Autodesk engineer and designer Evan Atherton creates ‘Star Wars’-inspired short using RED Epic and Scarlet cameras, as well as a DGI drone and Movi free fly gimbal for aerial shots.
Tagged With: VFX
UK VFX house creates fully CG animated robots, environments and explosions, as well as flying vehicles, a Spitfire plane, a castle fight sequence and dramatic climax involving a giant CG robot spaceship.
London-based visual effects house to begin production on ITV’s 13-part warrior drama ‘Beowulf,’ FOX TV’s ‘The Bastard Executioner,’ BBC’s ‘Doctor Who’ series nine, and feature film ‘Poltergeist’ from 20th Century Fox and MGM.
FX Lead Tomas Slancik builds a robust custom feather system that allows artists to specify feather shape and easily populate designated areas.
Newly built, 7,000-square foot headquarters features state-of-the-art proprietary software as well as hardware capable of delivering short-form creative media via integrated global dark-fiber services housed within a secured environment.
Shotgun review and asset management software enables efficient production management for Hong Kong-based VFX and animation studio.
As lead VFX studio, MPC was responsible for a variety of 3D and 2D effects, including creating Jack’s beanstalk, creatures such as Cinderella’s birds, mice, snakes and a cow, magic effects, fantasy environments, and transformation shots.
With new systems already in production, famed VFX studio can quickly source production-ready mocap data anywhere.
Former Emmy nominee, known for ‘Apocalypto,’ ‘Beetlejuice’ and ‘Stargate SG-1,’ will supervise VFX teams for ‘Scorpion’ and ‘Stalker.’
Company’s Los Angeles, London and Montreal studios collaborate on previs and virtual camera workflows.
Led by VFX supervisor Greg Butler, MPC completes 200 shots -- including complex 3D work -- for Clint Eastwood’s Oscar-nominated feature.
‘Captain America: The Winter Soldier’ and ‘Interstellar’ lead nominations for the 41st Annual Saturn Awards with 11 and 10 nominations, respectively; ‘Guardians of the Galaxy’ follows with nine nominations.
MPC NY bolsters award-winning 3D team with new addition of VFX veteran with over 13 years of top-notch experience in the advertising industry.
Shotgun’s production management, review and tracking tools enable small team of VFX artists to complete the stop-motion film’s 300 shots in just over three months.
Full-service boutique’s animation, visual FX & motion graphics talent tapped to create a digital journey that brings the rich history of Kansas City’s iconic Union Station building to life.
New head of production with over 10 years of production experience joins MPC NY from Transistor Studios.
Academy Award-winning films are part of the Lighting & Rendering track, a recurring series of presentations among the most relevant and successful components of every FMX program.
Industry veteran has worked on feature films including ‘Tron’ and ‘X-Men: First Class,’ and commercials for high-profile brands such as Nike, Microsoft, and Mercedes-Benz.
Christopher Nolan’s Oscar-nominated sci-fi drama ‘Interstellar’ wins the Oscar for Best Achievement in Visual Effects.
Christopher Nolan’s Oscar-nominated sci-fi drama ‘Interstellar’ wins over the scientific community by depicting the most accurate black hole ever seen.
New video showcases visual effects created for the final installment of Peter Jackson’s ‘Hobbit’ trilogy, including key battle sequences and the destruction of Laketown.
It’s that time of the year again where 6000 male, mostly-white, 60 year olds put on their bi-focal 3D glasses and try to figure out what visual effects are.
Sixteen-year ILM veteran will oversee all operational matters for Lucasfilm, ILM and Skywalker sound, reporting directly to Lucasfilm president Kathleen Kennedy and Walt Disney Studios president Alan Bergman.