The May Acrobat issue of Animation World Magazine is now on-line! As we have recently changed to a weekly format with the magazine many of you have noticed that this has also changed our publishing schedule for the downloadable, monthly PDF version. Never fear! We are going to keep publishing the Acrobat version. Each 15th of the month we will publish the previous month's articles.
Geographical Region: Australia
Mainframe Entertainment, Inc. has licensed its popular REBOOT animation series to Infogrames, Inc., for development on various interactive game platforms. The multi-year licensing agreement was negotiated by licensing and merchandising veteran Joy Tashjian, president of Joy Tashjian Marketing Group, the exclusive representative for Mainframe's properties, who is also contributing to Mainframe's expansion into the consumer products area through a recently formed strategic alliance.
Universal's SITTING DUCKS, a new CGI children's animated series, has been licensed in multiple international territories. ITV has secured rights to the show in the U.K., with other licenses going to France's TF1, Australia's ABC, Mexico's Televisa S.A., Portugal's TVI and Star TV in Greece. Cable rights to SITTING DUCKS have been acquired by Canada's YTV and by the Nickelodeon Channel in Australia. In the Netherlands, the show will be shown exclusively on the SBS group of channels.
Each week, Animation World Magazine offers new articles, specialfeatures and theme-based coverage of the art, craft and industry ofanimation. New this week:
While you might not realize it, you've probably already seen some ofAustralia's top effects houses in action. Stephen Lynch explains.
Ring of Fire completed three 30-second spots, "High Noon," "Day of the Dumpsters" and "Fashion Show, for a Unisys campaign. Ring of Fires gear of tools included: Quantel Henry, Discreet Logic Inferno, Maya, Commotion and Adobe After Effects. "'Day of the Dumpsters' required a wide range of visual effects," remarked Ring of Fire senior post-production producer Casey Conroy. "One of our challenges was to create a CGI building that would sit in the middle of a lone desert landscape.
ATTIK directed and designed the live-action, graphics and an end tag for Periwinkle and In Your Face, a pair of 30-second spots for Philadelphia, Pennsylvanias Earle Palmer Brown and Comcast Corporation. Periwinkle began airing in Pennsylvania, New Jersey, Maryland and the Midwest in mid-April, and In Your Face in mid-May 2001. These are the first two spots in an evolving campaign.
Animation World Magazine has a brand new look and a brand newpublishing schedule: we're now publishing every week! No longermonthly, Animation World Magazine is now updated each and every weekwith the same thoughtful and comprehensive coverage of the animationindustry you've come to expect on the first of every month. We'respreading our special features and theme-based articles across theentire month. This month we are focusing on RECRUITING AND JOBS. We
FUNimation Productions Ltd. announced its new DRAGON BALL TV series will debut June 25, 2001 on the Cartoon Network, airing Monday through Friday at 5:30 pm ET. DRAGON BALL is the prequel to the DRAGON BALL Z series, #1 on the Cartoon Network's Toonami Block and #1 on the Internet, according to Lycos. Gen Fukunaga, President of FUNimation, also announced that new episodes of DRAGON BALL Z will begin airing on the Cartoon Network beginning September 3, 2001. Like DRAGON BALL Z, the new DRAGON BALL series was a smash hit in Japan before being produced for the U.S. and other countries.
On June 13, 2001, Cartoon Network will air the most complete retrospective ever offered of the wascally wabbit, Bugs Bunny, during the ninth annual JUNE BUGS marathon. Cartoon Network is now the exclusive TV home to Looney Tunes and celebrates by launching its biggest JUNE BUGS celebration ever, a 49-hour marathon which starts at 11 pm (ET/PT) on June 1, 2001 and runs through 12 midnight on Sunday, June 3, 2001. Overall, Cartoon Network will air 176 Bugs Bunny cartoons during JUNE BUGS, including 55 cartoons making their Cartoon Network debut.
Animation World Magazine begins the month of May with a brand new look and a brand new publishing schedule: we're now publishing every week! No longer monthly, Animation World Magazine will now be updated each and every week with the same thoughtful and comprehensive coverage of the animation industry you've come to expect on the first of every month. We'll be spreading our special features and theme-based articles across the entire month. This month we will be focusing on RECRUITING AND JOBS.
Michael Garner and Laura Lockwood have been named producers at PDI/DreamWorks commercial division, transitioning from the companys feature animation division after their completion of work on SHREK. Immediately following his work as production supervisor for the SHREK character development department, Garner began work for the commercial division, jumping directly onto the production of a Kool-Aid spot shooting in Australia.
Creating what is arguably both the biggest project and greatest success in its eight years of operation, New York's The Diecks Group recently delivered a complete redesign of Discovery Kids Network, a three-hour block of programming aired on weekends on the Discovery Channel. Creative director Brian Diecks and The Diecks Group team were the exclusive creators of 122 on-air design elements, including block opens, next-ons, bumpers, interstitials and promo elements. The project required extensive live-action, 3D animation, effects compositing and 2D graphics.
Episodes of BOB AND MARGARET and GARY & MIKE have been nominated for the prestigious Rose DOr, an annual international television festival and competition held in Montreux, Switzerland, open to more than 2000 producers and broadcasters from around the world. This years festival will be held April 26 May 1, 2001.
DIRECTV Latin America announced on Friday, April 6, 2001 the official debut of the Disney Channel to all DIRECTV subscribers in Brazil. The Disney Channel is a new, 24-hour Portuguese television network with entertainment for kids and families created specially for the Brazilian market. The Disney programming block includes exclusive and original productions, a two-hour live, daily show, movies, animated and live-action series, concerts and special events.
George Port has joined Whamo as their new head of business development, the company recently reported. With the recent rapid expansion of Whamo, which includes the opening of an office in Spain as well as the establishment of partnerships with Canada's Cambium Entertainment and Australia's Burbank Animation Studios, company president Joseph Szew opted to bring in Port. According to Szew, "We need someone who will be able to help us manage the company's aggressive strategy and growth.
Sesame Workshop's TINY PLANETS is in final negotiations to be aired on Italy's largest commercial broadcaster Mediatrade's channels. TINY PLANETS is a CGI animated educational comic adventure series for 3 to 5 year olds. A co-production with Pepper's Ghost Productions, the show follows Bing and Bong as they explore the worlds of their solar system such as the planets of light and color, sound, technology, stuff, self and nature through a space aged couch.
Nickelodeon, one of the leading entertainment brands for kids worldwide, is expanding its reach into China as of May 1, 2001. After visiting Beijing for four days and meeting with China's president Jiang Zemin and other industry officials, Bill Roedy, president MTV Networks International, and Frank Brown, president MTV Networks Asia, made the announcement.
HANNIBAL held strong at the international box office with debuts of TRAFFIC topping charts in Australia and Italy. In France, however, HANNIBAL fended off the premiere of TRAFFIC, taking the top slot with a gross of US$3.17 million and raising its cume to $9.4 million. In second, TRAFFIC smuggled in $2.48 million. VERTICAL LIMIT climbed into the sixth spot, grossing $807,368, thus lifting its French total to $5.15 million. In the U.K., HANNIBAL hatched another $2.52 million in first, elevating its cume to $26.1 million.
In a battle for first, THE EMPEROR'S NEW GROOVE and HANNIBAL went toe to toe in Sweden and the U.K., with the cannibalistic cringer taking a good chunk out of the rest of the international box office. In Sweden, HANNIBAL knocked GROOVE out of the top spot with a gross of $1.02 million. GROOVE grabbed second, grossing $456,488, thereby lifting its Swedish cume to $1.44 million. Jumping up a spot to #7, CROUCHING TIGER, HIDDEN DRAGON floated $107,750, pushing its Swedish cume to $1.23 million. In ninth, CAST AWAY rescued another $90,711, raising its Swedish cume to $2.36 million.
While HANNIBAL took a strong hold around the international box office, Disney's THE EMPEROR'S NEW GROOVE danced its way to number one in Sweden. In Italy, HANNIBAL reclaimed the top spot with a gross of $3.47 million, elevating its cume to $9.12 million. At #5 in Italy, CROUCHING TIGER, HIDDEN DRAGON floated another $820,649, pushing its total to $1.97 million. In Australia, HANNIBAL retained the #1 slot, grossing $3.29 million, thus escalating its cume to $3.54 million. At #2, CAST AWAY foraged $755,639, lifting its Australian cume to $10.39 million.
Gillian Samuels has joined Digital Pictures as marketing director and executive producer. In the new role, Samuels will oversee the development of the firm's brand, capitalize on new and existing markets and help expand their design and high-end visual effects capabilities in both television and film. Previously, as director of marketing and client services at Garner MacLennan Design, Samuels was responsible for the marketing and developing of the Broadcast Design division.
With it already grossing out audiences in the States, HANNIBAL has begun to take a slice out of the international box office. In Italy, the blood-thirsty thriller claimed the top spot with a gross of $5.65 million. In fifth, CAST AWAY floated an additional $679,996, raising its Italian cume to $12.78 million. CROUCHING TIGER, HIDDEN DRAGON descended into sixth with a ticket-take of $529,624, lifting its Italian total to $1.14 million. In eighth, 102 DALMATIANS barked up another $284,555, bringing its Italian cume to $4.48 million.