MPC’s previs supervisor Duane Floch discusses three different POVs and lots of apes used to create the Colony Attack scene in Matt Reeves’ hit sequel.
Tagged With: VFX
The Third Floor supervisor Eric Carney walks us through the previs on Gareth Edwards’ hit reboot of the Japanese classic.
Pixel Magic completes over 100 visual effects shots for Sony Pictures Entertainment's feature ‘22 Jump Street,’ including a CG gantry crane and CG netting, CG octopus tentacles, and thousands of CG beach goers.
Digital Domain’s Kelly Port and Darren Hendler discuss the blood, sweat and motion capture work that went into the visual and digital effects of Maleficent.
MPC Vancouver’s visual effects supervisor Seth Maury discusses the creation of an anti-heroine’s magical world.
The VFX supervisor discusses how MPC helped director Gareth Edwards bring the iconic monster to the big screen.
Previs supervisor Austin Bonang explains the extensive use of previsualization on Bryan Singer's latest installment of the X-Men franchise.
MPC’s visual effects supervisor discusses the challenges of bringing Bryan Singer’s critically acclaimed film to the screen.
LOOK Effects’ visual effects supervisor discusses feather systems, a pulsating apple and the Garden of Eden in Darren Aronofsky’s latest film.
Starz taps Reliance MediaWorks to create visural effects for their new pirate period drama produced by Michael Bay, Black Sails.
The veteran Imageworks visual effects supervisor walks us through the production of Sony’s highly anticipated second Spider-Man offering.
Visual effects house Zoic Studios transports sports enthusiasts straight into the action in the 30-second Kinect Sports Rivals spot “You” for Microsoft out of Antfarm.
ILM rebuilt the helicarrier for the latest Marvel blockbuster and it's the company's biggest model in history. Here's a sample of some of the stunning concept art, vfx progressions and final shots. All images © 2014 Marvel.
ILM rebuilds the helicarrier for the latest Marvel blockbuster and it's the company's biggest model in history.
UK-based Union VFX re-creates Renaissance-era Florence for the second season of STARZ Original series Da Vinci’s Demons.
The veteran Oscar-nominated VFX supervisor discusses Marvel’s latest Iron Man saga as well as the future of high frame rate filmmaking.
Jake Banks, Matthew Marquis, and Guillaume Marien partner to launch Golden, a new production and post-production company.