London-based VFX house uses a mix of LIDAR scan technology, full-CG ship elements and the organizational capacity of ftrack production tracking and management software to deliver visual effects for the BBC’s period drama ‘Poldark.’
Tagged With: VFX
NYC-based previs studio stretches creative boundaries with ‘Bayonet’ music video tapping company’s strengths in motion capture, 3D animation, visual effects, editorial, and more.
New UI part of demos in Booth #801; “Straight Talk on Cloud Rendering” theme of organized Birds of a Feather event.
Global VFX powerhouse MPC’s expansion into China shows that despite considerable challenges, opportunities are there for the taking.
New features in DaVinci Resolve 12 include a new interface, multi-camera editing feature, enhanced core editing tools, new audio engine, redesigned media management tools, new color grading tools, remote rendering and improved editorial workflows.
DigitasLBi enlists Motion Theory director Mathew Cullen to direct ‘Factory’ for Maytag, with visual effects provided by MTh sister company Mirada.
Former senior art director at Click3x has worked with high-profile commercial and broadcast clients including Verizon, HBO, Olay, MasterCard, Nat Geo, Wendy’s and Movado
Led by VFX/CG Supervisor Timothy Hanson, ZOIC Studios employs RealFlow to help create simulations for Marvel blockbuster ‘Avengers: Age of Ultron,’ completing nearly 100 shots for the movie.
Blu-ray combo pack includes more than 90 minutes of high-octane special features; ‘Mad Max 4-Film Blu-ray Anthology’ set also available September 1.
3D combo pack, Blu-Ray combo pack, DVD and Digital HD from Warner Bros. Home Entertainment available on Digital HD on October 6; Blu-ray Combo Pack debuts on October 20.
The five nominees for Outstanding Animated Program are FX’s ‘Archer,’ Fox’s ‘Bob’s Burgers’ and ‘The Simpsons,’ Cartoon Network’s ‘Over The Garden Wall’ and Comedy Central’s ‘South Park.’ VFX nominees include Starz’ ‘Black Sails,’ The CW’s ‘The Flash,’ HBO’s ‘Game of Thrones,’ Marvel’s ‘Agents of S.H.I.E.L.D.,’ and the History Channel’s ‘Vikings.’
Emmy award-winning CGI and digital solutions company Mackevision creates some of the most iconic scenes in the smash-hit HBO series, including the city of Braavos and King’s Landing.
Alongside the increasingly complex evolution of three fully-grown CG fire-breathing dragons, VFX house Pixomondo leverages Cospective’s cineSync review and annotation tool for global production pipeline for HBO’s ‘Game of Thrones.’
Released by Dover Studios co-founder Andrew Hazelden, Autodesk Maya plug-in RocketComp instantly connects Maya to 10 of the most popular desktop compositing applications in use today.
Directed by Peyton Reed and produced by Kevin Feige, Marvel’s Ant-Man arrives in theaters on July 17, 2015.
Join the Editors’ Lounge on Friday, July 31st for demonstrations on the latest features in DaVinci Resolve and Fusion Studio.
John Knoll is re-elected to Visual Effects branch of the Academy’s Board of Governors; Bill Kroyer is re-elected to the Short Films and Feature Animation branch.
Under the supervision of model maker Mark Anderson, 32TEN Studios creates 19-foot “miniature” models of the massive gates that welcomed visitors to the prehistoric theme park Jurassic World.
Iloura VFX supervisor Glenn Melenhorst discusses the return of Ted, the politically incorrect talking teddy bear that stars in Seth MacFarlane’s adult comedy sequel.
Culver City, CA-based VFX shop takes off on a blissful dinosaur adventure in the new stop-motion animated ‘Dino Trip’ for Trolli.
Former Light of Day creative director Leo Nguyen joins Carbon VFX with an impressive skillset that spans across art direction, illustration, 3D, motion graphics and editing.
Software update introduces important advances in physically based rendering for VFX and CG animation.
London-based VFX house delivers 1,000 VFX shots for BBC mini-series ‘Jonathan Strange & Mr Norrell,’ including 3D environments, crowd simulations, water, mud and sand effects simulation, modelling and texturing, matte painting, animation and 2D work.