Richard Kidd is named Creative Director/Senior VFX Supervisor; Scott McCullough named Live Action Director & DP.
Tagged With: VFX
Conference on Animation, Effects, Games and Transmedia celebrates its 20th Anniversary with ‘20 Years of ‘Toy Story,’ presentation from VFX luminary Joe Letteri, ‘20 years of Weta Digital,’ and ‘40 years of Industrial Light & Magic.’
Enhanced version of powerful node-based VFX, editorial and finishing suite NUKE STUDIO to be showcased at NAB 2015.
Boutique studio provides design, animation, VFX, editorial and compositing services to create unique cut-paper style imagery for ‘Strong Roots’ campaign for Boone County National Bank.
With a diverse portfolio that includes work for Nike, Nescafe and Volkswagen, director and visual artist Jean-Paul Frenay joins the Not To Scale roster of multi-disciplined filmmakers.
Autodesk engineer and designer Evan Atherton creates ‘Star Wars’-inspired short using RED Epic and Scarlet cameras, as well as a DGI drone and Movi free fly gimbal for aerial shots.
UK VFX house creates fully CG animated robots, environments and explosions, as well as flying vehicles, a Spitfire plane, a castle fight sequence and dramatic climax involving a giant CG robot spaceship.
London-based visual effects house to begin production on ITV’s 13-part warrior drama ‘Beowulf,’ FOX TV’s ‘The Bastard Executioner,’ BBC’s ‘Doctor Who’ series nine, and feature film ‘Poltergeist’ from 20th Century Fox and MGM.
FX Lead Tomas Slancik builds a robust custom feather system that allows artists to specify feather shape and easily populate designated areas.
Newly built, 7,000-square foot headquarters features state-of-the-art proprietary software as well as hardware capable of delivering short-form creative media via integrated global dark-fiber services housed within a secured environment.
Shotgun review and asset management software enables efficient production management for Hong Kong-based VFX and animation studio.
As lead VFX studio, MPC was responsible for a variety of 3D and 2D effects, including creating Jack’s beanstalk, creatures such as Cinderella’s birds, mice, snakes and a cow, magic effects, fantasy environments, and transformation shots.
With new systems already in production, famed VFX studio can quickly source production-ready mocap data anywhere.
Former Emmy nominee, known for ‘Apocalypto,’ ‘Beetlejuice’ and ‘Stargate SG-1,’ will supervise VFX teams for ‘Scorpion’ and ‘Stalker.’
Company’s Los Angeles, London and Montreal studios collaborate on previs and virtual camera workflows.
Led by VFX supervisor Greg Butler, MPC completes 200 shots -- including complex 3D work -- for Clint Eastwood’s Oscar-nominated feature.
‘Captain America: The Winter Soldier’ and ‘Interstellar’ lead nominations for the 41st Annual Saturn Awards with 11 and 10 nominations, respectively; ‘Guardians of the Galaxy’ follows with nine nominations.
MPC NY bolsters award-winning 3D team with new addition of VFX veteran with over 13 years of top-notch experience in the advertising industry.
Shotgun’s production management, review and tracking tools enable small team of VFX artists to complete the stop-motion film’s 300 shots in just over three months.
Full-service boutique’s animation, visual FX & motion graphics talent tapped to create a digital journey that brings the rich history of Kansas City’s iconic Union Station building to life.
New head of production with over 10 years of production experience joins MPC NY from Transistor Studios.
Academy Award-winning films are part of the Lighting & Rendering track, a recurring series of presentations among the most relevant and successful components of every FMX program.