The studio transforms London into a dilapidated landscape dwarfed by towering statues of Greek Gods, creating the backdrop for the sci-fi series starring Jack Reynor and Chloë Grace Moretz, now streaming on Prime Video.
An early adopter of real-time tech, the London-based VFX studio promotes its Head of Studio to serve alongside creative director Chris Lunney and founder Nic Hatch.
The VFX studio helps enhance the drama, add realism, and ensure continuity on Showtime’s legal drama starring Bryan Cranston as a disgraced judge, now airing and also streaming on Paramount+.
The award-winning entertainment company launches a new Vancouver office led by Emmy-nominated head of 2D Michael Porterfield, who joined the company last summer.
CG supervisor Bryant Reif and his team created ‘The Shortcut,’ an entirely CGI transatlantic ocean liner modeled after the Queen Mary, along with digital people, oceans, docks, wakes and waves, for Season 2 of the series, now streaming on Disney+.
Studio serves as lead VFX vendor on Eric Garcia’s new nonlinear, eight-part Netflix crime series inspired by the true story of a $70 billion Manhattan bank heist during Hurricane Sandy; challenging effects-heavy shots included creating a swarm of digital bees to camouflage a character’s movements through a super-secure bank vault.
VFX Supervisor David Bowman and VFX Producer Hannah Dakin will help expand studio’s film and episodic division; company will soon move to a new facility boasting state-of-the-art production servers and workstations to streamline workflow and increase capacity.
The Oscar and BAFTA-winning industry veteran’s credits include Jordon Peele’s ‘Nope,’ Sam Mendes’ ‘1917,’ and Michael Dougherty’s ‘Godzilla: King of the Monsters;’ will work out of the studio’s Los Angeles office.
The Technicolor Creative Studio adds new leadership to increase reach across global VFX industry; Jean-Paul Burge named Global President, ex-Paramount Pictures exec Stephanie Allen joins as Executive in Charge - Client Services, and VFX industry veteran Chris Burn named Global Head of Production.
David Patton, Mark Warburg, Phil Greenlow, and Sharn Gondal join the Emmy Award-winning VFX/Animation company; Natalie Llewellyn expands her role managing all animation production.
Creative studio harnesses stock and ripped footage, AI elements, and rough Photoshop comps to create a powerful tone, luring viewers into HBO Max’s 3-part docuseries; the series unravels accusations of fraud, deception, and murder chronicling South Carolina’s Murdaugh family legacy and century-long influence over its legal system.
The two visual effects veterans join the studio as Senior Producer and Compositing Supervisor, respectively.
Leading visual effects studio's veteran ‘The Mandalorian’ and ‘The Book of Boba Fett’ VFX team delivers 364 shots across the Disney+ Original ‘Star Wars’ series, ranging from the creation of full CG builds for ship landing shots to an epic Kenobi lightsaber battle against the Empire.
Donald P. Bellisario’s revival of the 1990s sci-fi cult classic tapped the global VFX house to create complex digital environments with integrated 2D and 3D assets; check out the VFX breakdown reel then catch Season 1 now airing on NBC and streaming on Peacock.
The acquisition creates a roster topping 300, bolstering the London-based studio’s capacity to offer and create a range of VFX for the film and TV markets.
Former DNEG Bangalore & Chennai head of studio Kiran ‘KP’ Prasad tapped to lead the iconic VFX studio’s latest global expansion; the new full pipeline facility will provide VFX and animation services for film and television, drawing on the region’s extensive local talent base.
The company’s chief operating officer succeeds John Fragmeni, assuming new role overseeing and expanding company’s VFX services, offerings, and continued development of proprietary digital human capabilities.
The VFX/animation company’s latest acquisition significantly increases its talent roster and global capacity and follows recent additions of Canadian-based studios L’Atelier Animation and Squeeze Animation.
Just commissioned NBC 8-part series will take a factual journey into prehistory with a broad range of digital environments, landscapes, and creatures; production kicks off production later this year with the show slated to stream on Peacock.
Academy Award-winning industry veterans Eric Brevig and Greg Butler join the visual effects and animation company at a time of unprecedented growth.
Joyce Boll named EVP of Features & Episodics; east coast post-production veteran will spearhead VFX house’s growth and presence in New York.
The streamer marks ‘Star Wars Day’ by more teasing of the highly anticipated series that begins 10 years after the saga of ‘Star Wars: Revenge of the Sith;’ mark your calendar for the May 27 premiere.
Episode 1, ‘A Grain of Truth,’ wins for Special, Visual & Graphic Effects; award goes to Cinesite, Hivemind, Platige Image, and Pioneer Stillking Images.
Photorealistic cat sows trail of destruction in episodes of the network’s hit crime drama; one gruesome scene was completed with a CG human leg and added gory details using Houdini, with final compositing in Nuke.
Former BOT VFX exec will lead studio’s creative, production, and sales teams while setting strategic direction; plans include increasing company profile and recruiting high-level creative and production talent.
