e-on announces the availability of LumenRT 4.1 Studio, which features extended capabilities for large microstation models and Revit.
Chaos Group announces the open beta for V-Ray 1.6 for SketchUp with significant enhancements to rendering speed, workflow, visualization and lighting features.
Shotgun 5.0 features simplified access to essential tasks and updates on top of powerful project management, review and asset tracking toolset.
Supervisor Nick Markel takes us inside The Third Floor’s previs work on Joe Kosinski's sci-fi thriller.
Bavaria Film purchases a company-wide site license for ASSIMILATE’s SCRATCH and SCRATCH Lab, its advanced production dailies and VFX tool.
MPC creates “Fracture.io,” an art installation for The One Show’s lavish after party at NYC’s Bowery Hotel.
2nd Screen Global Con presents “Everything Small Screen,” a family-friendly expo and conference featuring kids’ entertainment, animation, second-screen, tech, and CGI.
SIGGRAPH 2013 releases an early preview of its schedule of production sessions to be featured at this year’s conference and as part of the Computer Animation Festival.
Adobe delivers “sneak peeks” of ground-breaking creative innovation at MAX 2013, including spotlights on “Perspective Warp” in Photoshop and “Video Color Grading” in After Effects.
Southpaw launches TACTIC 4.0, which adds more advanced data connection technology and greater configurability to help organizations design their own unique digital workflows.
HP partners with Adobe to offer workstation solutions designed to maximize performance using Adobe's newly announced Creative Cloud.
In developing “Wizard Ops Tactics,” Phyken turned to Autodesk Maya 3D animation software for high-quality art, models and other 3D assets.
Director Nico Casavecchia, 1stAveMachine, Ogilvy and the big brains at IBM Research create the world’s smallest stop-motion film, “A Boy and His Atom.”
Wacom launches the Cintiq 22HD touch, a new addition to its expanding interactive pen display portfolio, which combines multi-touch with Wacom’s renowned pen technology.
Rogue State turns to LightWave 11.5 3D software to conquer CG dragons and 220 visual effects shots for “Dracano.”
An award-winning team of motion graphics designers and animators leverage MAXON’s CINEMA 4D software application to visualize and design the complex in-camera and on-screen motion-graphics sequences in Universal Pictures’ “Oblivion.”
Digital Juice launches Simplexity Collection 4, a new line of downloadable projects and templates for Adobe After Effects, Adobe Premiere Pro, Apple Final Cut Pro/Apple Motion and Sony Vegas Pro.
As the final night of its VFX Convergence craft series, the Academy of Motion Picture Arts and Sciences presents a panel discussion on how matte paintings and set extensions allow films to be enriched by creating entire worlds never built or seen before.