Competition short film, Life without Gabriella Ferri, by Priit Paarn

written by Johannes Wolters

It’s a tough job to be on a pre-selection committee. I had the opportunity to talk to Alexey Alexeev, who together with Vanja Andrijevic (Producer, Croatia) and Francis Gavelle (Journalist, France) had the gigantic task to select the programs for short films from thousands and thousands of films. They also had to put together the out of competition program. So Alexey told me about the big discussions they had, what to choose, what to select within the pressure to work for the most influential animation festival of the world. So he sought for something new, something bold, something sharp. Describing himself as a little bit cynical, he adores "South Park" and Andreas Hykade but also the old Hanna-Barbera “Tom & Jerry” cartoons. He tries to combine creativity and professionalism, which means less boring films, less long format, less is more. Alexey Alexeev himself is in the TV competition with his lovable "Log Jam" series produced by Andras Erkel and his Hungarian Studio BAESTARDS.

Director Henry Selick, Madhouse Producer Jungo Maruta and Marie-Pierre Journet are the Jury Members for Graduation Films at Annecy 2009

Here we are at last! Welcome to the most fantastic, most exciting and I think "the" animation festival of them all. The 33rd edition of Annecy Festival began today, as always with the great welcome at festival centre Bonlieu next to the big, wonderful lake with the wonderful view on the French Alps. It's like Casablanca, where everybody comes to “Rick´s.” Here at Bonlieu you can meet all the people of Animationland during the one week, when the old town of Annecy with its old French charm becomes once again “Animatorsland”.

Patrick Davenport explains mo-cap advances at fmx.

written by Johannes Wolters

You know what´s interesting about the fmx?. You stay there in the foyer, in the halls, you have this big accessibility to each and everyone. So I found myself talking to one of the big visual effects designers of this planet.

Kevin Tod Haugs worked on "Quantum of Solace," "The Kite Runner," "Finding Neverland," "Panic Room" and many more. An his opinion about the stereoscopic films is a technical one: “I just find it heartbreaking, that after years and years and years of dealing with resolution, we are finally getting to the point, where its 2k or 4k, we could make choices, its all gonna be fine, we get digital cameras, we get rid of scanning, its all gonna be fine and then we have to make it twice as complicated. Just, when its gonna be easy, we have to make it hard.”

This wonderful building becomes like Everest after three days.

written by Johannes Wolters

Okay, there is one minor flaw in fmx. I had to go through three days of fmx09, but then I found it. Or better it found me. The house of commerce, this big old wonderful building, where fmx is placed is a truly great place for all the things going on. But the event has now conquered four floors of the place and every floor has very high walls. So if you want to run downstairs and upstairs to catch your next meeting, to get to your next discussion, whatever, you climbed in the end all together the Everest. Or at least your legs begin to revolt. So on the last day of fmx you notice more and more people (and not only the elderly ones), who take the elevators, a little bit hidden and a little bit slow. But that’s the only flaw I have found on this years edition of fmx. I have to admit this stairs-sport is also very healthy. May be not, with all the coffee you need to drain every piece of information from this awesome conference. Again the creators of the fmx, Renata and Thomas Haegele topped the event from last year and again the numbers of attendees increased. Again more and internationally renowned speakers came to Stuttgart, again for four days the sunny town became animator’s land And that in those dark and gloomy times of worldwide economic crisis. And I did not discover one unhappy face during all those days. Must be heaven!

Richard Edlund was a superstar at fmx.

Where to begin? Information overload. Day 2. Fmx09.

The fmx may not be as big as SIGGRAPH, but like an American professional stated, it is superbly organized, which makes it a truly wonderful event throughout the world of Visual Effects, Animation, Games and Digital Media. Steffen Wild presented the work and the developments inside the beloved World of Jim Henson Muppets today. The famous creature shop made it bold steps into the digital realm, carefully keeping the original muppet touch alive. Like Jim Henson told his staff “Have an Idea? We try it out. Never be afraid of failure”. The successful use of digital puppeteering was successful used on the TV-show “Sid the Science Kid”. 40 episodes, together 20 hours had to be put together within only one year. Key to the success: strong characters, the excellent collaboration between the puppeteers, the use of live action disciplines, the clever utilization of new technology and a perfect real-world-compatibility. Just doing digital puppets the muppet way. On the live stage up to six characters can now be handled at the same time datawise. All to create webisodes, commercials, Television shows and direct-to-dvd material at the moment. And of course at some point in the future creating a feature film with a hybrid approach.

Bringing Hollywood to Germany

Cloudy, sometimes rainy. Stuttgart, the capital of the German federal state of Baden Wüerrttemberg is once again for the next four days the global center of animation. The 14. International Conference on Animation, Effects, Games and Digital Media opened its gates to the huge crowds of professionals, students, journalists and all enthusiasts, who are interested in the latest technologies, brilliant developments and in meeting and talking to the leading women and men behind the magic of animation.

Crazy Eights creators take home the Red Baton at pitch fest.

The festival’s last day begins with Red Stick’s now-annual Pitch Contest. It might not as well attended as KidScreen’s similar event, but the presenters are every bit as passionate about their projects and after several days of tutoring from industry pros they’re ready to rock: Tim Raglan wants to turn his beautifully illustrated kids’ book Uncle Mugsy (featuring a stuffy bulldog and his mischievous niece and nephew in a Victorian canine universe) into a movie, followed by “many episodes or sequels depending on your personal preference;” Greg Farren and Jeremy Melton merge hot rodders (only their characters race spaceships, not cars), 1950’s-style sci-fi and rockabilly music into an inspired mixture called Crazy Eights; Digital Tap’s Martin Grebing presents Zap Squad, a team of adolescent superheroes (“they’re not your average kids next door”) on time travelling adventures; Patrick, a local cartoonist whose last name I missed offers Guns McMenanin, “the most bad-ass repo man in LA,” and Chris – again last name missing – does as much stand-up as pitching (“this is the most attractive crowd I’ve ever seen at an AA meeting”) while presenting two projects – Spells, a gross-out effort starring a trio of macabre witches (“mean-spirited fun for everyone”) and El Mucho Grande, Wrestler for Hire. (“He’s so big it took two women to give him birth.”)

Hans Rijpkema

Friday is field trip day at the Red Stick Festival – It seems as if half of Baton Rouge’s school population has been bussed in to take part in the festivities. I share an elevator With Walt Santucci of Duck Studios, on his way to lead an all-day animation workshop with the local school kids. I bump into him again at days’ end; his group produced some 9 anti-global warming PSA’s, with some of the best work done, he says, by kids with no previous animation experience. If you teach them too much at once they start worrying if they’re doing it right or not…

Red Stick brings animation vets to Baton Rouge - (l-r) Scott Johnston, Stuart Sumida, Doeri Welch-Greiner and Rachelle Lewis.

Day 2 of Red Stick, and the multiple events begin. Oh for the power of Dr. Manhattan to split myself up into several Joes so as to cover everything, but all I can manage is to run to and fro, capturing a taste of this and that.

In an upstairs classroom at the Shaw Center Chris Williams and Dougy Pincott are handing out modeling clay to middle school students who are about to learn the rudiments of stop motion animation. Chris and Dougy are visitors from Animex, Red Stick’s partner festival in Middlesbrough England. “We’re similar towns,” Dougy explains, “we’re both post-industrial and regenerating ourselves” through a focus on digital technology and animation. He adds that their town also features a bridge running across a major river, like the one carry I-10 across the Mississippi just south of the Shaw Center.

Zap Squad in pitch contest.

Red Stick began today for real, sort of. An abbreviated session wrapped up around 4, in time for people to go out and enjoy the warm Louisiana sun – which they needed to do after spending the past several hours in the sub-zero temperatures of the Shaw Center’s Manship Theatre. (Don’t they know this is Earth Day, you’re supposed to cut back on the AC and all that?)

First session was dedicated to ‘New Business Models,’ which are actually combinations of old business models and guess what, the internet. Animation distributors and networks are on the lookout for “content that people are already connecting with,” according to panelist Leah Hoyer of the Disney Channel, adding that videos that spread virally (what they used to call ‘word of mouth’ before there was an internet) turn the internet into an ad-hoc focus group; if a comedy or animated video gets 500,000 hits in a few days, a major distributor can safely assume a lot more of that demographic will be interested in seeing the video too. Phrases like ‘branded entertainment,’ ‘monetize on-line content,’ ‘user-generated content’ and ‘DRM’ [digital rights management] were bandied about by all present. The takeaways: high-definition content is in demand – and practice your pitch on your friends before you go into a for-real meeting.