Day 1 and the contestants are already tired.

SIGGRAPH 2009 Fjorg! competition started at 9am Monday, August 3 in New Orleans. In it’s third year, the event attracted many talented animators both students and professionals.

The competition, created by Patricia Beckmann as an Iron Animator event challenges the competitors to create a short film (15-45 seconds) from concept to finish in the short time span of thirty-two hours. To make the task more demanding, distractions are scheduled throughout the day to entice them away from the film making process.

Half-Blood Prince's fire sim isn't the the only talk of the town at SIGGRAPH.

The exhibition opened today and, as expected, the show is small but quaint -- similar to San Antonio a few years back. Nothing wrong with that: it's manageable and in keeping with the New Orleans flavor. While the number of exhibitors is smaller than usual, it's a nice mix. You can traverse the floor in about half-an-hour. And there are plenty of students flocking the job fair, which is where most of the action is -- and rightly so, considering the job market. In fact, a few of the large studios such as Lucasfilm and Sony Pictures Imageworks, opted to have a presence solely at the job fair.

SIGGRAPH winner - Wojciech Matusik

Well, there’s been a lot of anticipation and curiosity about SIGGRAPH returning to New Orleans (or Nola), not only since this marks the first major conference since Katrina but also because of the severity of the downturn. Yes, attendance may be sparse, but, you know what? A light turnout is in keeping with the quaint vibe here. And, despite the predictable heat and humidity, it’s not as bad as I remember growing up in nearby Ocean Springs, Mississippi (near Biloxi) back in the early '70s. And this new Convention Center (though very long) is beautiful, clean and easy to navigate -- so far.

Roland Emmerich talks about the end of the world in 2012.

San Diego Comic-Con 2009 continued to astound audiences daily as the Hollywood studios debuted their most prized properties for public consumption, many for the first time ever. Friday was Disney’s animation showcase day in Hall H with their annual sneak peek of what the esteemed animation division has coming to theaters in the next year. The major coup was Disney/Pixar’s John Lasseter welcoming Japanese Animation legend Hayo Miyazaki to the con for a panel on his upcoming release Ponyo. Focus also showed off their stop-animation gem, 9. And then Saturday was blockbuster day for Warner Bros, Sony and Paramount with films such as Jonah Hex, 2012 and Iron Man 2 earning major audience kudos and con buzz.

Astro Boy director David Bowers discusses his take on the classic anime character.

The first official day of San Diego Comic-Con 2009 was a doozy for animation and visual effects aficionados as almost the entire programming lineup in Hall H, the 6,000 seat theater at the San Diego Convention Center, featured sneak peeks at the most anticipated 3-D films set to release in the next year. Imagi’s Astro Boy, Disney’s Alice in Wonderland and Tron Legacy, Sony’s Cloudy with a Chance of Meatballs and the mother of them all, James Cameron’s Avatar all debuted footage in 3-D to rapt audiences.

Winners Adam Elliot (Mary and Max), Henry Selick (Coraline) and Festival Director Serge Bromberg

Some final images from the closing ceremonies.

Gregory V. Sherman and Jeffrey Sherman

A wonderful surprise waited for me Saturday morning, when I went seeing the boys. Richard M. and Robert B. Sherman had been with me through my entire life. I listened to their songs, from Winnie the Pooh and Jungle Book, from Mary Poppins through to Aristocats. All I knew about the artists, that they were brothers, had written unbelievable amounts of music and lyrics, had a close relationship to Walt Disney and that they had also composed the music for “Chitty Chitty Bang Bang” which is no Disney movie! Little did I know that there is so much more.

Max of Mary and Max fame.

Stop the printing machines! Hold everything! I have seen the film of the festival.

Sorry, but I am still under heavy shock and I think my feel-good hormones are still busy on the merry-go-round called my brain. And this happens only, when I see a truly overwhelming film.

It had been an already busy day full of big events, when we, me my friends and I went to the Grand Salle, sat down and saw “Mary and Max.” And this one hour and 32 minute long stop-motion movie turned out to be an outstanding, brilliant movie, which has to, which must, which will win the Cristal for best feature. The Clay Puppet-Movie tells the story about a strange and bewitching pen-pal friendship between two very different people: Mary Dinkle, an 8-year-old Australian, and 44 year-old obese Jewish American Max Horowitz. Based on a true story, the funny heartwarming film was written, directed and designed by academy award winning artist Adam Elliot from Down Under, who already enchanted us with his four short films, the trilogy “Uncle”, “Brother” and “Cousin” and of course the beloved “Harvie Krumpet”.

Bob Peterson (Co-Director UP), Peter Sohn and Kevin Reher (Director and Producer from Partly Cloudy)

Sorry for writing so late. But yesterday evening I suffered from severe animation illness, information overload and heavy small talk. After seeing the commissioned film program filled with commercials and music videos up to the brink – sitting next to an equally tired Ron Diamond – I hardly reached my apartment and went into dreamland seconds later.

Annecy is a place to meet interesting people like jury member Andreas Hykade (left).

Partytime at Annecy! Do you know which party is going on today? Are you invited? How do you sneak into a party? And why should you do that?

When I first went to Annecy, I was totally concentrating on watching as many films as possible. I thought that´s the proper way of behaving while being away on a big event like Annecy. Then I discovered the possibility to talk to the people, who actually were responsible for some of the magic I experienced while watching their movies. You could meet them after the screenings, standing patiently in the foyer of the Festival Center called Bonlieu. If you were lucky they would answer some of your questions and draw you some very nice sketches. Then it went back to the next program.