The industry veteran spent 19 years at ILM, where he led the Singapore expansion, as well as 6 years at Netflix, before returning to Toronto.
What do superhero frenemies do… when one is Deadpool… they come together… Ryan Reynolds returns as the fourth wall breaking ‘Merc with a Mouth’ in the third installment of the scandalous Marvel Studios franchise, alongside Hugh Jackman as Wolverine; the film hits theaters July 26.
Streamer gives a go to the fifth and final chapter of the popular fantasy drama that chronicles the story of monster hunter Geralt of Rivia.
The 3DCG animated feature starring Chris Hemsworth, Brian Tyree Henry, and Scarlett Johansson tells the origin story of Orion Pax and D-16’s path from brothers-in-arms to becoming sworn enemies, Optimus Prime and Megatron; coming to theaters September 2024.
The live-action / CGI mini-series, which centers on Idris Elba’s dastardly, coffee drinking red Echidna as he teaches his protege Wade Whipple the ways of the warrior, hits Paramount+ April 26.
Attendees can explore the sound design of ‘Dune Part 2,’ the visual effects of ‘Avatar: The Last Airbender,’ and the invisible VFX of Ridley Scott's ‘Napoleon;’ 4-day event kicks off in Stuttgart on April 23, 2024.
Holy Chestbursters… the xenomorphs are back! And like exchange students they’re looking for hosts! Produced by Ridley Scott, the ninth entry in the immensely popular and enduring ‘Alien’ franchise hits theaters August 16, 2024.
The mystery-thriller, which take viewers into a galaxy of shadowy secrets and emerging dark-side powers in the final days of the High Republic era, debuts June 4 with its first 2 episodes exclusively on Disney+.
World VFX Day and UpliftHER are teaming up on an online event that examines women’s issues and developments within and beyond the visual effects industry; a diverse lineup of industry speakers will join the March 8 presentation on the World VFX Day YouTube channel.
It’s coming! Shannon Tindle’s all-new iteration of Ultraman introduces baseball star Ken Sato, an average young man who can transform into a gigantic superhero, streaming globally this June.
The VFX supervisors explain director Gareth Edward’s innovative, slightly radical new approach to filmmaking, a type of ‘reverse engineering,’ including the integration of visual effects, when during the process they’re created, and when it’s best not to use them, on his multiple VES Award-winning sci-fi thriller that’s been nominated for a Best Visual Effects Oscar.
Say… do you feel a draft? This summer, the epic studio disaster movie returns with an adrenaline-pumping, seat-gripping, big-screen thrill ride that puts you in direct contact with one of nature’s most wondrous - and destructive - forces; coming to theaters July 19, 2024.
Based on the bestselling novel by Gregory Maguire and the hugely successful stage musical, Jon M. Chu’s upcoming musical fantasy adventure tells the untold story of the witches of Oz, Elphaba and Glinda; the film hits theaters November 2024.
Sony Pictures Imageworks has just shared with AWN and VFXWorld a look at how their team, led by Oscar- and BAFTA-nominated VFX supervisor Theo Bialek, were tasked with building the planet-sized organic structure known as the Orgoscope.
Ryan Reynolds returns as the fourth wall breaking ‘Merc with a Mouth’ in the third installment of the scandalous Marvel Studios franchise, alongside Hugh Jackman as Wolverine; the film hits theaters July 26.
Hear how it all began… discover why our world went quiet. And don’t make a sound. Hitting theaters this June.
Attendees can explore ‘Loki’ Season 2 timeline mayhem and get insight into the making of the 60th anniversary ‘Doctor Who’ special episode; 4-day event kicks off in Stuttgart on April 23, 2024.
ILM, led by Simone Coco and Jeff Sutherland, delivered between 1,100-1,200 shots on the Christopher McQuarrie spy thriller, including a gunfight in an Abu Dhabi desert sandstorm, a Rome car chase, and fight atop a speeding train, and star Tom Cruise’s famed motorbike cliff jump.
The animation and VFX studio taps ILM and NVIX alum Jamie Wood as Head of Compositing, also names Peter Seager as Head of CG.
The film is the seventh collaboration between the director and composer, with previous projects including ‘The Martian,’ ‘Prometheus,’ and ‘Exodus: Gods and Kings;’ the bloody sequel that follows Lucilla’s son Lucius hits theaters on November 22, 2024.
VFX supervisor Simone Coco’s team took on the French general’s famous Battle of Austerlitz, stitching together three different locations, as well as creating thousands of unique, accurately outfitted CG soldiers and horses.
Lead Glen Powell reveals the upcoming film, set in the world created by the original 1996 disaster film, is a 'standalone story in the modern day;' the pic storms into theaters July 19, 2024.
While the ‘Star Wars’ sci-fi franchise boasts many upcoming offerings, including ‘The Acolyte,’ ‘Skeleton Crew,’ and ‘The Bad Batch Season 3,’ Disney’s release slate for 2024 has one notable omission…
After over six years of litigation, an Oakland jury has awarded roughly $600,000 to Reardon’s Oscar-winning VFX software MOVA Contour, with a paltry $345,000 meant to represent the profits gained from the wrongful use of assets.
Jon Steinberg and Dan Shotz’s reimagining of Rick Riordan’s best-selling book series, that tells the story of a 12-year-old with newfound divine powers and his journey to find a lightening bolt he’s accused of stealing, looked to ILM VFX supervisor Jeff White and the studio’s groundbreaking StageCraft LED Volume technology for live-action shoots integrating real-time animated environments.
