Virtual event to feature industry focused education sessions with virtual meetups on look development, lighting, and 3D design.
Tagged With: ILM
On June 27, the Oscar-winning director, along with VFX journalist Ian Failes, will talk about ILM’s new virtual production technology used on the hit Disney+ series, kicking off the VIEW Conference’s 21st season.
Summit will focus on the pandemic, the recently reinvigorated global call for social justice, and their tremendous effects on the animation industry.
YouTuber EZRyderX47’s viral deepfake sensation seamlessly and convincingly transforms Christopher Lloyd and Michael J. Fox into Robert Downey Jr. and Tom Holland.
Veteran animation director returns, bringing his extensive feature and 3D animation experience to studio’s growing creative team.
VFX studios on both films, Oscar nominees for Best Visual Effects, successfully used artificial intelligence in GPU-accelerated effects: ILM for character de-aging and Digital Domain for digital humans.
Production VFX supervisor Roger Guyett talks creating Princess Leia, the benefits of practical shooting, and bringing the saga to a close.
Tech giant’s Media & Entertainment software powers the studios behind Academy Award, BAFTA, Annie, VES and Golden Globe-nominated films.
VFX supervisor Pablo Helman discusses the sophisticated digital de-aging process, sans markers, used to depict Robert De Niro, Joe Pesci and Al Pacino over a four-decade span.
Grab your notepad and fashionable wool scarf; a packed roster of talent led by Brad Bird, Dean DeBlois and Rob Legato will rub elbows and share insights at the digital media conference and symposium set for October 21-25 in Turin, Italy.
Last minute confirmations pack an already expanded roster featuring top industry speakers; directors Jill Culton, Brad Bird, Dean DeBlois, Conrad Vernon, Sergio Pablos, Peter Ramsey and Eric Darnell lead an all-star lineup.
Conference attendees get early, extended look at highly anticipated sequel to the studio’s 2013 hit musical adventure, the highest grossing animated feature film of all time.
Creator of the battle royale game sensation, ‘PlayerUnknown’s Battlegrounds’ (PUBG), joins impressive list of speakers confirmed for October 21-25 digital media conference in Turin, Italy.
Oscar-winning VFX supervisor Rob Legato to present ‘The Lion King;’ director Conrad Vernon to present animated ‘The Addams Family’ at October 21-25 digital media conference in Turin, Italy.
‘Spider-Man: Into the Spider-Verse,’ ‘Dreams,’ and ‘Klaus’ presentations confirmed for upcoming animation, VFX, games and immersive storytelling conference.
Oscar winners ‘Spider-Man: Into the Spider-Verse’ and ‘First Man,’ ‘Stranger Things,’ ‘Avengers: Endgame,’ ‘Toy Story 4’ and ‘Game of Thrones’ among expansive slate of planned feature film, streaming, games and VR presentations.
Founding donors contribute more than $500,000 to support organization’s programs and international outreach initiatives.
The studio revisits and revamps Hulk, Marvel’s smash-‘em-up, fan-favorite digital character they first brought to the screen back in 2003.
Legendary artist shares concept design insights, George Lucas’ impact on his evolution as a designer, working through production design challenges and how he handles different opinions from strong creative voices on a film.
ILM’s SVP and Executive Director discusses studio production and management challenges as well as technology investment strategies and plans.
Chaos Group’s 2nd Annual event brings together 3D artists and developers in VFX, architecture and automotive design together for a series of masterclasses in Sofia.
Opening in U.S. theaters on December 20, ‘Star Wars: The Rise of Skywalker’ will include previously unused footage of Carrie Fisher as General Organa.
Academy Award-winning VFX industry veteran has contributed to more than 30 feature films, including blockbuster hits ‘Men in Black,’ ‘Pearl Harbor,’ ‘Hook’ and ‘The Maze Runner.’
VFX producer Kimberly Nelson LoCascio wrangles two VFX supervisors and multiple VFX houses to help deliver more than 2,300 visual effects shots for director James Wan’s take on the DC Comics super hero.