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Tagged With: CG environments

Marvel-ous VFX Headline News

Cinesite Shares ‘Black Panther: Wakanda Forever’ VFX Breakdown Reel

The studio delivered almost 400 visual effects shots, with its London facility producing a single 10-minute sequence and Montreal facility creating a range of sequences, including full water simulations, integrating CG ships, digi-doubles and a helicopter crashing into the ocean.

Wakanda vs Talokan VFXWorld

Digital Domain Gets Stealthy for ‘Black Panther: Wakanda Forever’ VFX

The studio harnessed Maya and Houdini to deliver 500 visual effects shots, creating backgrounds for the film’s finale aboard a futuristic Wakandan stealth ship; with Houdini’s crowd tools, CG digi-doubles based on live-action footage of 20 stunt performers translated to 100s of warriors on deck, on the hull, and in the water.

Teaching Tomorrow’s Heroes and Villains VFXWorld

Framestore Creates CG Magic for Netflix’s ‘The School for Good and Evil’

Studio delivers previs, techvis, postvis and final shots on director Paul Feig’s new film, based on Soman Chainani’s fantasy hexalogy, about two young girls who find themselves at the titular school, which raises the heroes and villains of tomorrow.

Get Your Hulk-Smash On! VFXWorld

Wētā FX Works Their Smashingly Good Magic on ‘She-Hulk: Attorney at Law’

In an extensive Q & A, Senior Animation Supervisor Sidney Kombo-Kintombo and Senior VFX Supervisor Guy Williams talk about their gargantuan contributions to Marvel Studios’ 'She-Hulk: Attorney at Law,' streaming exclusively on Disney+.

The Expanding Star Wars Universe VFXWorld

Image Engine Shares ‘Obi-Wan Kenobi’ VFX Breakdown Reel

Leading visual effects studio's veteran ‘The Mandalorian’ and ‘The Book of Boba Fett’ VFX team delivers 364 shots across the Disney+ Original ‘Star Wars’ series, ranging from the creation of full CG builds for ship landing shots to an epic Kenobi lightsaber battle against the Empire.

You Are Sentenced to In-Person VFX VFXWorld

Doing Hard VFX Time on ‘Spiderhead’

For director Joseph Kosinski and Netflix’s crime drama, VFX supervisor Ryan Tudhope managed a group of studios that produced 900 visual effects shots, including the prison facility, UI graphics and monitor replacements, CG environmental assets, and various set extensions.

The Epic Space Epic Returns VFXWorld

FuseFX Goes Big and Bold in ‘The Orville: New Horizons'

By Dan Sarto | Friday, September 9, 2022 at 1:10pm

Led by VFX Supervisor Tommy Tran, the studio produced massively complex visuals on 1,827 shots in Season 3 of Seth MacFarlane and Hulu’s sci-fi comedy, including bigger and more complex planets, space battles, and an impressive, completely overhauled USS Orville.

Zoom Zoom VFXWorld

The Fast and the Curious: DNEG Shoots the Works in ‘Bullet Train’ VFX

Visual effects supervisor Stephen James talks crashes, humor, LED walls, and layers of destruction as he takes us inside the studio’s wild and multi-faceted work on Sony Pictures’ comedy thriller, now playing in theaters.

Honey Mamma! VFXWorld

Luma Pictures Travels to Graceland in ‘Elvis’ VFX

The visual effects studio recreates the King of Rock & Roll’s famed home, showing its change over the course of 3 decades, along with shots of the iconic Hollywood sign, in Baz Luhrmann’s lush, colorful biopic.

Different Day Different Doomsday VFXWorld

It’s All About the Kugel in FOLKS’ ‘Umbrella Academy’ Season 3 VFX

By Dan Sarto | Friday, August 19, 2022 at 2:00pm

The visual effect studio creates the Kugelblitz, a pulsating orb that destroys everything in its path with increasing blasts of energy – the Kugel Wave - as well as a numerous ravens summoned from Sparrow Academy Number Three Fei’s body, in the hit dysfunctional superhero comedy adventure, now streaming on Netflix.

Business Headline News

Trioscope Begins Licensing Proprietary ‘Trioscope Platform’ Technology

The suite of production and post-production tools fuses live-action with CG elements to create highly stylized worlds; tech and media exec Greg Mandel joins Board of Advisors as business strategy advisor.

High School is Just so Super! Headline News

RISE FX Shares ‘Ms. Marvel’ VFX Breakdown Reel and Images

By Dan Sarto | Monday, August 1, 2022 at 2:58pm

German visual effects studio's highlight reel showcases their work on the new Marvel Studios and Disney+ series, including sonic blast weapons, smashing glass, and various ‘Hard Light’ and ‘embiggen’ effects.

TV VFX Headline News

Union VFX Delivers a Tasty Bakery Van Chase for Marvel’s ‘Moon Knight’

The London-based studio shares its VFX breakdown reel showcasing how they created a high-octane cupcake delivery truck pursuit through the Alps for Marvel and Disney+’s latest MCU series.

Take the A… or is it the Q? VFXWorld

BREAK+ENTER Rebuilds New York Subway System for ‘Russian Doll’ Season 2

The VFX studio created highly realistic, easily controllable CG models and worked extensively with LEDs to bring the city’s subway tunnels to life on Netflix’s Emmy Award-winning series starring Natasha Lyonne.

Careers ANIMATIONWorld

SCAD Alumni Talk Animation Skills, Careers, and Opportunities

Recent graduates Jacey Robinson, John da Fonte, and Julianna Mercado discuss their efforts to secure challenging and enjoyable industry work, how they keep up on new tools and technology, and how their college prepared them for the rigors of professional production.

Yay to Dystopian Futures! Headline News

VFX Legion Crafts a Post-Apocalyptic NYC for HBO Max’s ‘DMZ’

The company’s creative team transformed footage shot in Atlanta into a Manhattan-bound hellscape for the streamer’s four-part miniseries based on the DC comic book series of the same name.

Feature Film VFX Headline News

Union Shares VFX Breakdown Reel for WWII Thriller ‘Operation Mincemeat’

By Dan Sarto | Tuesday, June 7, 2022 at 8:27am

Studio was the sole visual effects vendor on the Warner Bros. feature - about Great Britain’s successful deception operation prior to the 1943 Allied invasion of Sicily - providing key CG ships and vehicles, wartime London environments, and troops storming into battle.

TV VFX Headline News

BlueBolt Shares VFX Breakdown Reel from ‘The Last Kingdom’ Season 5

By Dan Sarto | Friday, June 3, 2022 at 3:16pm

Visual effects studio delivers 782 shots as the lead vendor on the final season of the hit Netflix series, filled with sprawling CG armies, historically accurate CG ships, environments, and of course, bloody Saxon battles.

Yay to Dystopian Futures! VFXWorld

FuseFX Goes Inside a Post-Civil War Manhattan in ‘DMZ’

VFX supervisor Brian Kubovcik discusses his team’s work creating the devastated urban landscape of various famed New York locations, such as Chinatown and The Manhattan Bridge, in the new HBO Max miniseries, based on Brian Wood’s Vertigo comic series.

The Dark Knight Returns! VFXWorld

Wētā FX Brings Its Special Brand of Visual Magic to ‘The Batman’

VFX Supervisor Anders Langlands talks about the iconic visual effects studio’s work on the Warner Bros. blockbuster, from car chases and mysterious lens flares, to why making rain is harder than it looks.

The Magic of Magic VFX Headline News

Realtime Conjures More VFX Magic for ‘A Discovery of Witches’ Season 3

By Dan Sarto | Tuesday, February 22, 2022 at 3:19pm

UK animation and VFX studio returns for the Sky TV drama's third and final season; VFX breakdown reel highlights studio’s work crafting a range of subtle, magical visual effects grounded within the tone of the storytelling.  

Just Take the Pill VFXWorld

DNEG Helps Visualize the 'Real World' of ‘The Matrix Resurrections’

Leading VFX and animation studio delivers more than 700 visual effects shots, filled with CG environments and digital characters including sentinels and harvesters, the Cybebe, Kuhjaku, Lumin8, and Mnemosyne ship, in Lana Wachowski’s fourth ‘The Matrix’ franchise installment.

Just Take the Pill VFXWorld

Framestore Has a Blast with ‘The Matrix Resurrections’ VFX

Studio delivers 443 shots, including 3rd act mayhem involving a high-octane motorcycle chase, an explosive helicopter encounter, and human torpedoes dropping from San Francisco high-rises, in the highly anticipated fourth ‘The Matrix’ franchise installment.

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