Directed by Wes Ball, ‘The Maze Runner’ is based on the popular novel series by James Dashner and will be released in theaters on September 19th.
Tagged With: VFX
Film and commercial VFX Supervisor Ben Gibbs, VFX Supervisor and Lead Flame Artist Jan Cilliers, and Executive Producer Celest Gilbert launch Venice-CA-based creative studio Girl Overboard.
Codex is now shipping the Codex Action Cam, the point-shoot-post system, which will be on display at IBC 2014.
Shuttlecraft, a boutique specializing in live-action and post-production services, opens a new studio in New York.
Gizzarelli to oversee Encore Hollywood’s team of post production supervisors, in addition to producing shows in-house, starting with the third season of Netflix’s ‘House of Cards.’
BAFTA Award-winning London VFX house creates the visual effects for the BBC’s “Deep Breath,” Peter Capaldi’s debut episode as Doctor Who, directed by Ben Wheatley for the eighth series of ‘Doctor Who.’
Montreal-based visual effects studio is rewarded with a prestigious Emmy Award for its contribution to the visual effects on ‘Game of Thrones.’
Post production and visual effects company appoints Jennifer "JT" Tellefsen Vice President of Business Development, VFX for Encore offices worldwide.
Select visual effects sequences for blockbuster film completed at Imageworks in tandem with lead VFX facility MPC.
VFX studio adds veteran Los Angeles producer Jason Cohon to its staff, joining CG/VFX supervisor TJ Burke, lead Flame artist Louis Mackall and VFX supervisor and lead Flame artist Andrew Eksner.
Nominees for the 18th animago AWARD are announced, with five nominees in ten categories selected from 1,014 submissions sent in by digital artists from 67 countries.
Encore VFX helps realize a fictional Middle Eastern nation for FX’s new drama with exotic set extensions, extravagant CG palaces and city skylines, subtle environmental work and crowd duplication.
MPC’s previs supervisor Duane Floch discusses three different POVs and lots of apes used to create the Colony Attack scene in Matt Reeves’ hit sequel.
The Third Floor supervisor Eric Carney walks us through the previs on Gareth Edwards’ hit reboot of the Japanese classic.
Pixel Magic completes over 100 visual effects shots for Sony Pictures Entertainment's feature ‘22 Jump Street,’ including a CG gantry crane and CG netting, CG octopus tentacles, and thousands of CG beach goers.
Digital Domain’s Kelly Port and Darren Hendler discuss the blood, sweat and motion capture work that went into the visual and digital effects of Maleficent.
MPC Vancouver’s visual effects supervisor Seth Maury discusses the creation of an anti-heroine’s magical world.
The VFX supervisor discusses how MPC helped director Gareth Edwards bring the iconic monster to the big screen.
Previs supervisor Austin Bonang explains the extensive use of previsualization on Bryan Singer's latest installment of the X-Men franchise.
MPC’s visual effects supervisor discusses the challenges of bringing Bryan Singer’s critically acclaimed film to the screen.
LOOK Effects’ visual effects supervisor discusses feather systems, a pulsating apple and the Garden of Eden in Darren Aronofsky’s latest film.