The London-based studio celebrates 15 years with its first international expansion after delivering VFX on projects such as ‘For All Mankind,’ ‘The Irregulars,’ and HBO Max’s award-winning ‘The Banshees of Inisherin.’
The studio delivers 500+ seamless VFX shots for the gripping climax – involving a railway showdown - of the Netflix original dark comedy about a young woman who takes revenge on her abusive alcoholic husband.
Director Michael Bay brought in the visual effects house on the spot, featuring soccer icon David Beckham and football legend Peyton Manning, to create some very “cheesy” Cheetos-munching debris, a CG ball smacking a chip bag, and generic stadium shots where all manner of branded signage, banners, flags, and video screen imagery had to be removed.
Based in the Los Angeles office, the animation, VFX and live-action producer will lead nationwide business development for Streamland Media’s visual effects division.
The Australian-based visual effects studio delivers 270 shots for Peyton Reed and Marvel’s MCU Phase 5 kick-off, including augmenting and then destroying the massive Celestium fortress and visualizing Kang’s 3D multiverse map.
Company to represent both filmmakers in North America and the UK; Lee’s recent credits include multi-award-winning project ‘The Hiring Chain,’ while Stafford’s include Emmy Award-winning short ‘One Shot.’
Promising ‘one last ride,’ the trailer takes us inside the team’s battle against the High Evolutionary, but more importantly, we get to see baby Rocket!
Mirage crushes it in his debut as a legendary 1993 Porsche 911 Carrera RS 3.8 in the action-packed sci-fi adventure, directed by Steven Caple Jr. and starring Anthony Ramos and Dominique Fishback\, coming to theaters in June.
The studio delivered almost 400 visual effects shots, with its London facility producing a single 10-minute sequence and Montreal facility creating a range of sequences, including full water simulations, integrating CG ships, digi-doubles and a helicopter crashing into the ocean.
An early adopter of real-time tech, the London-based VFX studio promotes its Head of Studio to serve alongside creative director Chris Lunney and founder Nic Hatch.
Students at the Pearson College school helped deliver more than a dozen shots on the upcoming feature about a retired Irish paramilitary who witnesses an SAS officer’s fatal shooting of his pregnant wife.
Based on the genre-defining roleplaying game, the action-adventure film starring Chris Pine, Michelle Rodriguez, and Hugh Grant now hits theaters March 31, 2023.
The award-winning entertainment company launches a new Vancouver office led by Emmy-nominated head of 2D Michael Porterfield, who joined the company last summer.
Challenged with creating accurate portrayals of Brighton Beach across 2 timelines, the studio’s team delivers 152 seamless VFX shots; breakdown reel highlights the studio’s visual effects work creating the backdrop for the romantic drama, which spans decades.
The award-winning studio delivers 271 shots for the Disney+ special, including a newly built and decorated Knowhere, Cosmo the (digital) dog, and a dancing adolescent Groot.
The VFX and animation studio collective announces new long term financing deal to continue its acquisition revenue growth, increase client offerings, capacity, and expand its global footprint; NatWest Corporate Bank led the financing alongside Barclays – the company’s longtime bankers.
Paramount Pictures and Skydance’s upcoming sci-fi adventure introduces a new breed of Transformers - The Maximals.
Recalling late-20th-century pop culture, the hand-drawn, rotoscoped animation bookends the newest ‘Guardians’ adventure - now streaming on Disney+
The AWS-powered Virtual Production stage debuts alongside the new Amazon Studios Virtual Production department; ‘Candy Cane Lane’ directed by Reginald Hudlin and starring Eddy Murphy, kicks off as the stage’s inaugural feature film production.
The Oscar and BAFTA-winning industry veteran’s credits include Jordon Peele’s ‘Nope,’ Sam Mendes’ ‘1917,’ and Michael Dougherty’s ‘Godzilla: King of the Monsters;’ will work out of the studio’s Los Angeles office.
Kevin Feige and star Zoe Saldana treated fans at CCXP22 to a first look at the newest installment of the hugely popular franchise coming to theaters next year.
The Technicolor Creative Studio adds new leadership to increase reach across global VFX industry; Jean-Paul Burge named Global President, ex-Paramount Pictures exec Stephanie Allen joins as Executive in Charge - Client Services, and VFX industry veteran Chris Burn named Global Head of Production.
Studio delivers previs, techvis, postvis and final shots on director Paul Feig’s new film, based on Soman Chainani’s fantasy hexalogy, about two young girls who find themselves at the titular school, which raises the heroes and villains of tomorrow.
Artists and studios gain broader accessibility to products and tools with Krakatoa and XMesh source code available for Autodesk Maya under Apache 2.0 open source license; artist tools simplify rendering, VFX, and simulation workflows.
Slated to open in early 2023 with award-winning VFX Supervisor and Australian national Andrew Jackson at the helm, the studio will lead the visual effects production on George Miller’s highly anticipated ‘Mad Max’ prequel ‘Furiosa’ - coming in 2024.
