The veteran Oscar-nominated VFX supervisor discusses Marvel’s latest Iron Man saga as well as the future of high frame rate filmmaking.
Tagged With: VFX
Jake Banks, Matthew Marquis, and Guillaume Marien partner to launch Golden, a new production and post-production company.
The LOOK Effects vfx supervisor discusses integrating miniatures, stop-motion, live action and more on Wes Anderson’s new film.
Time-traveling mutants, rare blue macaws, a webbed crusader, morphing metal robots and the Mistress of All Evil are just a few of the animated characters coming to theatres this Spring.
Led by VFX Supervisor Richard Clarke, Cinesite completes over 350 visual effects shots for 300: Rise of an Empire, creating epic 2.5D and 3D environments including Ancient Athens, Sparta and shoreline encampment shots.
One month before FMX transforms into the watering hole for the Art, Technology and Business communities, Europe's most influential conference on digital entertainment announces enriching additions to its impressive lineup of speakers and media productions.
Technicolor enhances its leadership role in the digital entertainment space with two key appointments: Tim Sarnoff is named President of new Production Services division, and Claude Gagnon is appointed SVP, Content Solutions and Industry Relations.
London VFX house Nvizible, part of the Ngroup, announced that they have considerably increased capacity with the company having taken on a whole new floor at their Soho base.
Shotgun replaces Blur’s proprietary production management software; frees internal development resources to focus on creative tools.
Program highlights are announced for FMX 2014, including a series of talks dedicated to ‘Disruptive Education,” feature presentations on Oscar winner Frozen and international film project The Physician, as well as renowned personalities such as Star Wars Concept Designer Christian Gossett and Oscar-winning Animator Chris Landreth.
Sydney-based digital production company announces the launch of a feature film development arm focused on developing a slate of animation, hybrid and VFX driven films for the company.
Gravity, Frozen, and Mr. Hublot were the big winners for VFX and animation at Sunday night's 86th Academy Awards. Here's a snapshot of the backstage comments.
An estimated 540 people from the visual effects community participate in a rally on Hollywood Blvd. on Oscar Sunday.
Alfonso Cuarón’s 3D space epic Gravity leads the 86th annual Academy Awards with seven wins, including the prize for best visual effects.
Studio's talents deliver inspirational composition uniting highly creative cinematography, CG and visual effects.
Polish creative studio Platige Image forges an inspirational teaser for the History Channel’s powerful original series that transports viewers to the brutal and mysterious world of the Vikings.
Autodesk software plays an integral role in the creation of great movies -- including eight of the nine Best Picture nominees.
Under the supervision of Jon Neill, Cinesite completed visual effects for the Columbia Pictures/ 20th Century Fox’s film, The Monuments Men, directed by and starring George Clooney.
VFX supervisor Nordin Rahhali discusses the challenges of rebuilding the hero of José Padilha’s new film.
The director, who will be receiving the VES' 2014 Visionary Award, discusses the unique process of reverse-engineering his Oscar-contending blockbuster.
Visual effects workers plan a demonstration in Los Angeles next month tied to the Oscars to protest foreign tax subsidies.