The VFX supervisor discusses how MPC helped director Gareth Edwards bring the iconic monster to the big screen.
Tagged With: VFX
Previs supervisor Austin Bonang explains the extensive use of previsualization on Bryan Singer's latest installment of the X-Men franchise.
MPC’s visual effects supervisor discusses the challenges of bringing Bryan Singer’s critically acclaimed film to the screen.
LOOK Effects’ visual effects supervisor discusses feather systems, a pulsating apple and the Garden of Eden in Darren Aronofsky’s latest film.
Starz taps Reliance MediaWorks to create visural effects for their new pirate period drama produced by Michael Bay, Black Sails.
The veteran Imageworks visual effects supervisor walks us through the production of Sony’s highly anticipated second Spider-Man offering.
Visual effects house Zoic Studios transports sports enthusiasts straight into the action in the 30-second Kinect Sports Rivals spot “You” for Microsoft out of Antfarm.
ILM rebuilt the helicarrier for the latest Marvel blockbuster and it's the company's biggest model in history. Here's a sample of some of the stunning concept art, vfx progressions and final shots. All images © 2014 Marvel.
ILM rebuilds the helicarrier for the latest Marvel blockbuster and it's the company's biggest model in history.
UK-based Union VFX re-creates Renaissance-era Florence for the second season of STARZ Original series Da Vinci’s Demons.
The veteran Oscar-nominated VFX supervisor discusses Marvel’s latest Iron Man saga as well as the future of high frame rate filmmaking.
Jake Banks, Matthew Marquis, and Guillaume Marien partner to launch Golden, a new production and post-production company.
The BFX competition is now open. Good luck!
Do you dream of a career working on blockbuster films such as Skyfall, The Pirates! or Gravity?
The LOOK Effects vfx supervisor discusses integrating miniatures, stop-motion, live action and more on Wes Anderson’s new film.
Time-traveling mutants, rare blue macaws, a webbed crusader, morphing metal robots and the Mistress of All Evil are just a few of the animated characters coming to theatres this Spring.
Led by VFX Supervisor Richard Clarke, Cinesite completes over 350 visual effects shots for 300: Rise of an Empire, creating epic 2.5D and 3D environments including Ancient Athens, Sparta and shoreline encampment shots.
One month before FMX transforms into the watering hole for the Art, Technology and Business communities, Europe's most influential conference on digital entertainment announces enriching additions to its impressive lineup of speakers and media productions.