Led by VFX Supervisor Stephane Naze, the company’s Montreal studio, alongside its London and Vancouver facilities, created Groot, Cosmo, their severed Celestial head HQ known as Knowhere, and the fight with Adam Warlock on Marvel Studios’ smash sci-fi adventure hit.
Studio created multiple large-scale full CG and digital set extensions, including one that transported the present-day New York skyline back to 1994; a team of 1,000+ artists across London, Montreal, Bangalore, LA, Toronto, and Adelaide delivered 896 shots, including 18 of the movie’s characters.
From giant red spaceships to tentacled, toothy Abilisks, the studio’s VFX and animation teams, led by VFX supervisor Guy Williams and animation supervisor Michael Cozens, pull out all the stops for the final chapter of James Gunn’s MCU trilogy.
Led by VFX supervisor Axel Bonami, the studio’s team delivers 500 shots on Jonathan Goldstein and John Francis’ action adventure, including a multi-creature-transformation castle escape sequence, the cavernous, lava-filled Underdark, Themberchaud the dragon, a host of magical spells and one really cool portal.
Only by accepting others for who they are, can we truly see into the mind of God.
The studio wrangles facial mocap performances into its proprietary suite of AI tools to tackle one of Marvel Studios’ most unique villains, a 5-foot-tall flying face, in ‘Ant-Man and The Wasp: Quantumania.’
Production VFX Supervisor Ben Snow discusses key visuals on Paramount’s new fantasy adventure, including Industrial Light & Magic’s work on a shapeshifting Owlbear, a Gelatinous Cube, the surreal Ethereal Plane, and lots of magical spells.
25+ year industry veteran, the former President, VFX at MPC, joins the company’s visual effects division to support and expand production offerings across its growing TV business.
The Cal State LA alum’s credits include ‘Stranger Things,’ ‘The Amazing Spider-Man,’ and ‘The Hunger Games,’ among others.
‘Three Billboards Outside Ebbing, Missouri’ writer/director Martin McDonagh taps the studio as sole visual effects vendor on his award-winning film starring Colin Farrell and Brendan Gleeson; the invisible VFX included creating 1920s environment digital matte paintings and various CG objects and elements.
The industry veteran takes the reigns to optimize the VFX studio's proprietary toolsets including machine learning software and AI-driven creations.
From ‘Stranger Things’ producers Shawn Levy and Dan Cohen, the movie tells the coming-of-age story of five friends as they set out on their home lunar colony to explore a mysterious crater; film hits the streamer May 12.
Brie Larson returns as Captain Marvel this Fall alongside Teyonah Parris, Iman Vellani, Samuel L. Jackson, Zawe Ashton and Park Seo-joon.
Fans at the London ‘Star Wars Celebration’ were treated to the first look at a new, never-before-seen trailer from Harrison Ford’s final adventure as the iconic archaeologist; the film debuts at the Cannes Film Festival in May before hitting theaters in June.
The London-based studio celebrates 15 years with its first international expansion after delivering VFX on projects such as ‘For All Mankind,’ ‘The Irregulars,’ and HBO Max’s award-winning ‘The Banshees of Inisherin.’
The studio delivers 500+ seamless VFX shots for the gripping climax – involving a railway showdown - of the Netflix original dark comedy about a young woman who takes revenge on her abusive alcoholic husband.
Director Michael Bay brought in the visual effects house on the spot, featuring soccer icon David Beckham and football legend Peyton Manning, to create some very “cheesy” Cheetos-munching debris, a CG ball smacking a chip bag, and generic stadium shots where all manner of branded signage, banners, flags, and video screen imagery had to be removed.
Based in the Los Angeles office, the animation, VFX and live-action producer will lead nationwide business development for Streamland Media’s visual effects division.
The Australian-based visual effects studio delivers 270 shots for Peyton Reed and Marvel’s MCU Phase 5 kick-off, including augmenting and then destroying the massive Celestium fortress and visualizing Kang’s 3D multiverse map.
Company to represent both filmmakers in North America and the UK; Lee’s recent credits include multi-award-winning project ‘The Hiring Chain,’ while Stafford’s include Emmy Award-winning short ‘One Shot.’
Promising ‘one last ride,’ the trailer takes us inside the team’s battle against the High Evolutionary, but more importantly, we get to see baby Rocket!
Mirage crushes it in his debut as a legendary 1993 Porsche 911 Carrera RS 3.8 in the action-packed sci-fi adventure, directed by Steven Caple Jr. and starring Anthony Ramos and Dominique Fishback\, coming to theaters in June.
The studio delivered almost 400 visual effects shots, with its London facility producing a single 10-minute sequence and Montreal facility creating a range of sequences, including full water simulations, integrating CG ships, digi-doubles and a helicopter crashing into the ocean.
An early adopter of real-time tech, the London-based VFX studio promotes its Head of Studio to serve alongside creative director Chris Lunney and founder Nic Hatch.
Students at the Pearson College school helped deliver more than a dozen shots on the upcoming feature about a retired Irish paramilitary who witnesses an SAS officer’s fatal shooting of his pregnant wife.
