
SCARY MOVIE, WHAT LIES BENEATH and CHARLIE'S ANGELS all held strong at the international box office. In Italy, SCARY MOVIE debuted at #1 with a strong gross of US$2.28 million. Dropping a lofty 59%, X-MEN fell to sixth, grossing $466,646, thereby lifting its Italian cume to $4.1 million. In seventh, FREQUENCY channeled $460,570 in its Italian premiere. In France, SCARY MOVIE held onto the top spot with a gross of $2.32 million, raising its cume to $15.24 million. The French debut of SHAFT, therefore, had to settle for second, grossing $1.62 million.
Despite DreamWorks and Imagine Entertainment's downfall with Pop.com, Steven Spielberg and Ron Howard plan to create Webtoons for CoutingDown.com, the movie-fan site purchased by DreamWorks to be part of Pop.com. Howard's toon will be based on a recurring nightmare he has been having, where he is trapped on a crazed and out-of-control film set. Spielberg's toon will also be based on one of the filmmaker's dreams, but no plot has been released. The site will debut one toon early in December and the other in January.
The Mad Cow Picture Company has just opened its doors in Sydney, Australia. The new studio specializes in Flash animation and animation pre-production, including storyboarding and character design. Mad Cow Picture Company offers a mix of digital and traditional animation. The company is currently creating pilot episodes for StupidHeroes.com and 00STEVEN: PLAYGROUND PRIVATE EYE. For more information contact The Mad Cow Picture Company at: Tel.: ++612 9808 4153; Fax: ++612 9808 1041; or Web: http://www.madcowpictures.com.