SPIN VFX announces three additions to its senior team: Mayur Patel, Tim Alexander and Wojciech Zielinski.
SPIN VFX is pleased to announce Emmy nominations for the second season of THE BORGIAS, including Outstanding Special Visual Effects in a Supporting Role.
Digital Domain Media Group (DDMG) has named industry veteran Jim Berney Head of Studio at DDMG in Florida.
In a major expansion of its visual effects and digital lab services and personnel, Mechnology has opened a second studio in Vancouver, B.C.
The Visual Effects Society will conduct Career Fairs in Los Angeles, New York and London on Saturday, June 16, 2012.
Digital Domain and its commercial production company Mothership were honored by the AICP at Tuesday night's 2012 AICP Show held at The Museum of Modern Art (MoMA) in New York City for Nike “Biomorph.”
cebas Visual Technology announced that its thinkingParticles tool was heavily relied on in some of the feature scenes for “Snow White and The Huntsman.”
Level 256 Visual Effects announced that it has produced more than 60 VFX shots for “The Dictator,” the latest film from Sacha Baron Cohen.
VFX house Ntropic partnered with Venice, CA-based Wild Plum on an integrated interactive campaign for Ford via Team Detroit.
Independent UK-based private equity house Endless LLP has acquired Cinesite from Kodak for an undisclosed amount. The deal involves Cinesite’s existing management team, supported by its new investment backer.
Evil Eye Pictures has contributed nearly 200 visual effects shots for Marvel’s highly anticipated “The Avengers” directed by Joss Whedon.
Culver City/Vancouver-based visual effects house Zoic Studios bolsters its cadre of high-level visual effects talent with the addition of veteran Creative Director/VFX Supervisor/Flame Artist Simon Mowbray.
A public response to the recent revelation that Digital Domain CEO John Textor intends to fuel Tradition Studios, the company’s new feature animation studio in Port St. Lucie, Florida, with student labor.
Inspire 2012 will unite the SCAD community with industry-leading professionals in the motion graphics and visual effects industries April 12-13.
The Gnomon School of Visual Effects reveals the reels for two of its 2011 top graduates, Joao Rosa and Daniele Volpe.
The Gnomon Workshop released a new training DVD, “Creating Highly Realistic Composites: Feeling Real vs. Looking Real” featuring Rob Nederhorst.
With less than seven weeks remaining before FMX 2012 opens its doors, Europe's leading conference on the creation, production and distribution of digital entertainment is proud to present this year's program highlights.
Production company Digital Frontier used thinkingParticles, one of the flagship VFX products developed by cebas Visual Technology, to create the visual effects for Japan’s 3D computer-animated CG film, “TEKKEN Blood Vengeance 3D.”
Los Angeles-based Therapy editor Doobie White and partner design/animation company Visual Creatures teamed up to inject a spark of blazing intensity into Columbia Pictures and Hyde Park Entertainment’s recently released 3D feature “Ghost Rider: Spirit of Vengeance.”
Pixomondo VFX Supervisor Ben Grossmann and Pixomondo Digital Effects Supervisor Alex Henning – along with Hugo’s Visual Effects Supervisor Rob Legato and Special Effects Supervisor Joss Williams – earned the Best Visual Effects Oscar for work on Martin Scorsese’s 3D epic adventure, “Hugo.”
Hugo won the award for Best Visual Effects at the 84th Academy Awards.
Highlights for FMX 2012 include Martin Scorsese's 3D adventure “Hugo,” TV series “Game of Thrones” and “Bones,” and games such as “Mass Effect 3” and “The Witcher 2.”
LOOK Effects will be presenting an evening on The Making of The Muppets for the Visual Effects Society Education Committee on Thursday, February 23rd.
BFX Imageworks designed and executed the entire animated graphics package displayed at the 10th Annual Visual Effects Society Awards ceremony, in addition to editing and producing the Nominee Montage reel that opened the show.
The Grunge Collection, available now on FxFactory 3, features four new visual effects products to add a grungy feel through gritty textures and transitions, lighting, film burns, and more
