British Columbia’s only Oscar-accredited festival is back as a hybrid event, with an expansive program of talks, presentations, screenings, and career networking events, running October 27 – November 30; submissions still being accepted through September 16.
Tagged With: Sony Pictures Imageworks
Both hailing from Method Studios, Gabby Gourrier joins as Co-President, VFX, and Diana Ibanez as Executive Vice President, Film and Episodic VFX.
The annual event returns in-person as well as online, running October 27 to November 30; the deadline to submit films is September 16.
Technical Steering Committee members from Autodesk, DNEG, and Sony Pictures Imageworks will make RV, xSTUDIO, and parts of the itView ecosystem available to the open source community.
The 30-year VFX veteran’s experience and leadership tapped to cultivate creativity and maximize efficiency of Vancouver-based team.
Company's week-long celebration begins with the release of its new 100-page guide, a deep dive into using the Unreal Engine for real-time animation; event programming showcases the latest tools, workflows, and free learning resources in the Epic Games ecosystem.
Netflix’s animated short anthology uses every trick in the book – from disturbing grotesquery to quirky humor – to explore humanity’s overriding fear of death, ultimately shining an enriching light on our daily existence and what it means to be human.
At Sony Pictures Animation’s big Annecy 2022 presentation, directors Joaquim Dos Santos, Kemp Powers, and Justin K. Thompson shared stunning work-in-process visual development, finished animation, previously untold story lines, and cool new characters from one of the most anticipated sequels in modern animation history… to the raucous festival crowd’s delight!
Read the film and director list - with images - from the batch of nine news shorts in Netflix’s epic, Emmy Award-winning anthology that returns on May 20; executive producer David Fincher makes his animation directorial debut, and Oscar winner Alberto Mielgo returns with another piece.
With the conference starting next Tuesday, a final selection of new program highlights includes a showcase of an LED Wall and Unreal Engine in a virtual production stage, ‘Real vs. Unreal’ real-time graphics panel, and The World to Come - A look ahead at Metaverse.’
With benchmarks determined by over 350 industry leaders, educators, and consultants, the new educational resource sets out to provide recognized core competencies and skills for entry level positions in the animation, VFX, and games industries.
Conference confirms more talks, presentations, and masterclasses including a look at rendering challenges behind ‘The Mitchells vs. the Machines,’ creation of Mixed Reality with Microsoft’s Darren Cosker, and Machine Learning with Foundry’s Mairéad Grogan; the event runs onsite May 3-5, online May 6 and on demand through May 31.
Written by noted journalist Barbara Robertson, the paper visits the origins of today’s open source technology in modern filmmaking beginning with cutting edge digital visual effects and animation in the 1990s followed in the early 2000s with the release of ILM’s OpenEXR and Sony Pictures Imageworks’ OpenColorIO.
Sony Pictures Imageworks’ VFX Supervisor Chris Waegner and Animation Director Richard Smith talk about the challenges of working with three Spider-Men, updating a clutch of long-time villains, and ensuring realism in the midst of an action-filled fantasy.
Directors Derek Drymon and Jennifer Kluska, VFX Supervisor Seth Maury, and Head of Character Animation Alan Hawkins discuss the making of the valedictory installment of Sony Pictures Animation’s beloved monster comedy franchise.
Role NEP Group’s newly formed business unit will focus on expanding company’s global virtual production solutions while supporting its network of permanent stages for film and tv.
DNEG’s feature animation division drew on years of cutting-edge VFX production experience to build the pipeline needed to help Locksmith Animation bring Barney and Ron the B*Bot to life.
Atlantic Records, Netflix, and Sony Pictures Animation drop vibrant remixed dance video of ‘My Own Drum’ from the just released ‘Vivo’ official soundtrack; the animated musical adventure feature all-new songs written and performed by the award-winning Lin-Manuel Miranda.
Fueled by a cascade of original Lin-Manuel Miranda songs, Sony Pictures Animation and Netflix’s animated musical adventure is a celebration of life and love powered by energetic music and dance.
The industry veteran brings over 20 years of technical expertise and leadership experience to his new role; credits for digital modeling and look development on projects include ‘Tron: Legacy,’ ‘The Three Musketeers,’ ‘Resident Evil: Retribution,’ and ‘Penny Dreadful.’
With songs by Tony Award winner Lin-Manuel Miranda, who also stars as the film’s titular kinkajou, Sony Pictures Animation’s latest gem blends 3D and 2D animation into a vibrant, colorful, and often wild celebration of music as a universal language of friendship, family, and love, premiering today on Netflix.
Sony Pictures Animation has dropped a brand-new animated short featuring the monster-sized puppy, Tinkles, who just can’t wait to play!
The Sony Pictures Imageworks senior VFX supervisor discusses his studio’s integration of Epic’s game engine technology and real-time workflows into its animation production on a new episode of Netflix’s ‘Love, Death & Robots’ anthology series.